I've already written guides for some of Civilization VI's vanilla newcomer civs and leaders, so now I'm going to move onto one of the DLC civilizations that makes its first appearances in the franchise: John Curtin's Australia. This civ and leader are part of the "Deluxe Edition DLC". If you purchased the Deluxe Edition of the game, then you received this DLC (among others) for free when it was released. If you do not own the Deluxe Edition, then this DLC costs $5 USD.

Australia is currently the sixth largest country in the world (by land area) and is the only contemporary country that occupies an entire mainland continent. The continent was inhabited by the hunter-gatherer aboriginal Australians as long as 70,000 years ago, but very little is known about their history and culture. It is believed that they arrived on the continent via land bridges in Southeast Asia (probably connecting Indonesia and New Zealand to mainland Asia). The Dutch were the first Europeans to reach Australia in 1606, but it was the English that began colonizing the island-continent in 1788 to act as a penal colony in response to the recent American independence, which lead to a rapid decline in the native population. By the mid 1800's, Australia had ended the prisoner transport, and the colony began its transition into a full-blown nation.

John Curtin was the prime minister of Australia throughout most of World War II. He was appointed after the previous prime minister, Robert Menzies, was deposed by his own party. Curtin aligned Australia closely with the United States, which upset many British traditionalists, but proved instrumental in preventing the Japanese capture of the Philipines from turning into an invasion of mainland Australia. Curtin's leadership during the war, and his popular social service programs allowed him to coast to a mid-war re-election victory in 1943, but he did not complete that term due to rapidly-deteriorating health that lead to his death in 1944. He remains one of Australia's most beloved prime ministers.

DISCLAIMER:
Civilization VI is still very early in its life-cycle. Strategies for the game (and for specific leaders and civs) may change as Firaxis applies balance patches, introduces new features, or expands the game through DLC or expansion packs, or as the Civ community discovers new strategies. As such, the following strategy guide may change from time to time. I will try to keep it up-to-date, and will make notations whenever changes are made. I'll also post links in the official 2K forums and CivFanatics, where I'll also report any changes made. If possible and practical, I will try to retain the original content of the strategy for posterity.

I welcome any feedback or suggestions that readers wish to offer. Feel free to post on the linked forums, or by posting a comment at the bottom of the page.

This guide is up to date as of the Fall 2017 patch (ver. 1.0.0.194) (Southeast Asia DLC)

In Civilization VI, Australia is a civilization that favors expansion along coasts and wherever they have access to pasture animal resources. John Curtin is a defensive leader who can act as a sort of "sleeping giant" "world police", who can churn out a large military quickly if he is ever the target of a war or if he liberates another player (or city state) city.

Earlier today, I served as a guest host for the Civilization podcast Polycast, episode 295. I joined regular hosts DanQ, Makahlua, MadDjinn, and TheMeInTeam. The episode covered a handful of topics, ranging from the new religion mechanics introduced by the fall 2017 patch, to a proposal for athletes to be a type of great person, the new Civilization: A New Dawn board game, to the issue of micro-transactions (or "Recurrent Consumer Spending" as Take-Two Interactive CEO, Strauss Zelnick calls it), and more.

If you missed the live broadcast, then the edited archive version will be released on PolyCast's website next Saturday (December 2). I'll update this post with a link once the archive is updated.

"Recurrent Consumer Spending"

"Recurrent Consumer Spending" was one of the primary topics of the previous episode (PolyCast #294), and so we discussed it again as part of a discussion on feedback from last week's episode. Micro-transactions (and loot boxes in particular) are a hot topic in gaming of late, especially after the fiasco that was EA's launch of Star Wars: Battlefront II. Games pundit Jim Sterling has made micro-transactions an almost weekly issue in his Youtube podcast The Jimquisition. Sterling has been comparing loot boxes to gambling for months, and recently, some European regulatory agencies have started to evaluate whether loot boxes should legally be classified as a type of gambling. As someone who has previously worked for a gambling company, I am aware of how compulsive impulses are used to keep gamblers addicted to a particular game, and I definitely believe that the current implementation of loot boxes in games like Shadow of War, Call of Duty, and Star Wars: Battlefront does try to capitalize on those same addictive impulses, and so should probably be regulated similarly to gambling. I don't want micro-transactions in my games at all, but I don't necessarily think that such things should be illegal per se. But they should be regulated, and I do think that the game boxes should clearly indicate to parents that the game includes "gambling-like elements" (or some other warning).

More importantly (for me), however, is the concerns for what micro-transactions do to the actual game. Just last night, I spent something like 4 hours in Shadow of War grinding my character and orc captains up to a point that I could siege the castle in Act II. I played every side mission available in the chapter, and then still had to do some Nemesis missions, in order to get Talion up to level 20 and unlock the ability to assign a third uruk captain to my siege assault. That third captain was essential to get my siege level up above the level of the defenders. I'm not sure if that was necessary, but I didn't want to risk having my captains killed during the attack. I actually happen to really like Brûz The Chopper, so I didn't want him dying because my siege was under-leveled. This is just Act II! I can't imagine how grindy the game might become during the later acts! And all this extra grind in the campaign is a direct result of the inclusion of the game's War Chest (i.e. loot boxes). You can spend real-life money to buy random orc captains to use in your sieges or to defend your captured forts. So the whole game is balanced such that it's just enough of a grind to encourage people to spend money to speed things along by buying the War Chest.

Well, Take-Two CEO Strauss Zelnick has said that he wants every game in 2K's library to include "recurrent consumer spending". That would include my beloved Civilization...

Okay, I said I would give up on Shinji Mikami after the first Evil Within game, but here I am giving that IP a second chance. I had heard that the expansions for Evil Within were actually pretty good, and that they even made the base game better by filling in some of the narrative gaps. But I was so furious with the base game that I sure as hell was not going to shell out more money for DLCs. If they were that integral to the core game, then they should have been included with the core game. Now that my furor over the original has faded a bit, I was hearing that the sequel is also much better than the original game and leans more heavily in the horror camp than the action shooter camp. I was dismissive of the game's announcement, and I was skeptical of the claims that the sequel was actually good, so I picked up a [relatively] cheap used copy off eBay so that I could give it a chance over the Halloween week without necessarily giving any more money to Bethesda.

I feel like I missed something...
Maybe I should've played the DLC?

Besides, Shinji Mikami isn't the director this time around. Instead the sequel is directed by John Johanas, who was the director of the [supposedly] good DLC expansion packs. The first game actually did have some good ideas and set pieces within, so maybe a different directorial approach could bring those ideas out to their full potential?

A more focused package

To Johanas' credit, the game, as a whole, definitely has a more "unified" presentation. The first game felt very scattershot with regard to how it wanted the player to play. It's early chapters (which were also the most enjoyable parts of the game) were focused mostly on stealth, with a few pursuit and escape moments thrown in. It was slow, somewhat atmospheric, and built incredible tension. But those mechanics were quickly dropped in favor of shooting gallery set pieces, constant scripted ambushes, set piece boss encounters, and frantic, funhouse-ish trap / puzzle rooms. The sequel, thankfully, is much more focused. I didn't feel like I was wasting my resources by putting points into Sebastian's stealth skills (a skill tree that was completely absent from the previous game), as you can actually continue to use them over the course of the entire game. Sure, there's still scripted ambushes and puzzle rooms, but the focus is much more firmly planted in sneaking around, exploring the environments, and generally avoiding detection.

Unfortunately, there's still a bit too much of a focus on frenzied action. It detracts significantly from any sort of horror or tension that the game might be trying to build up. The autosaves are fairly generous (even though there are also manual save points in each of the game's safe houses), so enemies come in hordes, hit very hard, and deaths are going to happen. Chapter 3 basically completely desensitized me to death and put me in the habit of just standing up and letting the monsters kill me if I ever screwed up the stealth.

The early combat encounters are not gentle, as they put you up against hordes of enemies.

There's a greater focus on open-ended exploration this time around, and Chapter 3 is the first open map that the player is free to explore. There's basically two main paths through it: the hard one and the easy one. The easy path is basically a straight line due north from where you start, but the game throws some curveball objectives at you that basically encourage you to try the other paths that end up being much harder. You're told about weapon caches and NPCs that you're supposed to try to save. One such weapon is the crossbow, which is actually a pretty necessary tool (because, you know, every game has to have a crossbow). It's right off to the side of where you start, but picking it up can easily lead you down a much harder path to your actual mission objective...

Oh boy, booting up Madden 18 for the first time was like watching a slow motion train wreck -- before the train had even left the station. After a few start-up questions to set my play style and difficulty level, the game immediately loaded into a demo game of a Superbowl rematch between the Falcons and Patriots. Except it crashed to the PS4 menu before the game could load. I booted it up again, sat through setting my initial preferences again, and then waited in anticipation to see whether the demo game would actually load.

It did, but instead of a tightly-choreographed narrative tutorial like in Madden 16 and 17, it loaded into a normal Play Now game, but with pathetically sparse commentary and lazy SuperBowl presentation. Now, Madden 17's tutorial wasn't great. The player banter was cheesily-written and poorly-acted, and completely misrepresented the actual content of the game. But at least it had scripted scenarios that put the player in position to try out some of the new features. Madden 18's introduction couldn't even be bothered with trying to be a tutorial. It just throws you into a game with a few tooltips popping up in the corner of the screen that you may or may not have time to read, and which may or may not be actually relevant or useful.

The demo game exposed the persistence of legacy issues with loose ball and onside kick recovery.

The actual game exposed several legacy issues were still present. Loose-ball physics and fumble recoveries appear to still be an ongoing problem. A fumbled ball just magically sticks to a recovering player's hand, and an onside kick was sucked right into the waiting hands of a member of the receiving team. So much for my hopes that the Frostbite Engine might be a panacea for fixing any legacy physics issues...

The game ended, I was given a "What's New" teaser video that explained the settings and options that I had already chosen before, and then I was put on the main menu where every piece of content was locked out. The only thing that I was allowed to do is replay that same Falcons-Patriots Superbowl rematch. You see, this year's Madden game pulls that annoying trick where it installs just enough content to allow you to boot up the game and play a tiny piece of demo content while the rest of the content downloads and installs in the background. I hate this feature! I don't want to play an incomplete game. I'll play it when it's fully installed and ready to go. In the meantime, I can read a magazine or play something else. Don't tell me the game is "ready to play", when it isn't!

What I got was a buggy, poorly-performing game scenario that I didn't want to play, and which did nothing but showcase that major legacy issues still remain, that the commentary might be sparse and lifeless (fortunately it isn't), and it couldn't even be bothered to actually teach me any of the game's new features.

"Ready to play", my ass... At least install the Skill Trainer so I can do some tutorials!

And I thought Grand Theft Auto V's tutorial was bad.

When the game finally was ready to let me actually play, I spent some of my early time in Ultimate Team to get my feet wet and see if that mode had become worth playing. No, it still isn't...

I'm still working on my full review of Madden 18. It was starting to get kind of long and rambly, so I decided to break off the section regarding the Longshot story mode (which I've already played to completion) into its own post so that I could be a little more thorough regarding this unique game mode. Well, unique for Madden anyway. Games like 2K's NBA 2k have been doing a similar thing for years.

Longshot is a pretty radically different gameplay mode compared to the rest of Madden, and so it also felt kind of out-of-place in the review for the rest of the game. It's very much its own self-contained thing. In fact, it very easily could have been released as a stand-alone game or "expansion" DLC pack for Madden 18, rather than being a back-of-the-box feature. It's inclusion in the core package is probably one of the reasons that franchise mode received so little attention this year, as I'm sure this thing must have taken a lot of time and resources. Madden is already overpriced as it is (in my opinion) -- especially when you consider how much money EA makes from the Ultimate Team feature -- so I'm certainly happy that I got to play this mode without having to spend any extra money.

The story of Devin Wade

If Madden 18's arcade, simulation, and competitive game modes aren't enough game varieties for you, or if you're one of those "games as art" "snobs" who writes lengthy blogs about ludonarrative dissonance or about how seemingly-arbitrary game mechanics are actually informing the narrative, then the new "Longshot" story mode might be for you.

This isn't a character-creator like in earlier iterations of Madden's Superstar mode, or NCAA Football's Road to Glory / Race for the Heisman / Campus Legend. Instead, you take on the persona of a character designed by EA, named Devin Wade. Devin is a former college football star who quit after the death of his father and is eventually recruited into a fictional reality television show called "Longshot", in which he's trained to become a potential NFL draftee. Wade is dealing with the trauma of his father's untimely death a few years ago, as well as his own feelings of inadequacy, abandonment, and maybe some guilt. You play through his training process, as well as flashback bits of his high school career (and watch other bits of his college career and some pee wee moments). Surprisingly, one thing that you won't do is have Devin suit up in an NFL uniform, as the mode concludes with him being drafted (or not, as the case may be).

Longshot includes flashbacks of Devin Wade's high school and college careers.

The mode is mostly like watching a movie (a three-and-a-half hour long movie), with the occasional quicktime event, mini-game, or time-sensitive Mass Effect-style dialogue choice...