Devil May Cry 5 - title

Devil May Cry 5 is a lot to take in. It's a very weird game, that may be a bit overly-complicated, and which might be starting to suffer from a degree of "Kingdom Hearts syndrome".

It's a tough game to review. The core gameplay if fantastic, but almost all of the supporting features and production surrounding the gameplay is ... "odd" if we're being generous; or "bafflingly stupid" if we want to be overly critical. As such, this review is going to come off as unduly negative because I have a laundry list of complaints and "what the fuck?"s to go through. Long story short, the game plays very well. It's peak Devil May Cry and a satisfactory follow-up to Devil May Cry 4. Now read on gor all the weird shit.

Who are these new characters? What is their relationship? The game doesn't allow us to get to know them at all before throwing us into the action. In the case of V, we're given control without any real clue who he is, where he comes from, why he has monsters from the first game as magical animal sidekicks, what his relationship with Nero is... anything. The non-linear mission and story progression seems designed for no other purpose than to hold back information for a "surprise twist" that shouldn't be a surprise to anyone.

By the fourth mission or so, I was betting that V turns out to be Vergil, back from the dead ... again. Was I right? Is the story that predictable?

Tutorializing multiple characters means the training wheels stay on for a long time.

The fact that the game has to re-tutorialize a new character only four missions in (and then again a few missions later) means that the training wheels stay on for a long time. It feels completely unnecessary though, because V's controls are basically the same as Nero's (which are basically the same as Dante's): triangle for melee attacks, square for ranged attacks, L1 for a limited-use super attack, circle for long-distance grapple/teleport attack. The only real mechanical difference is that V can only kill enemies by using his special action assigned to the circle button.

Strategically, V plays very differently because he's basically a squishy mage or summoner. He hangs back, avoiding damage, while his minions do all the actual fighting. This does have the downside of putting V very far away from the action. I had trouble judging distances in this game in generally, but it's especially problematic when V (and the camera) is standing around half a city block away from the actual fighting. Is Shadow close enough to use [R1+BACK ATTACK]? Can't tell. Which direction do I need to press on the stick to make Shadow execute that attack, since it's relative to Shadow's position and not V or the camera? Also can't tell. Not that it really matters anyway, as I don't have direct control over Shadow's movements, so I just have to push the button and hope Shadow is in proper position for the attack to land.

V is far away from the action, making it hard to see what's going on, and encouraging button-mashing.

I think Capcom really should have fundamentally re-thought how the camera should work with V, rather than sticking with this boilerplate over-the-shoulder, third-person action cam. Perhaps more cinematic camera angle similar to the first Devil May Cry would have been more appropriate? Or the Raptor News broadcast angles used in DMC? They could have kept the action as the focal point in the center of frame, with V off on the edges. Alternatively, the camera could position itself on the far end of the enemies, pointing towards V.

Cinematic camera angles similar to DMC's Raptor News broadcast might have been welcome for V.

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Bloodborne title

Well, it's finally time for me to buy a PS4. I avoided it for a year and a half because there weren't any games that I cared to play that weren't also available on PC or PS3. But, since Bloodborne is a PS4 exclusive, and I'm a huge Demon's Souls and Dark Souls fan, I had to cave and buy the new console in order to play this game. Luckily for me, this game is good enough to be a console-seller, and I don't regret my purchase one bit!

Bloodborne - praise the moon
Bloodborne is finally here! Praise the moon!

Soaking yourself in the blood of your prey

Mechanically, Bloodborne does not deviate significantly from its Souls predecessors. Most of the controls are the same, and the game was immediately comfortable for me, being that I'm an experienced Souls player.

But the way that the game is played deviates significantly from the previous games - much moreso than Dark Souls deviated from Demon's Souls. The three Souls games strongly favored defensive gameplay tactics and a more cautious, patient style of combat. Dark Souls II tried to encourage faster, more aggressive gameplay by further developing two-handed melee combat, but that only applied to specific character builds and was only moderately effective. Bloodborne enforces an aggressive model as practically the only viable one.

Bloodborne removes the comfort and security of a shield and replaces it with a steampunk gun. The gun's range is limited by the ability to acquire a target lock-on, and there's no manual aim that I'm aware of, so you can't sit back and snipe enemies from a safe distance. Some of the functionality of the shield does carry-over to the gun though. For example, shooting an enemy as they attempt to attack you will stun them, and you can follow-up the "parry" with a critical "visceral attack". But since this is a gun and not a shield, you can perform this parry at range, which opens up some new tactical possibilities.

Bloodborne - rifle spear hunter
Bloodborne adds guns to the familiar Demon/Dark Souls formula, but still encourages aggressive, in-your-face combat.

And since you don't have a shield, you're going to take a lot more direct hits than you would in the previous games. In order to offset this, you can regain some of your lost HP by attacking an opponent immediately after taking damage and infusing yourself with their blood. Literally. There is a lot of blood in this game, and it will stick to your character and soak you from head to toe if you survive long enough.

These features strongly encourage more active and technical play, since you're more likely to survive by counter-attacking than by running away and hiding. You can't get away with just holding up your shield and tanking through levels with the basic 3 or 4-hit sword combos. You need to learn the more advanced maneuvers and techniques that the game offers, and you need to use them. This keeps the player in the thick of the action and the pace of the game on overdrive. It also adds a lot of apprehension, since you can't run around the level with a shield up in case an enemy jumps out at you. You constantly feel exposed and vulnerable. These changes don't necessarily make the game "better" than the Souls games, but they do encourage and reward better play. Both models are valid and fun, but Bloodborne does get the adrenaline pumping in ways that Dark Souls just couldn't [outside of PvP]. In fact, after playing Bloodborne, you may go back to Dark Souls (or Demon's Souls) and find that you're suddenly better at those games too!

Devil May Cry
Similarities to Devil May Cry abound.

In fact, Bloodborne's combination of guns, swords, trenchcoats, gothic horror, and brutal difficulty remind me a lot of the first and third Devil May Cry. While Devil May Cry encouraged melee combat by rewarding "style" points that converted directly to currency to pay for character upgrades, Bloodborne forces you into melee by making it a way to keep yourself alive! So it's more fundamental. It's doesn't get quite as fast and fantastical as Devil May Cry because the character doesn't have all of Dante's powers, and you have to deal with ammo restrictions. You can only carry a finite amount of bullets, so you can't go over-the-top with your gun or stay too far away from the action...

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DmC (Devil May Cry)

If you’re not completely sick of reboots by now, here’s another one to sink your teeth into: Capcom’s DmC (Devil May Cry). The franchise is only 10 years old, but nothing’s too young for a reboot these days (see: Amazing Spider-Man). The original Devil May Cry still stands proud and tall as one of the shining gems of the PS2’s library, and I would even argue that it might be the single best game that Capcom has ever made! I’m sure Mega Man and Street Fighter fans will argue though. Bottom line is that Devil May Cry single-handedly created a whole new genre of game: the "stylized action" genre. It was the first in what would become a long line of spectacle action games that would eventually contain names like God of War, Bayonetta, Lollipop Chainsaw, Batman: Arkham Asylum (to an extent), and Heavenly Sword. That last title is of particular interest because its developer, Ninja Theory, is the developer for this new DmC game (Capcom is only publishing).

DmC (Devil May Cry) boxart

Table of Contents


DmC (Devil May Cry) - new Dante
New Dante sucks.
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New photos from set of Silent Hill Revelation 3D movie

Silent Hill 2 movie on-set

Hot off the release of the first official filming photos from the Silent Hill movie sequel yesterday, some new photos from the set of that movie have been made public (don't think these ones are official though). You can see all the pics at Century 21's website (don't know why a real-estate company is posting photos from a movie set...). These photos mostly show some painting and remodeling work being done by the movie's production staff to make Cambridge, Ontario look like Silent Hill, but there is one photo that stood out to me:

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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