Much ado has already been made about the re-recorded dialogue that is to be used in the Silent Hill HD Collection. Critics like myself have already been accused of being “haters” and "unwilling to accept change". Fortunately (or is it unfortunately?), Konami has given "haters" like me plenty of reason to hate the Silent Hill HD Collection.

Table of Contents:

• Everything sounds wrong
  • Who are these people?
  • Out of sync
• And it doesn't look or play any better than it sounds
  • The only thing scary about this game is the framerate
  • Wider camera, less ambiance
  • Un-upgraded materials included
• Missed opportunity
• Avoid the Silent Hill HD Collection at all costs!

As part of my review for this game's DLC (Artorias of the Abyss), I have decided to re-evaluate the score (using the new scoring system). My opinions about this game have changed a bit over the past couple years (in a positive way), and so I am including an updated score and several pieces of hindsight commentary to explain where my original criticisms may have been flawed or unjustified. Locations that include hindsight commentary have been notated in the Table of Contents.

If you had asked me in the middle of 2011 what my favorite games on the PS3 were, three of the games that I would have named would have been: Uncharted 2, Demon’s Souls, and Batman: Arkham Asylum. All three of these games received sequels or follow-ups in the fall of 2011, so it was a pretty exciting holiday season for me in terms of gaming. Batman: Arkham City and Uncharted 3 were both very good games, but didn’t quite live up to my (possibly unjustifiably) high expectations. Sadly, Dark Souls ended up suffering a similar fate Dark Souls disappointed me with its initial impressions, but in the years since, has proven itself to be almost every bit as good (although not as elegant in its gameplay) as Demon's Souls.

This review of Dark Souls is (like many of my reviews) considerably late. This is due to several factors:

1. I wanted to try to finish the game’s story and play through large chunks with several different character classes before coming to a final verdict.
2. I wanted to see what kind of post-release support the game received.
3. I wanted to have several opportunities to engage in PvP encounters.

I still haven’t beaten the game (as of the time of original publication) with any characters (hey, it’s a hard game and pretty long!), but I did play with multiple characters and get my ass kicked in enough PvP encounters that I finally feel that I can give an honest and complete appraisal of the game. Even if it is six months after release…

But hey! A PC port is likely due out soon, so maybe people considering the PC version will still find this review useful!

Table of Contents:

• More of the same, and then some
  • New Moves
  • More varied equipment, and armor that's actually useful
• An expansive, but surprisingly compact world
  • [The world in hindsight]
• Rediscovering your "Humanity"
  • [Story In hindsight]
• The multiple dimensions of online functionality
  • Online segregation and other stumbling blocks
  • The hoops a PvPer must jump through in order to be a douche and break the game
  • Even messaging was made inconvenient
  • [Online in hindsight]
• Engine Trouble
  • Some problems are mostly superficial
  • Other problems are a major hinderance to combat
  • The AI has been improved, but actually causes performance issues
  • Controls and interface also have performance issues
• Does it live up to Demon's Souls' brutal difficulty?
  • [Difficulty in hindsight]

I didn’t have high hopes for Silent Hill Downpour. As such, I didn’t buy it new. I waited two weeks, bought it used off ebay, and finished it over a weekend. Sadly, pretty much all of my pre-release expectations turned out to be true.

Upon booting up the game, I was immediately given mixed opinions about the game. There was a mandatory install, which fortunately only took a few minutes, but which is always an annoying thing to sit through (except for Metal Gear Solid 4, which managed to make it somewhat amusing). After the install though, I was treated to a stylish title screen with new composer Daniel Licht’s enjoyable title track.

Then the game starts, and the very first thing you do as the new main character, prison inmate Murphy Pendleton, is murder a defenseless fellow inmate during a combat tutorial that takes place in the prison showers. Murphy clearly has some beef with this fellow inmate (named Napier), and it seems like Napier probably deserved it, but murdering a defenseless person in cold blood is hardly what I’d expect from a Silent Hill game.

Table of Contents

• Combat so clumsy, it makes Silent Hill 2 look like Soul Caliber
  • Fighting (or running) for survival
• Weather the storm
  • Pointless side quests
  • Almost useless map
• A good protagonist doesn’t save a derivative story
  • Spoilers for Downpour and other Silent Hill games.
• Downpour ends up being a very sloppy game
  • Visual improvements over Homecoming are stifled by technical issues
  • Unnecessary darkness
• Trying to fix the things Climax and Double Helix did wrong
• Breaking itself with underwhelming design
  • Monsters and Otherworld are uninteresting
  • It just isn’t scary
  • And it’s not a Silent Hill game

I’ve played quite a few Spider-Man games in my time. With that, I’ve played a lot of pretty bad Spider-Man games. But Edge of Time just might take the cake. After Shattered Dimensions proved to be a fun and well-designed (if not a bit rough around the edges) game, Activision apparently decided to let Beenox try another Spider-Man game, and made the horrible mistake of trying to rush it out before Batman: Arkham City sucked up all the comic-book-gamers’ attentions.

Edge of Time forces us into another game featuring multiple Spider-Men, but this time, instead of a dimension-hopping adventure, we get a time-travel story. The basic premise is that some bad guy from the future (2099) has built a time portal at the Alchemax building and is trying to kill the modern (Amazing) Spider-Man. Spider-Man 2099 discovers the plot and takes it upon himself to go back and prevent this from happening. Fortunately, the designers kept their ambitions constrained to just those two Spider-Men, and didn’t try to complicate matters by going further back in time to encounter, say, Black-suit Spider-Man, Scarlet Spider, Man-Spider, or any other Spider-Man variants from Marvel’s history. Just Amazing and 2099.

The time travel story gives the game is primary gimmick: the things you do in one time period (usually the past) can affect the other (usually the future). This seems to be an effort to correct one of my primary complaints with Shattered Dimensions, which was the overall lack of integration between the Spider-Men in the various dimensions. In this game, both Spider-Men now directly interact. In fact, they spend pretty much the entire game talking to each other through some time-traveling communicator thingie. Kudos to Beenox for trying to address a criticism of the previous game. It’s too bad they totally blew it.

Once again, this review is exceptionally late. The football season is almost over, and Madden has already sold its bazillion copies for this year. So anything I say here is kind of moot when it comes to helping people decide whether or not to buy this year’s game. But maybe – just maybe – my critiques will help the developers provide us with a better game in the 7 or so months that they have left to make Madden 13.

After being thoroughly disappointed with last year’s Madden game, and not being won over by either the new demo or the gameplay in NCAA 12, I didn’t rush out to buy Madden 12 on day one. I waited till September and bought the game used. This also contributed significantly to the tardiness of this review.

Overall, Madden still just seems uninspired, even when compared to EA’s NCAA Football game. All the same gameplay enhancements go into both games each year now, but NCAA has at least taken some efforts to better represent its sport. Setting up “linked” plays is simplistic but was a start towards a better representation of football strategy. Integration of the No-Huddle offense into the game is a bit clumsy, but is a major component of modern college football, and is thusly represented in that game. Requiring the QB to “read” the defense on option plays doesn’t work as well as last year, but it’s actually an important part of the option strategy. The collegiate look and atmosphere really looks and sounds like Saturday afternoons, and the ESPN integration is actually pretty slick at times.

• All the inspiration is going into the NCAA game
• So why's it so bad?
  • PRO-TAK is gone, and consecutive hits are in
  • No wasted motion wastes the game's potential
  • Pass blockers need to learn to double-team
  • Psychic defensive backs and passive receivers ruin the passing game
  • Will special teams ever be fixed?
  • Depth and simulation are sacrificed for the casual player
• Franchise gets some fan-requested attention
  • Recruiting fails to live up to its NCAA counterpart
  • “GamePlanning” feature doesn’t actually involve any game planning!
• Lazy presentation
• I honestly wish that EA would just drop Online play completely
• Nitpicking
• Conclusion