My biggest concern going into this new Twilight Zone reboot was with the hour-long format of its premiere. The first episode, "The Comedian" (which was available on YouTube for free as a preview of the show to come), was a bit overlong and dragged considerably in the second half. It had made its point by about halfway through, we could all see where the episode was going, and it insisted on going on for another 20 minutes despite not really having anything left to say.
OK, yeah sure, in the past I've complained about shows like Fox's Cosmos reboot being too short. Commercials cutting Niel DeGrasse Tyson's Cosmos reboot to only 45-ish minutes was simply not enough time for Tyson to give more than an elementary overview of the grandeur of nature or science.
However, The Twilight Zone isn't an educational show about "all that is, or ever was, or ever will be"; it's an anthology of science fiction parables and allegories. Parables and allegories are usually short and simple stories intended to convey a moral or lesson or insight into the human condition. The Twilight Zone doesn't really need a full hour to tell its stories. The twists are easy enough to see coming. This isn't The Sixth Sense, or Fight Club, or American Psycho, or Se7en, or something similar that actually needs a two-hour runtime to build up suspense and intrigue and dot the entire runtime with clues for its twist ending.
The pilot episode "The Comedian" felt over-long.
I was happy to see that episodes later in the first season have variable runtimes. The second episode, "Nightmare at 30,000 Feet" (which is actually a totally different story than the "Nightmare at 20,000 Feet" classic that it is homaging with its title), is under 40 minutes, filled out its runtime better, and enjoyed much tighter overall pacing. The following episode, "Replay", clocked in at 45 minutes, and also enjoyed a much tighter script.
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Tags:The Twilight Zone, Jordan Peele, CBS, all access, streaming television, Rod Serling, science fiction, anthology, parable, allegory, racism, bigotry, toxic masculinity, date rape, social justice, social injustice, plot twist
Jurassic Park is one of my earliest and strongest movie memories. I think I saw it at least four times in theaters when I was a kid. Even at that age, I rarely ever saw a movie more than once in a theater. Probably because I couldn't convince my parents to take me more than once, so if I wanted to go again, I'd have to go with a friend or a cousin. But that movie was good enough that I think even my mom and dad went multiple times.
I had a bunch of the Jurassic Park toys, including the character action figures, the large dinosaurs, the jeep, and even the compound playset with the fence and the gate. It was a very monumental movie in my youth that also shaped my perception of movies going forward, as well as helping to spark my interest in science. The awe and wonder of it captured my imagination and held very tightly for a very long time. Its scenes, images, dialogue, and music have all stuck with me to this day.
Perhaps because of this, my favorite parts of the newly-released Jurassic World were the brief scenes of the kids exploring the theme park. I enjoyed the brief clips of the petting zoo where kids fed the baby dinosaurs and rode on the backs of baby triceratops. I especially liked the little playground set where the kids would pretend to dig up dinosaur fossils. Seeing the kids on screen enjoying the awe and wonder of the animals sent me on a nostalgia trip to 20 years ago. The idea of people interacting with these animals is still just as captivating as it was then. There was a very addictive, light-hearted sense of joy and energy throughout these short-lived segments.
I had many Jurassic Park toys when I was a kid.
Even a more depressing mid-movie scene in which Chris Pratt and Bryce Dallas-Howard try to comfort a dying dinosaur was a touching moment that I really liked. It reminded me of the triceratops scene from the first movie, and the dinosaur was surprisingly expressive.
I did think it was weird that the director chose to play John Williams' trademark Jurassic Park theme as fanfare for what was effectively just a scenic helicopter landing. I get that it was an homage to the first movie, but I feel that the first movie built up to the arrival in the park, and paid off the fanfare with the classic money shot of the brachiosaur grazing in the open field. In Jurassic World, it just kind of felt like going through the motions. Imitation for imitation's sake.
In any case, these fun scenes with the dinosaurs is definitely not the point of the movie, and these sorts of scenes and moments get shoved to the side in order to make room for the film's main plot.
My favorite scenes were the ones of people enjoying the park.
I was skeptical about Jurassic World from the very first trailers. I worried that it would surely miss the point.
Michael Crichton's novels and the first movie weren't about "science gone amok"; it wasn't a Frankenstein story about mad scientists creating monsters. It was about well-intentioned scientists who underestimated the complexities of nature...
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Tags:Jurassic World, Jurassic Park, Universal Studios, dinosaurs, nature, science, theme park, Michael Crichton, science fiction, allegory, parable, consumerism, anti-consumerism, ethics, captivity, cloning, genetic engineering, indominus rex, tyrannosaurus rex, velociraptor, mosasaurus, In-gen, Sea World, Free Willy, Chris Pratt, Bryce Dallas-Howard, reboot, soft reboot