Since Canuck Play shuttered its studio, canceled Maximum Football 21, and sold the Maximum Football IP to Modus Games, the other major simulation indie title, Axis Football, found itself without any major competition in 2021. There are other indie football games on the market, such as Sunday Rivals, but that is a more arcade-style game and isn't a direct competitor to Axis. I own the Steam version, but haven't played much of it yet. The only other real competition for Axis Football is the indie game Legend Bowl.

I've received several requests to play Legend Bowl and create content for it, including a request by the game's creator, himself. Don't worry King Javo, I bought Legend bowl during the Steam Fall Sale, and will be playing it more this holiday season.

In the meantime, Axis Football has been the only indie football game that I've played this year. So I cannot do my usual thing of comparing Axis to Maximum because there isn't a Maximum Football to compare Axis to. I could do a direct comparison between Axis Football 21 and Madden 22's supposedly-upgraded Franchise Mode, but I'm hesitant to directly compare any low-budget indie product to a billion-dollar licensed game from a major publisher. Maybe I'll revisit that topic later, if I get a lot of demand for it. In the meantime, if you're interested in my thoughts on Madden 22's supposedly-improved Franchise Mode, you can check out my video on that topic, or my full review.

So instead of comparing Axis Football to its direct competition, I've decided that I will instead focus on sharing my hopes and expectations for where the game goes from here. With EA releasing its college football game in 2023, and 2k presumably releasing its "non-simulation" game in 2022, Axis Football needs to take big strides in the next year or two in order to remain relevant and competitive.

See the full wishlists on YouTube!

This wishlist was originally created as a series video essays, which I encourage you to watch. I'm not going to replicate the entire transcript here, but will instead just summarize the content of the videos. I'm also going to re-arrange this written list a little bit so that each item is in the most appropriate category. If you want more discussion, details, and examples, please watch the linked wishlist videos.

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Demon's Souls - title

Demon's Souls is coming to the PS5. Rumors of a Demon's Souls remaster have been floating around for years, and I even wrote a blog post back in 2017 about what I'd like to see in any potential remaster or remake. But what we're actually getting goes far beyond a simple remaster. It's more than just Demon's Souls at higher resolution and with a higher framerate. Bluepont Games is re-developing Demon's Souls from the ground up, much like they did with Shadow of the Colossus on PS4.

The scope of the remake means that it's possible that Bluepoint could change mechanics. There's plenty of opportunities to improve Demon's Souls gameplay and add ease-of-use features. But there is one controversial feature that I hope Bluepoint keeps: the item burden.

I posted this defense to YouTube last weekend, but I wanted to transcribe it here as well, for the benefit of my loyal blog readers. But feel free to check out the video as well. It is embedded below:

This defense is also available on my YouTube channel.

Demon's Souls' unique design

Players of Dark Souls may be familiar with the equipment burden. If you equip too much heavy armor and weapons, your character will become burdened, which will limit your ability to dodge roll. Demon's Souls had an equip burden that worked pretty much identical, but Demon's Souls had an additional weight burden that accounted for your entire inventory -- not just the items you have equipped. This prevented the player from carrying around excess weapons and armor in your inventory so that you can switch to it at any time during a level.

Dark Souls retained the equip burden but dropped the item burden, possibly as a result of its change to a single, interconnected world. Dark Souls is famous for its brilliant world design, which created a complex vertical helix of interconnected levels. With some exceptions, every part of the map is connected to every other part of the map and the distance between can be traversed by foot. In fact, for the first half of the game, you had to travel the map on foot and take advantage of shortcuts because fast travel is not unlocked until the midpoint of the game.

There was no ludic reason to use Dark Souls' Bottomless Box, and it was removed in the sequels.

The end effect for Dark Souls is that the character does not have convenient access to a central hub location. Firelink Shrine fills a similar role as the Nexus of Demon's Souls, but you cannot warp to for the first half of the game; you have to walk. This means that you can't easily dump excess gear or items at Firelink, which means you have to carry everything with you, which means the Item Burden of Demon's Souls doesn't make much sense. Granted, From included a Bottomless Box item that allows you to stow away excess gear at any bonfire. They could have easily just built the Bottomless Box functionality into the bonfires by default and maintained the Item Burden. But they opted not to, and the lack of an Item Burden mechanic makes the Bottomless Box completely unnecessary. In fact, the sequels to Dark Souls did not include the Bottomless Box at all.

Demon's Souls has a central hub location (the Nexus) that makes it somewhat convenient to drop off or pick up equipment on your way between archstones.

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I don't know if I'm going to be buying a PS5 anytime soon (or ever), so I may not have an opportunity to play Miles Morales, which is Insomniac's follow-up to its smash hit 2018 game Marvel's Spider-Man. Instead, I decided to go back and play the DLC for the 2018 game, "The City That Never Sleeps", which I had bought, but never got around to playing. This got me thinking more about how Insomniac implemented the web-swinging mechanics, and what I hope they'll do to iterate and improve the mechanic in future games.

This blog post is a transcript of the video essay above.

I had previously mentioned Marvel's Spider-Man essay about open world gaming's possible recent inflection point, but I didn't go into much detail. Basically, I just threw it in as an example of a recent open world game in which the traversal of the map had a large mechanical focus, turning the map into more of a play space and less of a convoluted, time-wasting mission-select screen. I didn't spend more time talking about Spider-Man, however, because as much as I like Insomniac's game, and as fun as the web-swinging is, I still felt like the web-swinging traversal in that game was pretty simple, and the environment did not act as much of an obstacle to the level of the other games in those videos.

Besides, Insomniac's Spider-Man didn't stray very far from the boring checklist-inspired open world design that my earlier videos were railing against. Traversal doesn't consume resources other than the player's time, and the player isn't responsible for balancing Peter's heroic and personal lives (the tension between the two has always been a big part of the Spider-Man story), nor are there any other mechanics that try to pull the player towards one set of content to the exclusion of another, and so where you are on the map, where you're going, and how you chose to get there is largely meaningless. It's any other open world game you've played in the last 10 years. The web-swinging is just a much more stylish and spectacular method of moving from filler content to filler content.

Spider-Man games make for an interesting case study in open world game design.

Spider-Man games in total do represent their own interesting microcosm of the virtues of open world, sandbox game design, and also of the ways in which open world games can fall flat on their faces and fail miserably. Spider-Man could make for an interesting case study to go along with Death Stranding.

Since the landmark Spider-Man 2 movie tie-in game, mainstream Spider-Man games have mostly been open world games. The most notable exceptions being Beenox's Shattered Dimensions (which was pretty good) and Edge of Time (which was awful). All the other Spidey games that I've played have been open world games in which you web swing around a virtual Manhattan to reach story missions or to thwart ambient crimes. The quality of these games has been very hit-or-miss, but (as we'll discuss soon) many of them still have their unique merits.

Beenox's Shattered Dimensions and Edge of Time are notable Spider-Man games that are not open world games.

Web of Shadows, for instance, had lots of problems with its writing, pacing, and animation, but its novel aerial and wall-crawling combat mechanics made excellent use of the map's verticality in ways that other Spidey games (and open world games in general) rarely even approach. I won't be talking much about this game because I traded in my copy a long time ago, and I don't feel like blowing $45 of Patreon contributions on a game that I'll likely play for 10 minutes just to capture footage and refresh my memory of how the game played. So my apologies if you're a big Web of Shadows fan.

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It's summer time, which means that football video game developers are hard at work implementing features for the fall release of this year's games. It's probably too late to influence the design of the 2020 slate of games (due to release in September), but I'd still like to take some time to express some of my ideas for growing these games over the long term. This post should hopefully give both Canuck Play and Axis an idea of the roadmap of improvements that I'd like to see over the next two or three years.

For each suggestion that I'm going to make, I'm going to try to provide a general goal that I want to achieve with the idea. Then I will provide one (or more) ideas for how I think the games' developers can attain that goal. If Canuck and/or Axis like the ideas, then by all means use them. If, however, they think they can accomplish the goal with a different method or implementation, then by all means do that. You know your games better than I do. I'm just a blogger with a YouTube channel and little more than a basic understanding of how game development work. You guys and gals do whatever you think is going to make your games the best that they can possibly be.

Table of Contents

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Cities: Skylines - game title

In my last post, I pitched an idea for a new Cities Skylines expansion pack based off of an idea that Colossal Order had posted on its Twitter account. Today, I want to look at a couple of older tweets from Colossal Order that were intended to gauge player interest in some other mechanics and ideas. Those ideas are car wrecks and urban decay.

These concepts aren't as easy to "game-ify" and adapt to Cities Skylines current game mechanics when compared to the season and holiday ideas I pitched in the previous post. Car wrecks and urban decay are both going to require a bit more imagination to come up with ways that they would work within the game.

Colossal Order's Twitter account has apparently been fishing for new content ideas.

Car wrecks and road construction are a disaster!

One of the ideas that Colossal Order proposed in a tweet was the idea of car wrecks being a mechanic in Cities Skylines. Currently, the vehicle and pedestrian pathfinding systems will try to avoid collisions, but it's nowhere near perfect. If you zoom in close enough to any busy intersection and watch it for a while, you'll inevitably see a vehicle phase right through pedestrians or another vehicle. This is especially prominent when vehicles make a left-hand turn.

The game doesn't actually model collisions, however, so no matter how complicated, confusing, or difficult-to-navigate you might make an intersection or highway ramp, no one will ever get hurt or killed in a car wreck. This is a good thing, because if every collision did result in a wreck that would block traffic, traffic would simply never move in the game. I doubt that Colossal Order would ever implement such a feature, since it would probably be considered "in bad taste" by many people. It would also be very difficult to implement from a technical level, as it would require considerable changes to the pathfinding A.I., which would probably weaken the flow of traffic and/or completely tank the performance of the PC. Designing intersections that minimize wrecks would also need a lot more road customization tools!

Cars and pedestrians routinely pass through each other in any busy intersection of the game.

That being said, the idea of delays on the road got me thinking of another potential idea for the game: modeling road construction as a mechanic. I don't think I've ever played a city-building video game in which you had to wait for a road to be constructed before it can be used. Real road construction can often take months or years. Large highway projects can even take decades in real life. In the meantime, the city often has to designate detour routes and close off parts of roads at a time in order to allow access to businesses and homes.

This is a mechanic that seems like it would probably be too complicated to make work reliably, and be fun to play. You wouldn't get immediate feedback on whether your new highway would work, because you'd have to wait minutes or hours of real time (which would translate to weeks or months of simulated game time) for that highway to be constructed before your citizens would start using it. That would be terribly inconvenient.

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A gamer's thoughts

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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Without Gravity

And check out my colleague, David Pax's novel Without Gravity on his website!

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