I have to say that I was impressed with how quick a 2 hour and 16 minute movie could feel. The Amazing Spider-Man is slightly shorter than The Avengers, but it is just about as well-paced. Despite being stuck with another telling of Spider-Man's origin, the movie manages to keep things moving along without getting boring. It does this by offering a very different version of the characters and events leading up to Peter's transformation into Spider-Man. But it lacks the same emotional impact that the first movie had and ends up feeling a bit more sloppy.
First and foremost, Andrew Garfield is not your father's Peter Parker. He's much more confident and outgoing, as well as being tall and handsome. I would even go so far as to say that he comes off as being cocky. As such, he doesn't quite live up to the socially-outcast-nerd identity that most fans assume. Garfield's Peter Parker does, however, express his techie, intellectual side much better than Tobey's previous interpretation of the character. Even before Peter is spider-bitten, we see him inventing unique tools and gadgets, manipulating photos for the school paper, and offering Uncle Ben suggestions for fixing a leaking washing machine.
A major point of the movie's early plot is the mysterious disappearance of Peter's parents. Richard Parker's work in genetics is something that apparently got him in trouble with some unreputable individuals, and he and his wife Mary had to leave Peter with Ben and May and run away. When Peter learns that his father used to work with Curtis Connors at Oscorp, he sneaks into Oscorp in order to find out what they were working on. It is here that he wanders into a room containing the experimental spiders that give him his powers. Despite his intelligence, and fondness for science and technology, he just starts playing around with stuff in the lab. You'd think a smart guy like him would know better, but whatever. [More]
62a505d0-dff8-40ca-99f4-3e9fb52a9f89|1|5.0
Tags:Spider-Man, The Amazing Spider-Man, Andrew Garfield, Emma Stone, Marc Webb, Rhys Ifans, Peter Parker, Gwen Stacy, Curt Connors, the Lizard, Marvel, comic book, Sony/Columbia Pictures, reboot, movie, comic
If it ain't broke, don't fix it!
The rumor mills are ablaze with the idea that the next Star Trek movie (being directed by J.J. Abrams) will feature Khan as the primary villain. Benicio Del Toro was originally planned to portray the villain, but contract negotiations broke down, and Del Toro bailed from the project. Maybe Toro realized that reviving Khan is a creatively bankrupt concept and didn't want to be a part of such an uninspired and contrived movie. If so, good for him.
The idea of bringing back Khan for the next Star Trek sequel is offensive to me on many levels. First and foremost, Star Trek II: The Wrath of Khan is an exceptional movie, and there is absolutely no need to revisit that film's premise or the Khan character. If it ain't broke, don't fix it. There are plenty of examples of broken Star Trek villains that could use a reboot: Sybok (Star Trek V: The Final Frontier), Garth of Izar (TOS: Whom Gods Destroy), or even the Gorn (TOS: Arena) were all handled poorly in their original incarnations and would have been much better material for improvement and refinement. [More]
155ce9c8-b9f0-441f-8e13-c8448e1d034e|1|5.0
Tags:Star Trek, Star Trek 12, Khan Noonien Singh, Garth of Izar, J.J. Abrams, Peter Weller, Alice Eve, Benicio Del Toro, Edgar Ramirez, Star Trek: Enterprise, reboot
Hooray for Hollywood reboots/remakes! Are you as sick of them as I am? Normally, I’m not a big fan of reboots and remakes, especially if they involve changing the details of an origins story (see my X-Men: First Class review). But there are exceptions to every rule. Case in point: Rise of the Planet of the Apes.
Rise of the Planet of the Apes completely rewrites the origins for Planet of the Apes that was depicted in the third film Conquest of the Planet of the Apes. The original story involved survivors from the future, ape-run world being sent back in time to 1970’s earth and giving birth to an ape named Caesar who would eventually lead other apes in a violent revolution against humanity. In the original origin story, all the cats and dogs of humanity were killed by a plague, and humans started taking in apes and chimps as household pets. Eventually, those apes would be trained to serve as a subservient laborer class before revolting under the leadership of Caesar.
In some ways, Rise of the Planet of the Apes could be considered a “remake” of Conquest of the Planet of the Apes, in that it tells a different story for the origins of the ape-run world. [More]
At ComicCon Wednesday, Sony and Marvel released the first trailer for the upcoming The Amazing Spider-Man movie. Surprisingly, it is actually a full trailer with some vague plot details and showing many of the films characters, and not just a simple show-nothing teaser.
The teaser - in its entirety - is shown below:
[More]
When I saw the movie on opening night, I loved it. It was fun. It was fast. The opening scene was gripping and intense. The visuals were flashy. It had plenty of humor. And Karl Urban as Leonard McCoy ROCKED!
Over time, though, my nitpicky cynicism started to kick in, and started to seem more and more like a Hollywood bastardization. It started with the observation (on opening night) that the crew of the Kelvin had the Enterprise "delta shield" flight patches on their tunics, instead of the ship-specific flight patches that were in use during the original series and before.
Really, who are these people?
Eventually, I started to be bothered by the insistence that all the characters have to turn out exactly like their original series counterparts, despite having their origins and life histories significantly changed. Apparently, in the J.J. Abrams' Star Trek universe, a person's "destiny" is a complete matter of "nature" rather than "nurture". [More]
1104fbbc-b27e-405f-9cf7-ef4dc738cd62|3|4.0
Tags:Star Trek, Star Trek 11, J.J. Abrams, James Kirk, Spock, TOS, Enterprise, Hikaru Sulu, Leonard "Bones" McCoy, Uhura, Montgomery Scott, Pavel Checkov, reboot, movie
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