One of my biggest complaints with Disney's Star Wars movies has been their complete lack of original ideas, and their complete unwillingness to move the Star Wars narrative forward. That's actually why I didn't think The Last Jedi was as bad as most people said it was. I mean, it wasn't "good" by any stretch of the imagination. The script was messy, the tone was uneven, and a lot of the movie's logic was fundamentally flawed. But I appreciated much of the bold thematic elements. The Last Jedi wanted desperately to move the franchise in new directions, and it actively mocked the previous film(s) (and the fanbase) for being too trapped in the past.
The rest of Disney's Star Wars movies haven't been so bold. The Force Awakens was a rehash of the original movie. Rogue One and Solo were both prequels that nobody asked for that both attempted to explain minutia that never needed explaining to begin with. I haven't seen Rise of Skywalker yet, but I'm hearing that it's an exceedingly dumb rehash of Return of the Jedi, and possibly the worst Star Wars movie since The Pantom Menace. And that's the "gentle" criticism that I'm hearing from people who were generally favorable towards Disney's treatment of Star Wars!
Suffice it to say, outside of the X-Wing and Armada tabletop games (which I love and still regularly play), I have become so jaded and sick of Star Wars that I didn't bat an eye at Disney's announcement of The Mandalorian. I just assumed that it was a prequel series about young Boba Fett that would continue the Star Wars trend of fixating on its past. I had no interest in watching the series, and I sure as hell was not going to pay a monthly subscription to Disney to watch it.
But I guess a free subscription to Disney Plus came with our Verizon phone plan, and my girlfriend was hearing some good word-of-mouth in the week after the first episode premiered, so we've been having stay-in date nights to watch it. I want to say, by the way, that I like this approach of releasing episodes of a streaming series on a fixed schedule, rather than dumping a whole season all at once. It facilitates water-cooler talk because everybody else is at the same point in the narrative that you are. You have time to digest the events of each episode and talk about them, and you are able to speculate with friends over what's going to happen next, because your friends don't know either! You'd think that streaming services like Netflix and Hulu would have figured this out with the success of HBO's Game of Thrones weekly release schedule, but they didn't. Disney learned. (and so did CBS).
The Mandalorian feels like it's actually pushing the Star Wars narrative forward.
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Tags:The Mandalorian, Disney, Disney Plus, streaming television, Lucasfilm, Star Wars, Mandalorian, bounty hunter, Yoda, baby Yoda, child, the Force, Galactic Empire, New Republic, Christmas, toy
I'm about to do something that has become a rather unpopular thing on the internet -- especially among liberal and progressive-minded people such as myself. I'm about to explain why I consider Rey to have been a "Mary Sue" in Star Wars: the Force Awakens.
I'm not doing this because I want to hate on the movies for the sake of hating them. I'm also not trying to hate on Daisy Ridley, and Daisy, if you read this, I want you to know that I think you did a fantastic job with the material that was given to you. I'm being critical because I want the movies to be better than they are. I have very high standards and expectations when it comes to Star Wars, and I feel that Disney's efforts so far have been sub-par. So much so that I often find myself using phrases like ... sigh ... "to the prequels' credit". I hate having to say that. It makes my skin crawl every time. I'm at a point, however, in which I find myself pointing out merits in the prequels as a point of contrast against flaws that I perceive in Disney's Star Wars films, as if one set isn't better or worse than the other; but rather, that they are just ... different.
I don't hate Rey. I am critical because I want these characters to be better.
So even though this is kind of old news that's been beaten to death for over two years, let's talk about Rey for a moment. And regardless of which side of this issue you fall on, I hope that you read the following with an open mind. And if you disagree, then that's fine. I'm not going to fight you over it.
"Mary Sue" is a subjective qualifier
Let's start with some background. The definition that I use for a Mary Sue is:
A fictional character (often appearing in fan fiction) who is primarily a vehicle for wish-fullfillment (usually being a self-insert stand-in for the author), and who is unjustifiably-competent in multiple fields -- if not everything.
Typically, these characters are good at everything they do. They get along with other established characters exceedingly well (sometimes even being romantically pursued by one or more of the canonical characters). They have few (if any) flaws. They are an idealized character who is essentially a "perfect" character within the fiction. They are also -- pretty much by definition -- characters who are added to a fictional setting long after its initial establishment.
The term "Mary Sue" is derived
from Star Trek fan fiction.
The term originated in Star Trek fan fiction, having been coined in 1973 after the publication of a parody story "A Trekkie's Tale" in the fan magazine Menagerie. This particular story (written by Paula Smith) was about a 15-year-old female character named Mary Sue, and it satirized the unrealistic nature of many characters in other fan fiction stories. Lieutenant Sue was the youngest Lieutenant in Starfleet and was an expert in virtually everything she did. She was "the best and the brightest" of Starfleet.
First off, I want to get one thing straight: whether or not a character is a "Mary Sue" is a subjective opinion. Whether or not any individual reader or viewer considers a given character as a "Mary Sue" is going to depend greatly upon where that individual draws the line between "justifiably-competent" and "unjustifiably-competent". That line will vary from person to person, and from fictional universe to fictional universe. I draw that line at a much different place for Star Wars than I do for Star Trek. In addition, this line is not always a hard or clear-cut line. It might be very fuzzy. The fuzziness of the line will also vary from person-to-person and from fictional-universe-to-fictional-universe. It's all on a continuum. Even within a single fictional universe, one character may be " more Mary Sue-ish" than another character.
Identifying a character as a Mary Sue also does not necessarily mean that the work of fiction (or even the character) is inherently bad.
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Tags:Mary Sue, fan fiction, Star Wars, Star Wars: The Force Awakens, Star Wars: The Last Jedi, Disney, Rey, Daisy Ridley, Luke Skywalker, The Empire Strikes Back, Return of the Jedi, the Force, Jedi, Jedi Mind Trick, James Bond, Harry Potter, Sherlock Holmes, Neo, Superman, Doctor Who, James T. Kirk, Star Trek, Wesley Crusher, Gene Roddenberry, canon, women, sexism, gender, equality, gender equality