Over the years, I have frequently recommended that people stop buying new games from AAA publishers at retail. Don't buy them at all, or if you do, wait for a sale, or buy it used. This is because the massive, international, conglomerate corporations that publish these games are sleazy, scummy, or outright evil.
They underpay their employees.
They abuse their employees with cultures of crunch.
They hang the Sword of Damacles over their employees heads with the perpetual threat of layoffs.
They report record profits to their shareholders and award billion dollar bonuses to executives on a Tuesday, and then lay off hundreds or thousands of workers on Wednesday because they "can't afford" to keep them.
Some publishers even have active cultures of sexual harassment and abuse of female employees, which their HR departments are happy to cover up or sweep under the rug.
They harass and ostracize transgender employees and hold their healthcare hostage.
They fight against unionization.
They overcharge for their products.
They sell un-regulated gambling to minors.
They sell half-baked or broken products at full price.
They cancel promising upcoming products with little-to-no rhyme or reason.
They want to take away the consumer's right to own the media that we buy.
The list goes on... [More]
860f709e-321c-4ad2-9fc6-ec6ece4e056d|2|4.5
Tags:Microsoft, Tango Gameworks, Arkane, Alpha Dog, Roundhouse Games, Bethesda, Sony, Japan Studios, retail, corporate culture, corporation, Activision, Blizzard, Ubisoft, Nintendo, Konami, Annapurna Interactive, From Software, Electronic Arts, EA Sports, Japan Studio, eBay, Hi-Fi Rush
The rumors regarding new Silent Hill games are true. Well, some of them anyway. It doesn't look like Hideo Kojima or Guillermo del Torro will have anything to do with any of it. Konami finally broke the silence regarding its plans for the Silent Hill franchise, and announced 4 new games and a new movie! I have very mixed feelings about all of this.
Market saturation
First and foremost, announcing 4 new game projects all at once feels like overkill to me. I really hope that these games are spaced out and aren't all released at the same time or in quick succession. Remember the last time Konami tried releasing a bunch of new Silent Hill content in its 2012 "Month of Madness"? Yeah, that didn't go over too well.
I'm having enough trouble keeping up with the oversaturation of streaming Franchise TV series.
More generally, keeping up with the oversaturation of content from franchises like Star Trek, Star Wars, Marvel is already difficult, and I can't keep up. I don't need all my favorite video game franchises piling onto that oversaturation. People have lives outside of media consumption, and I'm sick to death of these corporations thinking that they have a right to monopolize our time by throwing dart after dart at walls in the hopes that some particular dart sticks in the bullseye. I do not owe Disney, or CBS/Paramount, or Konami any of my time, and I've gotten to the point that I don't offer my time unless I have an expectation that it will be worth it. So if any of these Silent Hill games does not look worth my time, I won't play them, and they can go in the pile of un-consumed content along with Book of Memories and most of the crappy graphic novels and comics.
That being said, I'm expecting that most (if not all) of these titles will be relatively short, niche horror games -- "short" compared to the massive open world grind-a-thons that other studios keep trying to shove down our throats. I don't expect any of these new Silent Hill games to be 100+ hour, open world, live service games that are designed explicitly to waste my time and try to steer me towards buying "time-saver" micro-transactions and loot boxes. That doesn't mean that Konami won't find a way to put micro-transactions and loot boxes into the games. But I expect these games will likely be more traditional, conservative 8 to 15-hour horror campaigns. This means that I will likely have time to split between these games and other games, and also between these games and each other (should they all be released contemporaneously, and I chose to play them all).
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f6bc067e-bcf1-42c2-8f30-f2175fb6cceb|3|5.0
Tags:Konami, Silent Hill, Silent Hill 2, Silent Hill 2 Remake, Silent Hill f, Silent Hill Ascension, Silent Hill Townfall, Return To Silent Hill, Bloober Team, NeoBards, No Code, Annapurna Interactive, Masahiro Ito, Akira Yamaoka, Christoph Gans
When some of the trailers for Stray started releasing on the internet a couple months ago, a couple of my co-workers were really enthusiastic about it. I took one look at the trailer, and pretty much had the entire game figured out. But the idea of playing as a literal cat (as opposed to an anthropomorphized cartoon mascot cat) seemed novel enough for me to toss the game on my Steam wishlist. I ended up buying it on PS5 though, since the price was the same and my aging PCs might not be able to render all the pretty, ray-traced neon lights of the game's cyberpunk dystopia setting.
Right off the bat, I was surprised that Stray does not feature any kind of customization for the cat. I had a bit of a Mandela effect going on in which I could have sworn that the trailers I watched earlier in the year showed customization. But no, we're all stuck with the same orange tabby cat. At the very least, I feel like the developers could have given the player the option to play as one of several pre-fab cat models. The game begins with 4 cats in a little colony, and it seems like the developers could easily have given players the option of which of the 4 cats we want to play with. Ah well. Not a big deal.
I wish there were options to customize the cat or play as different pre-made cat skins.
After being separated from the other 3 cat buddies, the one playable cat must navigate a walled-in dystopian cyberpunk city to find its way back out to its colony. This is done by progressing through a linear route through the environments and completing collections of 3 various types of activities:
- Run away from hostile critters,
- Explore small sections of the city populated with humanoid robots for keys, collectibles, and lore,
- Do some light stealth.
Cyberpunk cat tower
The best parts of the game are easily the exploratory sections, as they are the most free-form and best utilize the novelty of the feline protagonist. The levels all have a significant vertical element to them, and the low-angle camera gives an impressive sense of scale. All the spaces are very small horizontally, never representing more than a single city block, but they are easily doubled or tripled in terms of traversable size when the vertical spaces are factored in. A simple, 3-story tenement building might as well be the Empire State Building from the perspective of your foot-tall feline avatar.
If the player isn't routinely looking up, climbing where you can, and squeezing into tight spaces, you'll likely miss a lot of the game's secrets and collectibles. Though if you are testing the verticality of all the spaces, you should find most (if not all) collectibles without much extra effort or thought.
A stray cat must navigate a cyberpunk city inhabited by robots.
This gameplay would probably be a lot more impressive if not for the fact that it isn't doing anything that every other open world adventure game since Assassin's Creed has been doing: climbing and rooftop parkour. Even though the levels are 3-dimensional, paths to the heights are usually clearly signposted and railoaded, and the cat can only jump or climb onto places that specifically have "jump to" prompts. There are no leaps of faith for this cat. All the challenge is simply observational: is there a clearly-visible path to the place I want to go?
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It may have taken almost 20 years after Majora's Mask, but it looks like time loop games have suddenly become an emerging fad. Not that it's a bad thing, per se. Outer Wilds has, after all, become one of my favorite games ever. Twelve Minutes is much more scaled-down and far less ambitious than Outer Wilds; it takes place entirely within a small, one-bedroom apartment, and the individual loops average 5-10 minutes instead of the 22-minute loops of Outer Wilds.
12 Minutes has a high-degree of responsiveness to player actions.
12 Minutes is also a much more straight-forward point-and-click puzzle-adventure game in a vein much more reminiscent of classic Lucasarts games. There's only a handful of interactive objects in the apartment, and each one has a variety of different uses. In this way, 12 Minutes rather explicitly telegraphs the solutions to puzzles, since there's only a handful of things that the player can even try. The options available to the player lead the player down the path to progress, and if you ever get stumped, idle conversation will often provide clues as to what you could maybe try next.
Although the seams in the facade do become evident if the player gets stuck repeating a particular loop too many times, I did find myself impressed by just how naturally reactive 12 Minutes is to player interference. The wife and cop will react believably to many things that the player might do, including some off-the-wall things. The wife might comment on weird or rude behavior by me, or the entire time loop may go in a completely unexpected direction because I chose to do something slightly different. It's a surprisingly wide and robust possibility space.
The short duration of time loops, and the relatively small amount of intractable objects really encourages lots of player experimentation. Screwing up any given loop doesn't lose a whole lot of progress, so there's very little penalty for trying some seemingly-crazy solution on a whim, and sometimes, it will even reward the player with some new piece of information that you didn't have before, or a clue to how you might proceed.
12 Minutes provides lots of subtle clues for ways to proceed.
12 Minutes is also quite good about providing clues that are subtle enough to not be obvious spoilers of what to do next, but which might still make you facepalm in retrospect "of course that's what I should have done!" What makes these clues work without feeling like they solve the game for you is that there is often multiple ways to go about testing them. The wife making an off-hand comment about needing to clean the closet is, in retrospect, an obvious clue that the player should check the closet. There is a useful object in there, but its usefulness isn't necessarily immediately obvious. What might also not be immediately obvious is that there's another way that the closet is immediately useful, it just has nothing to do with the object you found there.
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