If you’re not completely sick of reboots by now, here’s another one to sink your teeth into: Capcom’s DmC (Devil May Cry). The franchise is only 10 years old, but nothing’s too young for a reboot these days (see: Amazing Spider-Man). The original Devil May Cry still stands proud and tall as one of the shining gems of the PS2’s library, and I would even argue that it might be the single best game that Capcom has ever made! I’m sure Mega Man and Street Fighter fans will argue though. Bottom line is that Devil May Cry single-handedly created a whole new genre of game: the "stylized action" genre. It was the first in what would become a long line of spectacle action games that would eventually contain names like God of War, Bayonetta, Lollipop Chainsaw, Batman: Arkham Asylum (to an extent), and Heavenly Sword. That last title is of particular interest because its developer, Ninja Theory, is the developer for this new DmC game (Capcom is only publishing).

Table of Contents

• A new Devil May Cry
  • A new Dante
  • What a Brave New World that has such demons in it
• Offended by the O’Reilly Factor
• Alright, so how does the game play?
  • Gameplay is worthy of the name, but difficulty isn’t
  • Giving you options, then taking them away
  • Out of the way bonuses
• A unique aesthetic
• A good effort, but pales in comparison to the original

New Dante sucks.

For those of you paying attention, EA's launch of SimCity was a disaster. Server problems combined with the always-online DRM requirement prevented many gamers from even being able to play the game, while others had to wait hours just to connect, more suffered crashes and glitches, and still others lost save files (and hours of progress) due to failures in specific servers that housed their game files.

It got so bad, online retailer Amazon.com pulled the game from its site, citing the unplayable state of the servers. They've since reinstated the game, but with a warning to consumers, and a lowly 1 1/2-star rating (as of the time of this writing).

Having participated in one of the closed Betas for the game, I was fully aware of the potential for problems, since Beta users were plagued by server issues that prevented many players from even being able to login to test the game. I had to wait hours before the server was operational long enough for me to load a city, and even then, I got booted off several times. It was incredibly frustrating, especially with the knowledge that the Beta would only last through the weekend, so I was under pressure to login as quickly as possible and spend as much time as possible with the game before the Beta ended.

One of the best features of the game is the snap-to-grid for building roads that lets you keep your roads nice and parallel, even if they curve!

So I fully anticipated server problems with the launch, since I didn't trust EA to put any real effort into making sure the game would work. This is the same EA that won a consumerist award for the "Worst Company in America" in 2012! And deservedly so! Despite the servers not being up to par during the two closed Betas, EA still seemed to think the online infrastructure was suited for a full retail launch. Boy were they wrong!

Prerelease promotional material really soured my interest in this game to the point that I waited over 6 months to pick up a used copy cheap off eBay. And the movie ended up being sloppy and wrong on numerous levels. And Edge of Time had caused me to lose faith in Beenox’s competency as a developer of Spider-Man games.

So there was a lot stacked up against this game, and I went into it gritting my teeth and ready to be furious. Maybe I set the bar a little bit too low, but I ended up enjoying Amazing Spider-Man. It cut a lot of corners and is easy and boring, but there’s enough good ideas in here that I’m actually excited to see if Beenox gets another chance to hopefully knock one out of the park.

Table of Contents

• Expanding on the movie’s universe
• Trivialized locomotion
  • All the fun and challenge has been sucked out of web-swinging
  • Web Rush: getting where you want to go!
  • Effortless item collection ruins the best unlockables a comic book game could offer
• A less-polished Spider-Man reskin of Arkham City
  • To be a spider on these walls…
• I really want Beenox to get another shot at a non tie-in, unrushed Spidey game

Spider-Man can swing without anything nearby for his webs to stick to, including over the tops of parks and the city skyline itself.
This instantly pulls me out of the game experience everytime it happens.

One of the greatest strengths of the early Silent Hill games - developed by internal Konami studio Team Silent - is their exceptional character design. The characters presented in these games are among the best in all of gaming history at illiciting emotional responses from the players - both positive and negative.

It all starts at the top, as the protagonists of all three games stand tall and proud as paragons of game character design. This blog will contain major plot spoilers for Silent Hill 1-3. Read at your own risk!

Having relatable and likable characters is essential to the success of just about any horror story (whether in the form of a book, movie, game, or any other medium). It's hard to feel afraid for a character that you just don't care for.

Harry Mason of Silent Hill is a great example of a relatable "Joe Everyman" protagonist. Harry is a simple writer trying to take his daughter on a vacation. He wrecks his car and wakes up to find his daughter is missing in a seemingly deserted and haunted town that is closed off from the outside world. Harry isn't a superhero or elite special forces operative. He's just a guy. He could be anybody. This makes him instantly relatable to an audience.

Big news on February 15: a meteor struck Russia at the same time that an asteroid passed within the orbit of geo-synchronous satellites.