Mad Max: Fury Road - review

For years, I've been complaining about the dumbing-down of movies and the lack of subtlety, complexity, nuance, and meaning in the stories that Hollywood has been willing to tell. Apologists keep telling me that the modern movie-goer doesn't have the patience for deeper, more philosophical narratives. Filling the screen with explosions as audiences shove popcorn down their gullets is the only way to fill the theater seats, they say.

I don't think this is true. After all, many of these movie-goers are the same people who watched (and revere) movies like Alien, The Terminator, The Empire Strikes Back, and the other classic action and science fiction films of yesteryear. These movies were more than just dumb action movies. They had depth. They told well thought-out narratives that took place in believable, lived-in worlds that used subtle details to tell the untold stories behind the scenes with their sets, costumes, props, and other visual elements.

Why can't modern audiences accept movies like that anymore? Why do we have to buy into this idea that an action movie can't have a complex plot with real characters, and action that actually serves a plot while the plot also serves the action? If Mad Max: Fury Road proves financially successful (it's already proven critically successful), then it will prove that modern audiences can accept such a movie.

If you do want to shut off your brain and watch explosions for two hours, then Fury Road has you covered. It is an over-the-top, non-stop orgy of car chases, shoot-outs, and guitars that shoot fire! But it's also so much more.

Mad Max: Fury Road - Furiosa
The action serves a purpose by helping to develop the characters without wasting time with exposition.

The action scenes are very well constructed, and used a lot of practical effects and stunts. The sequences were appropriately chaotic and furious, and didn't suffer from the appearance of being tightly choreographed (even though it certainly was). And every bit of action moved the plot along and provided depth and characterization for the characters.

The movie doesn't waste time with much character exposition. But there is still plenty of development and depth to the characters. The film uses its action to inform the characters' personalities ...

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The Dark Knight Rises

The Dark Knight Rises' opening scene reminded me a lot of the opening scene of Dark Knight and put a bad taste in my mouth, as if this movie would end up being just a bigger version of Dark Knight and that Bane would feel too much like the Joker.

Fortunately, the movie ended up going in a different direction. Dark Knight was all about the Joker setting up his master plan, but never being able to follow it through (since he never fully breaks the spirit of Gotham's citizens, and Two Face gets covered up by Gordon). This movie, instead, focuses on the villain's master plan actually working! In essence, this movie follows up on Dark Knight by essentially establishing the version of Gotham City that Joker was striving for. Bane succeeds where the Joker failed. Bane throws Gotham into total isolated anarchy and breaks the spirit of its people the way that Joker just couldn't do. Rises offers apocalyptic spectacle that actually works! So many movies try to make the villain's plot too grandiose, and make the threat so immense, that the movie sort of falls apart and gets silly. In this case, however, the apocalyptic vision of Gotham works exceptionally well.

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