Why is this a "Captain America" movie? Why couldn't Marvel just call this "Avengers: Civil War" or "Marvel: Civil War"? This movie is just as much about Tony Stark as it is about Captain America, and the entire ensemble (minus a Hulk and plus a Spider-Man and Black Panther) is present.
Speaking of Spider-Man, let's get this out of the way right from the start. His presence felt like completely contrived fan service and the tonal shift that he brings kind of hurts the movie. He's pulled out of nowhere for no good reason so that he can participate in the big, fun battle royale; and then he's sent home when it's over and has absolutely no relevance to the movie's plot or themes. Tony Stark has no idea that Cap has recruited Ant Man, and I'm not even sure if he was aware that Hawkeye had broken Scarlet Witch out of the compound yet. Shouldn't Iron Man, War Machine, Black Widow, Black Panther, and Vision have been enough to take down Captain America, Falcon, and Bucky? Did he really think he needed to recruit an innocent, un-involved person and put him at risk?
That being said, this is the best combination of Spider-Man and Peter Parker that has been presented in live-action film to date. I do miss the New York accent of Andrew Garfield and the picture-perfect spider-suit from Amazing Spider-Man 2 (though I like the colors in Civil War better), and I think that the Sam Raimi films had the best supporting cast (outside of McGuire, Dunst, and Franco), but virtually everything about Civil War's Spider-Man was great.
Despite the lack of a New York accent, this is probably the best film of portrayal of Peter Parker and Spider-Man.
Take my love, take my land, take me where I cannot stand
So how does the rest of the movie do?
It kind of reminds me of Serenity (the film follow-up to the series Firefly). Both the Firefly series and the preceeding Marvel films have all been very light-hearted, fun, and energetic. They've been full of charismatic, witty characters, genuine emotion, and exciting action. But Serenity and Civil War are much more brooding. The characters don't really get along, they all seem tired, there's less wit, and much of their charisma is lost. Even characters that we may have loved before now seem somewhat dull and might not be very fun to watch.
The action is still great, the characters are still fine, and there's still some humor and wit in the dialogue. But it feels like the soul that Marvel has built up for its universe has been sucked out. The darker themes of the plot aren't even necessarily the problem here. After all, I loved Winter Soldier (and really regret that I never wrote a review of it), and that movie had a darker edge to it. But it also deviated from the established formula and showed creativity and cleverness that the other Marvel movies didn't have. It felt more like a James Bond or Jason Bourne spy-thriller than the typical Marvel comic book movie, and that was great! Similarly, Ant Man (which I also regret not reviewing) felt more like a criminal heist movie, which was also great! Both felt unique enough that they transcended the tropes and McGuffins that they relied upon.
The characters have less energy and charisma about them.
Civil War, on the other hand, falls back on many of the formulaic tropes that the Marvel films were based on. It's another revenge and McGuffin plot. The McGuffin just happens to be a person this time around, and the entire second half of the movie could have been avoided if the characters would have just let each other talk. It's this formulaic model that conflicts with the dour tone and actually leads to large chunks of the movie actually feeling boring. And much like Age of Ultron before it, this movie feels a bit too bloated for its own good. I'd much rather have seen more screen time and development for Black Panther, and no Spider-Man at all... [More]
a7137a49-0a76-44a9-b31e-bd6d13e262d8|1|1.0
Tags:Captain America, Steve Rogers, Captain America: Civil War, Avengers, Marvel, Iron Man, Tony Stark, Bucky Barnes, Winter Soldier, Spider-Man, Peter Parker, Ant Man, Scarlet Witch, collateral damage, oversight, civilian casualties, Chris Evans, Robert Downey Jr., Batman Versus Superman: Dawn of Justice, Marvel Comics
Deadpool tries to make a big deal about how this is "a different kind of super hero movie". He backs this up by pointing out how he just turned a bad guy into a bloody kabob, and by dropping F-bombs and explicit sex jokes every other line of dialogue. True it isn't exactly the typical super hero movie, but it wasn't anything that we haven't already seen in the larger field of comic book movies. Adaptations of graphic novels like Watchmen, Kickass, Sin City, and 300 are loaded with plenty of gratuitous, graphic violence, foul language, sex, and even some impressive glowing blue penises. Heck, even within the subset of Marvel superhero movies, there's already the R-rated Blade.
So I thought it was a bit pretentious for Deadpool to make his movie out to be "unique" for its hard-R rating. It isn't. And it certainly isn't that unique in its plot, which is a pretty standard, cliched origin story with love interest female lead, complete with the hero trying to rescue his kidnapped girlfriend from an arrogant villain. Nothing new there. It is a little bit more unique in its sense of humor though. If you didn't already know, Deadpool is pretty infamous for being a fourth-wall-breaking meta character. In his appearances in comic books, he routinely jokes or comments about being in a comic book, and his appearances in video games also usually include references to comic books or to video games.
So this movie is trying to sell itself on its wit, and it both succeeds brilliantly, and fails miserably. The opening credit sequence and other digs at the studio system (including a dig at the studio being too cheap to afford any other X-Men cameos) work very well. Other pop culture references fall a bit flat and will only serve to date the movie in the future. I was also very disappointed that Deadpool didn't comment on the absurdly cliche plot twist of the villain kidnapping the hero's girlfriend. That's like a violation of cardinal rule #1 for movie supervillians: don't kidnap the hero's girlfriend. Unless her name is Gwen Stacy, then I guess you've got a case for the kidnapping.
Ryan Reynolds pulls the character off with pitch perfect execution, and his performance isn't hurt at all by the occasional poor joke. He inhabits the role with the same dedication as Robert Downy Jr. in Iron Man, and Reynolds and Deadpool will likely be inseparable from each other for the future.
Despite the cliche plot, Morena Baccarin's character is surprisingly relevant to the protagonist's development.
The villain is pretty lame though, with paper-thin motivation that really does prevent the cliche plot from really transcending the banality of the genre. And really, that's probably the greatest weakness of the movie. Despite taking [what the studio apparently perceives as] risks with the R-rating and over-the-top violence and sex, the actual plot is so "safe" and cheesy. It probably would have worked a bit better for me if it had stuck to being a revenge movie, but once it became apparent that the bad guy was going to kidnap the girlfriend, I kind of sighed and sunk back into my chair, "Oh, another one of these."
At least the romance is much more integral to the movie's plot than in other super hero movies in which the love interest feels tacked on and just there... [More]
c31ecfb9-14cb-4234-96ec-7542f0c8446b|1|5.0
Tags:Deadpool, X-Men, 20th Century Fox, Ryan Reynolds, Ed Skrein, Morena Baccarin, Ajax, Colossus, Negasonic Teenage Warhead, R-rating, nudity, violence, sex, romantic comedy, mutant, Marvel, Marvel Comics, comic book, fourth wall
I have very mixed feelings about Iron Man 3.
On the one hand, the movie throws some very unexpected curve balls at the audience, and departs from other big-budget action movies by being a very thoughtful and introspective movie. It provided everything that Star Trek Into Darkness failed to deliver. If the people who wrote Iron Man 3 had been involved with writing Into Darkness, then that movie would have benefited greatly. Iron Man 3 succeeds because the writers are really trying to say things with their movie, even if they have to twist the audience's expectations and break a few eggs to do it.
On the other hand, the movie suffers from some pacing and script issues, and it blunders with its primary villain(s).
The core of the plot is about Stark coming to terms with the events of The Avengers and deciding if he can truly hang with genuine supermen and gods. It's a very introspective film (which is something that the Iron Man movies have been very good at). In fact, most of the movie revolves around Stark being forced to solve problems as a regular person, rather than being able to rely on a fancy, weaponized suit of armor.
Stark has reexamine his goals and objectives and try to figure out where he wants to draw the line regarding problems he can deal with, and problems he can't deal with, and also with whether or not he should deal with them. The internal conflict within the character is the primary moving for much of the movie's plot, and Robert Downy Junior pulls it all off with the grace and style that we've come to expect from him with this character.
 Tony Stark is going to be stuck solving problems without his fancy armor throughout most of the movie.
[More]
daaa20e7-d060-4232-a199-6b3f66ac6388|2|4.5
Tags:Iron Man 3, Iron Man, Marvel, Marvel Comics, Tony Stark, the Mandarin, War Machine, Iron Patriot, Robert Downey Jr., Gwyneth Paltrow, Guy Pearce, Ben Kingsley, Stan Lee, James Bond, terrorist, the X-Files, Star Trek Into Darkness, fanboy, Cliff Notes, introspection, comic book, movie, comic
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