Star Trek Ascendancy Dominion War expansion

I already reviewed the other expansions released between 2019 and 2023 (the Andorians, Vulcans, and Breen), but I wanted to save the Dominion for a separate post because the Dominion come with a whole host of additional features beyond just the new faction. Technically, the expansion is called "The Dominion War". In addition to adding the Dominion faction, this expansion adds rules for new Gamma Quadrant system discs, a wormhole system that connects the Gamma Quadrant to the rest of the map, and a team-based variant game mode with different setup and several new rules.

The Dominion faction can be played with or without the Gamma Quadrant rules in play. But for the most part, I'm going to assume that if you're playing with the Dominion, you're probably playing with the wormhole and Gamma Quadrant as well. Maybe that's a safe assumption; maybe it's not. It's how we've always played the Dominion.

The Dominion War expansion replaces the Bajor system disc that was included with the Cardassian expansion. The new Bajor is a larger piece that combines the Bajoran system, wormhole, and Idran system into a single cardboard "disc" which is placed at the center of the board during setup. This system is fixed and cannot move, and every player knows exactly where it is located. Further, Bajor is a level 3 wap-capable civilization with its own starbase, which makes Bajor very difficult to conquer or hegemonize until the late game.

The combined Bajor / wormhole / Idran system is always located in the center of the board.

Combining Bajor, the Wormhole, and Idran into a single system severely limits the possible configurations of the board when using the Gamma Quadrant. Thus, Bajor has to be at one edge of the Alpha/Beta quadrant portion of the galaxy. Bajor cannot be centralized (like say, being in between the Federation, Cardassian, and Ferengi territories).

I think I would have preferred if the Wormhole tokens were separate pieces that could be attached to any system similar to Starbases, or if they are special effects written on otherwise normal system discs, and that they simply treat the two systems as if they are adjacent. If I recall correctly, this is basically how the Borg Transwarp Conduits work. This would allow the Gamma Quadrant systems to be more of a separate play-space altogether, and the Alpha/Beta quadrant could still organically grow around wherever the wormhole happens to be. This not only more closely resembles the geography of the canon Star Trek galaxy, but it allows for a much wider variety of board configurations and greater replayability.

The Dominion coming through the wormhole

The Dominion is similar to the Vulcans and the Breen, in that all 3 feel kind of like they are simultaneously the hardest factions to play, and also the easiest. Much like with the Breen, the Dominion (if using the wormhole) has tremendous potential to be a turtle faction. The wormhole serves as a bottleneck, and it is very command-expensive to traverse that bottleneck. Ships and fleets must stop at Bajor or Idran, and then spend an additional command to cross from Bajor to Idran (or vice versa). Idran is also a level 5 hazard, which means any ships crossing the wormhole must also survive a die roll. This makes sneak attacks against the Dominion very difficult to pull off, since it may take an entire turn for a player to move fleets through the wormhole, only to not have enough commands left to actually attack any of the Dominion's holdings. Further, if any player takes control of Bajor, then that player serves as the gatekeeper to the Gamma Quadrant, and can potentially block other players from entering the wormhole to threaten the Dominion.

Crossing the wormhole can be very costly.

If the Dominion can build 3 or more culture nodes in the Gamma systems and fortify the exit of the wormhole, they can easily go into turtle mode and secure a relatively un-contested victory. And if the Alpha Quadrant powers fight amongst themselves over control of Bajor, with the Changeling Infiltrators interfering with everyone's movements and making their play less efficient, it's easy for the Dominion to sit back, cleanup whatever is left of the Alpha fleets, and coast to victory This might be why the Dominion does not have any abilities that grant opportunities for free culture (like every other faction has).

[More]

Star Trek: Infinite - title

When Infinite was first announced, I (and many others) had assumed that it would just be an official release of the New Horizons total conversion mod for Stellaris. That mod was huge, offering tons of factions and covering the entire breadth of Star Trek canon from the Original Series all the way through Discovery (and even some Kelvin-verse-inspired content). Unfortunately, that ended up not being the case, and Star Trek: Infinite proves to be a major downgrade from New Horizons.

The "New Horizons" mod for Stellaris included all eras of Star Trek.

Despite its title, Star Trek: Infinite is surprisingly scaled back in scope. It only includes the Alpha and Beta Quadrants, and only 4 playable factions: the Federation, Klingons, Romulans, and Cardassians. I understand not including factions like the Dominion and Borg as playable factions. They actually make more sense as a form of "final boss" that invades the Alpha or Beta Quadrants to provide a late-game challenge that could help make the end-game of a 4-x strategy less tedious, less easy, and more interesting. And I also understand not including smaller, "alien-of-the-week" factions like the Gorn, Tholian, or Sheliak as playable factions. Although I wish more of them would show up as NPC factions. But I really think that factions like the Ferengi Alliance and maybe even the Breen should have been included. The Federation is peaceful and diplomatic, while the other 3 factions are (broadly speaking) different flavors of militaristic. The mercantile, yet exploitative trade-based play style of the Ferengi would have been a good change of pace from the other factions.

Worse yet, however, is that Infinite doesn't cover the breadth of Star Trek history that I had hoped it would. The game begins with the Romulan attack on Khitomer, for which Worf's father was framed, and shortly after the Cardassian occupation of Bajor. And [spoiler alert!] the Borg start appearing at the fringes of Federation and Romulan space within an hour or 2 of starting a new game. It takes place entirely within the scope of The Next Generation, and does not contain any content from Enterprise, The Original Series, or the "lost era" between The Undiscovered Country and Next Generation.

Star Trek: Infinite is limited in scope,
taking place entirely within TNG era, and having only 4 playable factions.

Unfortunately, Paradox killed support for this game prematurely, and it will not be seeing any additional updates or DLC. Initially, I had expected to see a lot of DLC that would fill in the gaps, because Paradox has always been known for the ridiculous amount of DLC that they always sell for their games. I expected to see DLC packs that would push the start of the game back to the 22nd or 23rd centuries and include Enterprise, Original Series, and "Lost Era" ships and storylines. I thought maybe we would see factions like the Ferengi, Gorn, Tholians, Kzinti, Xindi, Sheliak, and maybe even the Vulcans and Andorians show up as playable factions. And I had also anticipated expansions that might add Gamma and Delta Quadrant content, such as playable Dominion, Breen, Kazon, Vidiian, Krenim, Hirogen, and maybe even Borg factions, while also expanding the size of the galaxy.

But now, none of that is going to happen, and the only way Infinite will see any new content is if modders decide to take on these tasks. It would be cool if the "New Horizons" modders would move some (or all) of their content into Star Trek: Infinite, as it might give this game a new life, and help it live up to its true potential as an era-spanning Star Trek grand strategy game.

[More]

Project Wingman: Frontline-59 - title

To be considered an "ace", a pilot usually only has to shoot down between 5 and 10 enemy aircraft in a single campaign. A player of an aerial dogfighting video game will usually do this 4 or 5 times over within the first mission. Project Wingman is no exception. So if you're looking for a "simulation" flight sim, then this definitely ain't it. Project Wingman is thoroughly in the category of a casual dogfighting flight sim. It isn't a completely "arcade" dogfighter either, because it does use realistic flight controls and maneuvers, with the player having control of pitch and roll on one stick, and yaw being controlled with shoulder button "rudders".

In typical casual flight sim form, you'll also have dozens of respawning missiles and bombs strapped to the wings of your plane, even though the actual plane model only has like 6 or so. But shooting down enemy planes with the main guns isn't super difficult, with even a tiny bit of rudder practice. I had to retry the first mission I tried (in the VR campaign) because I ran out of ammo. But with more judicious use of my guns in the retry, I cleared the mission with well over a third of my bullets left.

Only the Frontline-59 expansion missions are playable in VR.

But I didn't buy this game to simply play a console dogfighting game. I bought it because I wanted to play with my PSVR2 headset and Thrustmaster HOTAS flight stick. But the game is not entirely VR-compatible on PS5. Only the handful of missions in the "Frontline-59" campaign missions are playable in VR. The actual main game is not playable in VR at all. Worse yet, Project Wingman doesn't seem to support the HOTAS flight stick at all!

It would be nice if I could use the flight stick, and simply map its inputs to gamepad functions (which is possible to do on Steam with un-supported controller peripherals), but as far as I can tell, neither the PS5 nor the game allow this. So I have an expensive flight stick that I now know cannot be used with games unless the game explicitly includes support for it. Score one more for the "PC master race".

After booting up the game and discovering that Project Wingman doesn't fully support PSVR2, and doesn't support the HOTAS flight stick at all, I strongly considered trying to refund the game. And if I had bought the game on Steam, with its generous refund policy, I would have. But I bought the game on PS5, and Sony's refund policy is less generous. If you play the game at all, it is not eligible for a refund unless it is "faulty". So I was stuck with it, and decided to play it anyway. Score a second point for the "PC master race".

I was excited for some kick-ass VR dogfighting action with a flight stick.
Boy was I disappointed!

I'm now seriously doubting if the investment in the PSVR2 headset is going to prove to be worth it in the long run. Just like with Green Hell VR, the PSVR2 version of a game is severely limited in a technical sense, even though the full game is playable in VR on PC. Are developers constraining the PSVR2 versions of their games simply because they lack the motivation or budget to add full support? Or is there some technical limitation of the PSVR2 headset that makes these game impossible to be fully playable in VR on the PS5? Is the PSVR2 going to be a viable VR system in the long run?

[More]

I've always seen Fallout as a bleak and cynical video game series. Yes, it has humor, but that humor is, itself, very dark and cynical. As such, the goofy, slapstick humor of the early episodes of Amazon Prime's Fallout TV show were a bit off-putting for me.

Around episode 3 or 4, however, the tone begins to shift. From then on, this show is Fallout through and through. It is violent. It is graphic. It is cynical.

Amazon did a fantastic job with the cast. Ella Purnell is fantastic as the innocent and naïve vault-dweller (named Lucy) who serves as the audience surrogate for exploring this world, as well as an adaptation of the player avatar for all of us who tried to play the first game's Vault-Dweller in a "good karma" playthrough. Aaron Clifton Moten has a weird, detached quality to his performance as Maximus, as if Maximus is half sleep-walking through the events. As weird as the performance is, it does give a genuine sense that Maximus is just completely callous and desensitized to the violence and cruelty of the Wasteland, and he only ever seems to perk up when that cruelty gives way to some kind of comfort or happiness.

The side characters are also well cast and entertaining. From Kyle MacLachlan's vault-daddy, to Matt Berry as the voice of the Mr. Handy robots, and all the Wasteland inhabitants and vault-dwellers in between, everybody is great.

But the real show-stealer is Walton Goggins as the movie cowboy-turned-ghoul bounty hunter Cooper Howard. He steals every scene he's in, and gives off just the right combination of confidence, charm, and antagonism befitting such a gun-slinging cowboy anti-hero. We also see empathy and vulnerability in his character, especially in the flashbacks to the pre-war times.

Fallout (Amazon) - Walton Goggins as Cooper Howard © Amazon.
Walton Goggins steals the show, even if his make-up leaves a little to be desired.

The lower budget of a TV show does make itself apparent with some of the makeup effects and one character's digital de-aging effect looking pretty bad. Walton Goggin's ghoul makeup looks more like he's cosplaying the Red Skull than being one of the rotting zombies wandering the wastes. I'm wondering if this was the result of a contractual requirement that the actor's makeup not be too uncomfortable or hide too much of his face, because other ghoul characters and extras that we see in the later episodes look pretty ghoulish.

But other than that, the show looks good. The Wasteland has that eerie beauty that we come to expect from a post-apocalyptic landscape. Whatever money was saved on Walton Goggins' makeup must have been spent on the Power Armor costumes. The Power Armor costumes look fantastic and move surprisingly well for being such a large and bulky practical effect. Being an actual costume (or maybe a puppet?), the Power Armor has an appropriate dirty and weathered look to it, and doesn't clash with the scenery in the way I usually expect a CG character to look.

[More]

Star Trek Deep Space Nine

In the age of streaming and binge-watching here in the year 2023, long-form serialized television is now ubiquitous. Every network and streaming service has wanted its own blockbuster TV shows. Whether it's AMC's The Walking Dead and Breaking Bad, HBO's Game of Thrones, Sci-Fi's Battlestar Galactica, Netflix's House of Cards and Stranger Things, History's Vikings, and so forth, it seems that every big new show outside of sit-coms has a heavily-serialized format. Procedural dramas are going the way of the dinosaur.

Serialized, long-form television may be commonplace now, but back in the 1990's, it was virtually unheard of outside of daytime soap operas (such as Dallas and Dynasty) and the occasional network mini-series. At least, this was the case in the United States. British television has a much longer track record of serialized story-telling. A big part of why serialized television was uncommon was that the producer(s) of network syndicacted shows didn't have as much control over when its affiliates decided to air the shows, or how heavily they would market and advertise it. Furthermore, the networks or affiliates could change the time slot of the show pretty much at a whim. Viewership, therefore, would be much more fickle and fractured. Audiences would pop in and drop out. Expecting the audience to have seen every previous episode in preparation for this week's episode was a dangerous and risky expectation for a production studio. It's easy to lose viewers if none of them know what's going on.

Game of Thrones - Ned Stark
- Game Of Thrones, copyright HBO
Vikings - Ragnar and Bjorn
- Vikings, copyright History Channel
Highly serialized, long-form drama are the norm for modern networks and subscription television services.

As I mentioned in the previous essay, this was the case with me. I was in elementary school and middle school during DS9's run, and I missed a lot of episodes in the first couple seasons, despite wanting to watch the show. Missing so many episodes meant that I had very little idea what was going on when I would watch, and so I mostly lost interest in the show. If my dad was watching it, and I was there, I'd watch it, but I wasn't planning my day around it.

Looking back now, that sort of serialized story-telling is now ubiquitous and expected, and so it's easier to recognize that Deep Space Nine was truly innovative and ahead of its time in this regard.

Long-form story-telling

Serialized story-telling wasn't alien to Star Trek. Deep Space Nine premiered in 1993, the same year as the sixth season of Next Generation. By this time, The Next Generation had several story threads that had recurred over the course of a season, or over multiple seasons -- as well as several attempted overarching plot threads that were dropped.

As early as the first season of Next Generation, Q had become a recurring antagonist, and his "judgement" over the human race was established as a recurring plot thread. Heck Q's judgement of humanity was originally depicted as the framing mechanism for the entire show! It was scaled back in the following seasons due to the general poor reception of the first season, and the fact that John de Lancie just works better in a more whimsical and comic role.

Star Trek TNG - Judge Q
- TNG "Encounter At Farpoint", season 1, episode 1
Star Trek TNG - Duras sisters
- TNG "Redemption, Part I", season 4, episode 26
TNG had several recurring plot threads.

The final two episodes of Next Generation's first season, "Conspiracy" and "The Neutral Zone", seem to have been part of an abandoned attempt at more long-form story-telling. Both seem to be trying to establish some new threat to the Federation (and possibly a shared threat between the Federation and other rival powers such as the Romulans). I think the original idea was for this to become an overarching storyline for the entire series. But the thread from "Conspiracy" was completely dropped, and the destroyed colonies referenced in "The Neutral Zone" were re-written to be retroactive foreshadowing of the Borg's appearance in season 2.

[More]
Grid Clock Widget
12      60
11      55
10      50
09      45
08      40
07      35
06      30
05      25
04      20
03      15
02      10
01      05
Grid Clock provided by trowaSoft.

A gamer's thoughts

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

Check out my YouTube content at YouTube.com/MegaBearsFan.

Follow me on Twitter at: twitter.com/MegaBearsFan

Patreon

If you enjoy my content, please consider Supporting me on Patreon:
Patreon.com/MegaBearsFan

FTC guidelines require me to disclose that as an Amazon Associate, I earn from qualifying purchases made by clicking on Amazon product links on this site. All Amazon Associate links are for products relevant to the given blog post, and are usually posted because I recommend the product.

Without Gravity

And check out my colleague, David Pax's novel Without Gravity on his website!

Featured Post

The Humanity of NCAA Football's In-Season RecruitingThe Humanity of NCAA Football's In-Season Recruiting08/01/2022 If you're a fan of college football video games, then I'm sure you're excited by the news from early 2021 that EA will be reviving its college football series. They will be doing so without the NCAA license, and under the new title, EA Sports College Football. I guess Bill Walsh wasn't available for licensing either? Expectations...

Random Post

Madden NFL 23 does not meet the standards of "simulation" football that John Madden demandedMadden NFL 23 does not meet the standards of "simulation" football that John Madden demanded09/20/2022 When John Madden was originally approached by EA about consulting with them on a new 7-on-7 football video game, he insisted that the game be "simulation football". He wanted authentic, 11-on-11 gameplay that could potentially be used as a tool for teaching the sport of football. It was the only way that he was willing to put...

Month List

Recent Comments

Comment RSS