2020 has been a shit year for most of us here on Earth. But it may turn out to be a landmark year for science, and the search for life outside of Earth.
The search for extra-terrestrial life has mostly focused on Mars and the icy moons of the outer solar system.
For decades, the focus of the search for extraterrestrial life has focused on Mars, the outter solar system (such as the moon Titan and Europa), and searching for non-natural radio signals from other stars. But a recent review of data from the Pioneer 13 space probe has revealed that the probe detected one of the tell-tale indications of life in the atmosphere of Venus way back in 1978. The review of Pioneer 13's data was prompted by the recent discovery (by scientists using a land-based telescope) of a chemical called phosphine in the atmosphere of Venus. The findings were published in the journal Nature Astronomy a month ago, on September 14.
Phosphine is a class of gas that can be produced from atmospheric chemistry under high pressure, or as a by-product of anaerobic biology. Phosphine has also been detected in the atmosphere of gas giants such as Jupiter, where the incredibly high pressure and energy of Jupiter's interior atmosphere produces the compound, which then floats up to the upper atmosphere, where it reacts with other chemicals and oxidized (or dissolves). The atmosphere of Venus, however, lacks the higher pressure of Jupiter that would be continually-creating phosphine. As such, the chemical cannot be produced in Venus' atmosphere, in the quantities detected, by the same mechanisms that produce it on Jupiter. Another explanation is required, and the only other known way to produce this type of phosphine is through anaerobic biological processes.
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Tags:Venus, life, extraterrestrial, greenhouse gas, Pioneer 13, NASA, phosphine, Heinz Haber, Carl Sagan, Harold Morowitz, Sara Seager
I did it again. I waited until the last minute to see a hard science fiction film until it was just about to leave theaters, even though I complain about the conventional Hollywood logic that hard science fiction doesn't sell tickets. In my defense though, I was preparing for a trip out of the country when this movie released. So my excuse this time is far better than my excuse for missing opening weekend of The Martian. And once again, this film's 94% on Rotten Tomatoes (as of the time of this writing) and its exceeding box office projections (coming in third behind a Marvel comic book movie and a children's movie) seems to vindicate that Hollywood can still make high-concept, hard science fiction films, that people will go see them, that people will understand them, and that those people will like them.
Arrival is as hard as hard science fiction gets. Think Contact; think 2001: A Space Odyssey; think the Star Trek TNG episode "Darmok". Arrival is all about communication, and it offers an interesting exploration of how language influences the way that we think, and how our thoughts are filtered through the language that we speak. The entire movie is about the efforts to communicate with the aliens, while human beings progressively become incapable of actually communicating with one another. There's no real villain, exactly one explosion, and the threat of China and Russia starting a war with the aliens on the other side of the globe is a distant, but tangible threat. This film is slow and methodical, much like the efforts to teach a new language to someone, and it makes absolutely sure that the audience will be able to follow along with what is going on.
Moreso than our attempts to communicate with aliens, this film is about our ability (or inability) to communicate with each other - at every level of society. From individual relationships, to professional relationships, to political relationships, to international diplomatic relationships, and even the relationship between the media and the public.
Arrival is more about our inability to communicate with each other, than our inability to communicate with aliens.
It's difficult for me to say anything more about this movie without absolutely, completely spoiling everything. Suffice to say, the high-concept science fiction stuff is very well handled. This movie earns some comparisons to Interstellar, but is far more intelligent and manages to not be hokey at all. Read on if you want spoilers...
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Tags:Arrival, Amy Adams, Jeremy Renner, science fiction, grief, extraterrestrial, language, communication, relationships, Slaughterhouse-Five, Kurt Vonnegut, time travel, box office, Hollywood