
I think I bought This Bed We Made on a PSN sale. Or maybe it was one of the free monthly titles? The trailer piqued my interest. It looked like it might be a fun little murder mystery.
Mystery video games are difficult to get right. It's a tough balancing act to give the player enough information to solve the mystery, but not so much that the game basically plays itself. Can the solution be easily brute-forced? Do option prompts give the solution away? Does the player ever get that sense of "eureka!" for figuring things out for yourself?
Generally, in my experience, the bigger the game, the more difficult it is to hit that fine balance. It seems like indie games make much better mystery games due to their smaller scope. This Bed We Made certainly keeps its scope fairly small, which helps to provide a reasonable possibility space for the player to work with, and allowing for player-driven deduction and some assertive leaps of logic.
The protagonist is a hotel maid with a penchant for snooping into guests' personal belongings.
The player plays a hotel maid tasked with cleaning up the rooms for patrons. But she has a penchant for snooping around in the customers' personal belongings. The game takes place entirely in the handful of rooms that she is assigned to clean, on a single floor of the hotel, as well as the lobby, and some of the employee-only spaces in the basement. The protagonist being a hotel maid also introduces the game's core gimmick: the game isn't necessarily about solving the mystery; it's more about how you handle the evidence and clues that you find.
Your job is to decide which pieces of evidence should be cleaned up, and which should be left behind. After all, your job is not to tamper with guest's belongings; it's simply to clean up their trash. Throwing away the wrong scrap of paper could, hypothetically, get you fired. But at the same time, not throwing away certain pieces of evidence could incriminate you or another innocent character.
Furthermore, your choices will also have impacts on the other hotel staff. Your actions may reveal co-workers as negligent or insubordinate, but that negligence or insubordinance may be justifiable or sympathetic, which leads to interesting moral and ethical dilemmas. Does a co-worker deserve to be held accountable for their actions and potentially fired? Or are their reasons for the inciting action justifiable or excusable, given the circumstances?
Your actions (or inactions) can lead to consequences for yourself and other characters.
[More]
17ef32fd-0bd8-43a8-8e38-d5922b46b821|0|.0
Tags:This Bed We Made, Lowbirth Games, indie gaming, mystery, murder, noir, puzzle, hotel, maid, cleaning, social justice, 1950s, Canada

Wow, this game was not at all what I expected -- but in a very good way!
When I first put Propagation: Paradise Hotel on my PSVR2 wishlist, I expected it would be more of a point-and-click puzzle-based walking-sim kind of game with some rudimentary zombie shooting. I was not expecting a full-fledged survival horror game with robust, immersive combat mechanics and open-ended exploration. And I sure as hell was not expecting the game to be nearly as intense or difficult as it proved to be. If you're squeamish about horror in the slightest, you probably want to stay far away from this game.
And when I say that Paradise Hotel is a "full-fledged survival horror game", I mean that it very blatantly evokes old school, classic survival horror design philosophies. Honestly, if somebody caught glimpses of you playing bits and pieces of this game, they could be forgiven for thinking that you were playing a VR adaptation of Resident Evil. Paradise Hotel draws very clear inspirations from the first Resident Evil game on the original PlayStation. From the hotel lobby that looks strikingly like the foyer of the Spencer Mansion, to the use and placement of save rooms, to the use of a first aid spray can for healing, to one particular enemy type that is the spitting image of a Tyrant, to the pacing of early-game exploration and puzzle-solving, Propagation: Paradise Hotel really does feel like a modern-day VR homage to the classic Resident Evil. And for the most part, I think the developers and designers at Wanadev Studio nailed all of it!
Paradise Hotel is deliberately evocative of the original Resident Evil.
At least, they nail the first half of the game or so. The second half of this short horror VR title is a little bit more shaky and uneven. It's still good! Don't get me wrong, I'm not saying that I think the game falls apart in the second half and becomes bad. It's good all the way through. The second half just diverges from the slower, methodical, exploratory play that perfectly captures the essence of retro survival horror, and starts to feel more like a borderline-unfairly-hard corridor-crawling action shooter.
Oh, and I want to apologize in advance for the poor quality of most of my screenshots. This game is incredibly dark. It looks fine in the VR headset, and the darkness makes the flashlight into a legitimately necessary tool. But all the streaming footage and screenshots that I captured are almost completely illegible. I couldn't find an in-game brightness setting, and the PSVR2's system brightness was at max, so I'm not sure what to do to get better screenshots and video capture. I tried increasing the brightness of the screenshots in Photoshop, but this left the screenshots looking washed out. So I promise you, the actual game looks a lot better than the screenshots in this review make it look. Maybe I need to disable HDR if I want screenshots and captured video to be legible?
[More]
2d57a86b-35ab-4935-9f35-93015828a379|1|4.0
Tags:Propagation: Paradise Hotel, Wanadev Studio, PSVR2, VR, PS5, horror, survival horror, zombie, hotel, puzzle, save scum

Surely this has to be the last DLC that Cities: Skylines is receiving, given that the sequel is due out this fall. This last wave of expansions and content creator packs has scratched a lot of very specific itches that I've had with Cities: Skylines for a long time, and they've had me playing the game a lot lately. I've been building a large city up over 100 thousand population, and also going back to some older save files and either upgrading them to use newer DLC assets, or to replace old mod assets with analogous official DLC assets.
A near seamless fit
What I really like about Hotels & Retreats is how seamlessly they fit into the existing game. Like with Industries, Campus, and Airports, I feel that Hotels & Retreats could easily have fallen into the trap of replacing old assets and rendering them moot or useless. Like, if the DLC had added a "resort area" mechanic using the Parklife area painting mechanic with modular hotels and resorts, it could easily have caused me to stop using the After Dark leisure and tourism district specializations (just like I've basically stopped using farm, forestry, oil, and ore industry specializations because I use the Industries areas instead).
Hotels & Retreats works very well alongside other expansion content!
Instead of feeling like a replacement for the existing tourism districts, the content of Hotels & Retreats is a great supplement. In fact, it feels like it could easily have been part of the After Dark expansion. Or the Parklife expansion. Or the Airports expansion. Or Plazas & Promenades. Or even the previous Financial Districts DLC.
Each hotel has preferences for proximity to a combination of city landmarks, shopping, offices, or nature. How well the hotel's location fits its unique combination of those 4 preferences will determine how popular it is for guests, which in turn will influence how much (if any) profit it makes, and the player can set its pricing accordingly. A business hotel placed in the middle of an IT or financial specialty district, along with some nearby commercial districts, will generate high profit; while a rental cabin will do best if placed in the vicinity of a nature preserve, in the middle of a forest, or along a pristine scenic coastline.
Each individual hotel's profit is aggregated into a total profit margin for the "chain" of hotels, and higher-level hotels are unlocked by increasing the weekly profit of the entire chain. So improperly-placed or poorly-performing hotels can be subsidized by the fully-occupied, perfectly-placed hotels with higher prices and profit margins.
Cheap, unprofitable niche hotels can be subsidized by the more popular and expensive hotels.
[More]
8424b6e9-a9f1-4b73-bdc8-0f5de5b5d48b|0|.0
Tags:Cities: Skylines, Cities: Skylines: Hotels and Retreats, hotel, resort, beach, park, tourism, roads, Cities: Skylines: Parklife, Cities: Skylines: Industries, Cities: Skylines: Natural Disasters

After releasing 2 full expansions every year since the launch of Cities: Skylines, expansions seemed to dry up after 2020. Sunset Harbor released in March of 2020, and there hasn't been any full expansion since then. I'm not sure if this is the result of Colossal Order shutting down its studio temporarily during the COVID-19 pandemic, or if they have just been busy working on a sequel. I had assumed that Cities: Skylines was done, and that Sunset Harbor would be the final expansion for the game. But that is not the case, as a new expansion was finally released at the end of January 2022.
The Airports expansion is yet another expansion pack using the area-painting mechanic that was introduced in the Parklife expansion in 2018, then re-used in Industries and Campus in the subsequent years. As such, I don't know that I really have much to say about Airports. A lot of the same compliments and criticisms that were already applied to Parklife, Industries, and Campus also apply here.
Campus, ironically, did not teach Colossal Order any lessons
The modular nature of the airport buildings, taxi paths, and runways provides quite a bit of customization. There are 3 styles of airports: a retro-style, a modern style, and an "ultra-modern" style. They are functionally the same, so don't fill different roles the way that different parks, industries, or university types did in their respective expansions. The airports are massive and expensive, but they can be shaped to fit into irregular spaces in or around your city. Unfortunately, there's not nearly as much expressiveness as what we were offered by Parklife.
Airports come in different styles, and are customizable (parking lots and garage are mod assets).
Of course, Airports suffers from the same problems that have plagued the previous expansions that used the leveled-areas concept.
A lot of the modular components are simply decorative and have no function other than to increase the area's abstract "attractiveness". In the case of airports, these include the various hangars, parked planes, and so forth. Even the air traffic control tower is a purely decorative object, rather than being necessary for the airport to work!
I've also never liked how the park areas (and now the airport areas) level up by increasing the total visitors, and industries level up based on the total goods produced. This is something that is easy to achieve by simply waiting in-game months or years for the number to go up, regardless of the size or quality of the park, industry, or airport. Because of that, it can be easy for an airport to jump out ahead in total visitors, such that the area can be leveled up immediately, and at any time, by simply placing new structures that bring the attractiveness up above the required threshold.
Airports level up based on the total passengers, which can be easily increased by simply waiting.
Instead, I wish these areas would level up based on the weekly visitors (or good produced, for industries), rather than the cumulative total. This is a much better metric of the capacity of a park, industry, or airport. This is one of the things that the Campus expansion did a bit better than the others, since the universities level up based on the current number of students and the number of research projects. The amount of students is capped by the size of the school, and the research projects are semi-randomly created based on the funding levels and access to research facilities.
Airports aren't like that. Leveling them up feels much simpler and requires less effort and management from the player. Airports also cannot de-level (like universities could) if you fail to maintain its attractiveness, and since total passenger count is something that can never decrease the way that a university's student attendance can decline -- or the way that weekly passenger count could potentially decrease. [More]
9d933baf-f859-49f8-9255-79e2379ce105|0|.0
Tags:Cities: Skylines, Cities: Skylines: Airports, Colossal Order, Paradox Interactive, steam, PC, expansion, airport, airplane, airline, hotel

Since I'm in between major releases, it's time for yet another indie Steam game. This time, it'll be a game that was released this year! Only a few weeks ago, in fact! I picked up Room 404 (along with a couple handfuls of other games) in the Steam Summer Sale a couple weeks ago. It's yet another attempt to scratch that horror itch that was left behind by the cancellation of P.T.. Room 404 completely failed to scratch that itch.
Practically the whole game consists of walking around collecting keys. Not very scary...
There's really not much to this game at all. It's only a couple hours long and isn't very mechanically or intellectually substantive. It falls firmly into the category of "walking simulator", and even that might be generous. There's basically three types of puzzles that get re-used throughout the game - if you can call them "puzzles", that is. All of them are resolved by simply exploring the linear areas to find the triggers to solve the puzzle. Numeric keypad locks are opened by searching adjoining hallways and rooms for the numbers that make up the combo, which are hidden in plain sight or in obvious locations. If you're not looking for keypad numbers, then you're looking for simple keys. The second puzzle type involves simply lighting candles in the right order. The final puzzle (which only appears once) puts you in a tiny maze and shows you a map that highlights your current location and the location of the exit. You turn three corners, and you're done.
Some of these puzzles are made a little bit confusing by the game's only real feature: its changing landscape. At several points in the game, you'll come across a locked door or obstacle, which will force you to turn around to find that your environment has changed. In some cases, this will mean that another door will suddenly be open, allowing you to explore a previously-closed off room. In other cases, you simply turn back around to find the obstacles gone. These situations are always accompanied by an audio cue to notify you that something has changed, and the sound of a creaking door will often notify you to go back and check previously-closed doors. In other cases, it's not always obvious what you're supposed to do, and I swear at least a couple puzzles were solved by my simply turning around in circles a couple times wondering what the heck the game wanted me to do.
Puzzles don't get any more complicated than finding keys and numbers hidden in plain sight.
There is an enemy in the game that can kill you on contact, just like in so many other "run and hide" horror games. However, in this case, you can't actually run or hide... [More]
30d421b7-c35e-4626-8f21-2b3bc34eef7d|0|.0
Tags:Room 404, 3DTM, Machine Bear Software, Steam, Steam Greenlight, psychological horror, horror, indie gaming, hotel, murder, father, son
|
12 | | | | | | | 60 | 11 | | | | | | | 55 | 10 | | | | | | | 50 | 09 | | | | | | | 45 | 08 | | | | | | | 40 | 07 | | | | | | | 35 | 06 | | | | | | | 30 | 05 | | | | | | | 25 | 04 | | | | | | | 20 | 03 | | | | | | | 15 | 02 | | | | | | | 10 | 01 | | | | | | | 05 |
|