Middle-Earth: Shadow of War - title

Dang. I was really hoping to have this out before the end of the year...

Shadow of Mordor was easily one of my favorite games of 2015, and one of my best reviewed games of that year, and I even cited it as an example of successful open world game mechanics. I've praised the game for its tightly-focused design, relatively limited scale, and the fact that it didn't waste the player's time with an excess of meaningless collectible hunts.

"The developers showed plenty of restraint in many areas of design so that they could focus on the innovative new feature that everything in the game revolves around. The design is tight and streamlined. They didn't waste the player's time with an excessively large, complicated map, or a multitude of irrelevant mini-games and side quests."
    - from my Middle-Earth: Shadow of Mordor review

Yes, the original game did have some collectible hunts. It did have some filler content. It did have bullshit, game-y missions with arbitrary win/loss conditions. But those issues weren't pervasive enough to bring down the game as a whole, and the game generally flowed very smoothly. In their quest to mindlessly monetize the sequel, Shadow of War, Warner Brothers and Monolith have doubled down on both the best elements and the worst elements of Shadow of Mordor, and the result is beautiful when it works, and ugly when it doesn't.

Middle Earth: Shadow of War - defending fortress
You now recruit orc captains to defend fortresses from Sauron's army.

The biggest problem is that the game now feels like a grind. In order to get you to pay for in-game, randomized micro-transactions called "War Chests", the campaign has been needlessly padded-out. Instead of having the option to hunt down uruk captains for the utilitarian purposes of gaining intel or gathering an army of mind-controlled slaves to do your bidding, you now must recruit orc captains into your own army in order to siege and then defend castles and fortresses from Sauron's counter-invasion. In principle, this sounds like a brilliant idea! I've often criticized open world and sandbox games for not having actual threats or consequences that pressure the player into acting. In fact, requiring that the player defend and hold captured strongholds from enemy counter-attacks is exactly the sort of thing that I've proposed as a compelling way to keep the game world feeling alive, and to keep the villain actually feeling threatening and antagonistic.

The problem is that (aside from one scripted castle defense) all the castle defending is back-loaded into the final act of the game. At this point, the plot is basically over, ... [More]

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