I don't know if I'm going to be buying a PS5 anytime soon (or ever), so I may not have an opportunity to play Miles Morales, which is Insomniac's follow-up to its smash hit 2018 game Marvel's Spider-Man. Instead, I decided to go back and play the DLC for the 2018 game, "The City That Never Sleeps", which I had bought, but never got around to playing. This got me thinking more about how Insomniac implemented the web-swinging mechanics, and what I hope they'll do to iterate and improve the mechanic in future games.

This blog post is a transcript of the video essay above.

I had previously mentioned Marvel's Spider-Man essay about open world gaming's possible recent inflection point, but I didn't go into much detail. Basically, I just threw it in as an example of a recent open world game in which the traversal of the map had a large mechanical focus, turning the map into more of a play space and less of a convoluted, time-wasting mission-select screen. I didn't spend more time talking about Spider-Man, however, because as much as I like Insomniac's game, and as fun as the web-swinging is, I still felt like the web-swinging traversal in that game was pretty simple, and the environment did not act as much of an obstacle to the level of the other games in those videos.

Besides, Insomniac's Spider-Man didn't stray very far from the boring checklist-inspired open world design that my earlier videos were railing against. Traversal doesn't consume resources other than the player's time, and the player isn't responsible for balancing Peter's heroic and personal lives (the tension between the two has always been a big part of the Spider-Man story), nor are there any other mechanics that try to pull the player towards one set of content to the exclusion of another, and so where you are on the map, where you're going, and how you chose to get there is largely meaningless. It's any other open world game you've played in the last 10 years. The web-swinging is just a much more stylish and spectacular method of moving from filler content to filler content.

Spider-Man games make for an interesting case study in open world game design.

Spider-Man games in total do represent their own interesting microcosm of the virtues of open world, sandbox game design, and also of the ways in which open world games can fall flat on their faces and fail miserably. Spider-Man could make for an interesting case study to go along with Death Stranding.

Since the landmark Spider-Man 2 movie tie-in game, mainstream Spider-Man games have mostly been open world games. The most notable exceptions being Beenox's Shattered Dimensions (which was pretty good) and Edge of Time (which was awful). All the other Spidey games that I've played have been open world games in which you web swing around a virtual Manhattan to reach story missions or to thwart ambient crimes. The quality of these games has been very hit-or-miss, but (as we'll discuss soon) many of them still have their unique merits.

Beenox's Shattered Dimensions and Edge of Time are notable Spider-Man games that are not open world games.

Web of Shadows, for instance, had lots of problems with its writing, pacing, and animation, but its novel aerial and wall-crawling combat mechanics made excellent use of the map's verticality in ways that other Spidey games (and open world games in general) rarely even approach. I won't be talking much about this game because I traded in my copy a long time ago, and I don't feel like blowing $45 of Patreon contributions on a game that I'll likely play for 10 minutes just to capture footage and refresh my memory of how the game played. So my apologies if you're a big Web of Shadows fan.

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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