The PSVR 2 has had a tumultuous first year and half. With all the uncertainty regarding the hardware, and Sony's future support for it, I wanted to spend some time sharing my thoughts about the hardware and the games that I've played on it, because I've actually really liked the PSVR2, and I think it would be a shame (and a mistake) if Sony kills it prematurely.

I've been a late adopter of VR. I played a few VR games on a few different headsets at friends' houses over the years, but never really got into it. The games were fun to a degree, but they never wow-ed me to the point that I felt I needed to run home and order my own VR headset. They also usually made me nauseous within 20 or 30 minutes of play. It wasn't until playing Star Wars: Squadrons and Ace Combat 7 on a friend's PSVR that I finally actually wanted a VR headset, and the PSVR actually felt comfortable to wear.

But I had already played Star Wars: Squadrons and Ace Combat 7 on standard displays, as well as Resident Evil VII, so there weren't any PS4 VR games that I was really eager to play. Déraciné was really the only PSVR game that I wanted to play at that point. So I decided to wait until I could get a PS5 VR headset instead.

When I actually started playing PS5, I was really liking it. In fact, I have a sneaking suspicion that when all is said and done, the PS5 might end up being my second favorite console after the PS2. The novel haptic feedback and surprisingly accurate motion sensor functions have even rekindled a long-lost love of Gran Turismo (and racing games in general), and it just so happened that Gran Turismo 7 was supposed to get a really good (free) VR update for the PSVR 2! Since I had been enjoying the system, I was a lot more inclined to spend more money to get the most out of it. I got a nice tax refund in 2023, and put that money towards a PSVR 2 headset.

The PS5 was heavily marketed as being fully backwards-compatible with PS4 games, so I would surely be able to go back to the PS4's VR catalogue and play any of the games I had missed out on. Or so I thought...

This is a game that caught my attention back in the beginning of the year. I was on the lookout for new horror games to whet my appetite, and the novelty of this little Indie game had me intrigued.

The teddy bear actually comes off as a bit of a creeper at the beginning of the game..

The novelty of Among the Sleep is that the player character is a two-year-old toddler. I actually think that this is a very clever conceit for a horror game. The world can be a very big, scary place for a small child, full of things that are outside of the child's control and beyond the child's understanding. A young child is completely dependent upon its parents or caregiver, which makes them inherently very vulnerable. Unfortunately, since the game is being played by adults, we can't play the game with the ignorance and naivety of a two-year-old, so we would see any real-world environment as exactly what it is: not scary.

So in order for this to work, the designers would have to be very clever in how the environments are presented. Easily he most effective part of the game is the early chapters when the child is lost in a closet and then exploring the house after waking up to find his mother and teddy are absent.

The first person perspective puts the camera very low to the ground, which makes the ordinary environments look large and menacing. The character moves slowly and clumsily (running for more than a few second results in the character falling on his face). Thus, simple hallways seem long and treacherous. Even interactions as simple as opening a door require a small amount of puzzle-solving since the character can't reach a door handle without climbing onto something. This section takes good advantage of the central concept of playing as a toddler by using the legitimate hugeness of the real world, and tapping into our own innate desire to protect and shelter children, in order to make the player feel small and vulnerable.

You even pause the game and access menus by covering your eyes with your hands! Hooray for a lack of object-permanence!

It is a promising start to the game.

But instead of expounding upon this and turning an otherwise mundane environment into an intimidating one, the design quickly shifts into a blatantly-imaginary, whimsical dreamscape. This disconnect from reality suddenly shatters the immersion of the child character, and squanders the inherent novelty of the game's central concept...

The mother plays an important role in the narrative,
but the player doesn't interact with her long enough to develop any attachment to her.