© Amazon/MGM
Project Hail Mary
As frequent readers probably know, I'm a fan of hard science fiction. I'll try to make a point of seeing new, high-concept sci-fi movies in theaters, especially if they are receiving positive word of mouth. Two of my favorite movies of the past decade or so have been The Martian and Arrival. Project Hail Mary is almost like a combination of those 2 movies, and its based on a book by the same author who rote the novel of The Martian, so it should be right up my alley.
I did still like it. But I also found myself disappointed that it was so "cutesy" and not quite as smart or thoughtful as I had hoped it would be.
Yeah, the rock alien is adorable. And the practical effects looked exceptional. The scenes of Grace and Rocky learning to communicate with each other, explaining concepts that are common to them, but alien to the other, and then solving problems together are the highlight of the movie to me.
And hey! Rocky is from 40 Eridani, which is the same star that Star Trek's Vulcan is supposed to orbit. So that was a fun little Easter Egg! Rocky is a Vulcan. He's a "Rock Spock"!
But Rocky is also a symbol of much of what annoyed me. For every moment in which the two are having slow, thoughtful conversations about the nature of existence, there is also a scene of Rocky running around like an excitable puppy for strictly comedic purposes. It just seems off for a character who is supposed to be a highly-intelligent engineer on an interstellar mission to save his species from extinction.
More generally speaking, this movie leans heavily on the trope of an in-experienced "regular guy" having to bumble his way through an incredibly technically-demanding mission. Yes, the guy is a PhD, so he is a very smart person. This doesn't quite fall into "Mary Sue" territory. But he's a biologist. He's not an engineer, or a pilot, or an astronaut. Yes, he does have months (or longer) to learn the spaceship's functions, but it's still not entirely believable that he would be able to single-handedly figure out how to operate a complicated spaceship. This is what separates Project Hail Mary from the much better movies of The Martian and Arrival. The characters in those movies are experts solving problems within their field of expertise and experience. They aren't middle school teachers thrown into a spaceship with no training at all.
©Amazon/MGM
Grace has to single-handedly figure out how to operate an advanced, experimental spaceship.
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Tags:Project Hail Mary, MGM, Amazon, science fiction, Andy Weir, space, alien, climate change, sun, science, 40 Eridani, Ryan Gosling, The Martian

I dropped the ball on this one. I often criticize Hollywood for not being willing to make genuine, hard science fiction movies anymore, and I begroan the continued bastardization of my beloved Star Trek and the dumbed down action flicks that Hollywood dared to put the "Star Trek" title on. The studios say that science fiction don't make enough money. Apologists say that casual audiences are too dumb and impatient to sit through any kind of slow-developing, cerebral movie. Ironically enough (despite my own frequent cynicism) I think both these apologetics are too cynical and don't give audiences enough credit. I firmly believe that if the studios make a good movie, the audiences will go see it, especially if it's properly marketed.
So when a thoughtful, science fiction movie like The Martian comes out, I try to make a point of spending my money to see it in order to show my support for the continued development of the genre. I made a point of seeing Gravity, despite that movie appearing to be little more than space destruction porn and iMax eye candy. I also made sure that I saw last year's Interstellar. And both of the Planet of the Apes reboots have been surprisingly excellent. Unfortunately, I lost track of the release date of The Martian and missed seeing it on opening weekend (one of Hollywood's biggest metrics of a movie's success). I also wasn't able to see it the week after, or the week after that due to my weekends being consistently busy. It was over a month before I finally put my foot down and said "I'm seeing this movie now! No more delay!". And then I went and saw it twice in that same weekend.
Fortunately, the rest of the country vindicated me by heaping dump trucks full of praise on the movie and putting their butts in the theater seats to keep The Martian at the number 1 spot in the box office for almost the entire month of October (only briefly falling to number 2 for one week behind Goosebumps - really?). It finally took an upteenth sequel to a beloved franchise to topple The Martian when Spectre (which I also saw this weekend) held the top spot for two weeks in a row. The movie itself is earning Oscar buzz, and Matt Damon seems to be the current favorite for "Best Actor". So there you have it, Hollywood: make a good sci-fi movie, and they will come, and they will love it.
Matt Damon's character is charming and easily has the audience rooting for him against all odds.
And the movie is absolutely fantastic! It's ambitions are closer to Apollo 13 than to 2001: A Space Odyssey. It's a very believable, down-to-earth, science fiction film, the events of which feel like they could happen tomorrow. Matt Damon's performance is absolutely charming as a NASA astronaut stranded on Mars and presumed dead when his team is forced to evac due to a violent sandstorm...
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Tags:The Martian, Matt Damon, Ridley Scott, science fiction, Mars, space, NASA, astronaut, Ares, Pathfinder, optimism, Oscar