Back in the summer, my girlfriend and her brother saw that Norwegian Air was offering direct flights from Las Vegas to Copenhagen, Denmark for relatively cheap (under $400 round-trip). So we bought some tickets, made reservations at a hostel in Copenhagen, and spent our Thanksgiving holiday traveling to Europe and getting some more stamps on our passports. This was only my second trip to Europe and the second set of stamps that I got on my passport.
The flight was pretty grueling. Ten hours in economy seating is not the most comfortable thing in the world. The time-zone difference also meant that the flight effectively wiped an entire day off of our calendar. Ah well. We bought a transit card called the "Copenhagen Card", which gave us free use of the public transit systems for the entire week. It also granted us free admission to some public facilities such as castles, museums, and parks. It was a very handy thing to have!
Gløgg is a Scandinavian holiday wine.
Apparently, the Danes really like Christmas. One of the things that struck us almost as soon as we got off the plane is that the entire city was decorated for Christmas. Whole buildings were covered in lights, street lights were lined with garlands, and there were multiple Yule Markets (outdoor gift and food stands) lining the streets and squares of the city. Since the Danes don't have Thanksgiving, they apparently don't have any reservations about putting up Christmas decorations in November. We walked through some of these street vendors and Yule Markets and tried our first Danish delicacy: gløgg. Gløgg is a Swedish and Danish drink that mixes hot mulled wine with cinnamon, ginger, cardamom, raisins, and almonds. It's kind of like a sweet hot tea, and it's a very strong drink with a somewhat overwhelming fragrance. It was good in moderation, but its overwhelming sweetness meant that it wore out its welcome for us very quickly... [More]
FromSoft has a pretty amazing track record with the DLC expansions for its Dark Souls and Bloodborne games. Heck, the Crowns Trilogy expansions basically save Dark Souls II from being completely dismissable within the Souls library. Needless to say, expectations for a Dark Souls III expansion were pretty high. Maybe they were too high, as FromSoft sadly seems to have really misfired with Ashes of Ariandel.
Is this mid-game content, or end-game content?
My primary problem with this expansion is that it has wildly erratic difficulty. It breaks with the tradition of having a very obscure access point, and so it's very easy to access very early in the game. It's basically un-missable. There are no arcane hoops to jump through this time, nor is it so obscurely-hidden that From needed to include a dialogue box to tell you where to go. Instead, there's simply an NPC in an area of the game that is accessible fairly early in the game. Talk to this NPC, and he'll transport you to the Painted World of Ariandel.
The developers recommend facing "the depths of Lothric Castle" before playing the DLC.
Once you enter Ariandel, you'll find a pair of developer hints. One reads "Before one faces the painting, one should face the depths of Lothric Castle.", and another claims that only the mighty will survive. So clearly, this area is intended to be late-game content (as you're recommended to have already beaten Lothric Castle and/or Oceiros' Garden). But take a few steps into the DLC, and you'll find some pretty simple basic enemies. The followers of Farron are easily beatable by any mid-level character. Some of them can throw spears at you while hidden behind the blinding snow while you're dealing with their comrades in melee. I didn't have too much trouble dealing with this though, as the melee enemies can be easily kited away from the ranged ones.
The wolves are pretty weak and are only tough if the whole pack gangs up on your or if the camera wigs out while they are jumping around. A level 50 or 60 character would probably have little trouble with these enemies. To From's credit, these wolves are actually pretty fun to fight. They aren't nearly as obnoxious as the dogs that have driven me nuts in previous games.
Most of Ariandel's enemies are pretty easy for mid-game characters
as long as you don't let them swarm and overwhelm you...
But then there's the Millwood Knights and Corvian Knights, which feel like they require the player to be closer to the 80-100 range. Seriously, there's like a 40-level difference between the enemies that you'll encounter in this level, and that's pretty ridiculous. Some of the Millwood Knights guard some fancy optional weapons and an optional area, but the other Millwoods and the Corvian Knights are placed along the necessary paths of progress. You have to fight them. Or at least try to run past them.
The Corvian Knights are a particular pain in the ass... [More]
The past few weekends, I've been lucky enough to be invited to guest host on a pair of episodes of PolyCast, the Civilization podcast series. Both episodes were dedicated towards first impressions and thoughts about the release of Civilization VI (which I've already reviewed).
The first episode (episode 268) was recorded the Saturday following Civ VI's release. In this episode, a bunch of people in the Civ community were invited to briefly discuss their first impressions of the game, including things we like, things we'd like to see improved, and things that are just plain bad. About a dozen guests (including myself) offered our first impressions of the game, and a lot of good insight was given.
I invite all my readers to listen to the full episode. This episode of PolyCast was recorded on October 29th, and can be streamed in its entirety at civcomm.civfanatics.com/polycast.
The following episode (269) was the more involved one. I was a guest host (along with Alpha Shard) for the duration of that episode.
The biggest topic of discussion in this episode was the news that eSports team, Team Liquid, is attempting to recruit competitive Civ players to join their team. We discussed the possibility of Civ entering the eSports arena, as well as our reservations about it.
A big point of concern was whether or not the game is "balanced" enough for such competitive play. We all agreed that any league that would play Civ competitively would have to agree on certain settings (and probably on specific maps) that would be exclusively used for competitive games. The variation and randomness of maps, resource distribution, civilization uniques, barbarians, goody huts, and so forth would probably not be welcome by many competitive gamers, as there are admittedly many games of Civ in which a player lives or dies by the map conditions - which are wholly outside of the player's control. In single player, you have the luxury of being able to simply restart the game on a different map. But in multiplayer (and especially in formal, competitive multiplayer), you can't simply mulligan the game because you got a bad roll for where you start and what's present around you.
TeamLiquid's Civ leader is recruiting members.
I went on a bit of a tangential rant about how I feel online gaming has hurt another of my favorite game franchises, Madden NFL. I was trying to be as brief as possible, since I didn't want to talk too much about Madden in a podcast about Civilization, so I'm not sure if I made myself entirely clear, or if I really explained the connection between Madden and Civ that I was trying to make. [More]
I already gave a pretty glowing review of Civilization VI. I did neglect talking about some of the problems and annoynaces that I have with the game. This is because most of these problems feel like relatively minor, nagging issues, rather than game-breakers, and the review was long enough as is without diving into nitpicks. So I decided to dedicate an entire post to these little nagging issues, nitpicks, and annoyances. Remember that I love the game! So the items listed here are not deal-breakers by any stretch. They are just small blemishes on an excellent game, and problems that I would like to see fixed in post-release patches.
While the game's UI is generally very minimal and clean, there are a number of frustrating issues with the user experience design.
Stop jumping around to different units!
Civ V had this same problem as well. The one-unit-per-tile rule means that after one unit moves, the game can't just skip to the next unit in the stack. Instead, it has to pick a unit somewhere else on the map. The logic for this doesn't seem to even bother trying to find a nearby unit or a relevant unit, and so the camera is constantly whipping around from one end of the map to the other. When trying to manage a large army during a war, this can get very annoying very fast.
There's already a "Unit needs orders" prompt, so there's no need to jump around the map selecting units.
If suitable logic can't be implemented to make this unit-cycling work a bit smarter, then players should be given the option (via the options screen) to disable it entirely. This is especially true for multiplayer. There is already a "Unit needs orders" prompt, so it's easy enough to just use that to jump to another unit. Otherwise, the game should just wait and let the player actively click on the next unit that I want to move. Heck, even if smarter unit-cycling logic is written, the game should probably still provide the option to turn it off.
Allow us to disable tutorial tips that we've already seen
Each tutorial tooltip dialogue should come with an option to "don't show this tip again". Civ games are long, and they often aren't played through to completion. So when learning the game, I end up restarting often. And since the game is still new, I still have the tutorial tooltips turned ON. I do this so that I can be reminded of how the newer features work (particularly the late-game features that I haven't seen as much).
In order to see the late-game tutorials [RIGHT] for mechanics that I don't understand yet,
I have to sit through the tutorial messages for early-game mechanics [LEFT] that I fully understand.
Leaving the tutorials on, however, means that I have to sit through all the early-game pop-ups as well. I already know how a district works and what a city state is; I don't need to see these tutorial messages again! But it is nice to see the messages for late-game stuff like national parks, archaeology, and corps, since I still don't have much experience with those features yet.
As such, I should be able to turn off the tips that I've already seen and know, while leaving on the tips that I haven't seen, or don't yet know... [More]
Firaxis has given me a belated birthday gift by releasing Civilization VI. They've also ensured that I don't get very much productive done during the months of October and November this year, since I've been sinking a whole lot of time into "one more turn"-ing myself late into the night. I've barely scratched the surface of the newly-released Dark Souls III DLC, my Madden franchise has fallen behind, and I haven't even bothered buying recently-released games like the new Master of Orion. My board game collection has been collecting dust, and my Dungeons & Dragons campaigns have been on hiatus. I'll get back to all those things after one more turn.
Oozing with production quality
The first thing that stood out to me upon entering my first game was the artwork. It's a pretty stark contrast from Civilization V's visuals. Civ V favored a semi-photo realistic quality. Many screenshots of the game's map look like satellite photos, and units (though exceedingly large) looked and animated realistically. This created a lot of pretty screenshots (still images), but the game looked kind of static, washed-out, and dull in motion. VI, on the other hand, goes for an exaggerated, vibrant, and more cartoonish look that reminds me a lot more of Civ IV and Civ Revolution.
The graphics are vibrant and highly informative. Everything that you see on screen genuinely means something.
What I really like is how utilitarian the visuals are. Almost everything on the game map is communicating part of the state of the game to the player. You can see every piece of infrastructure in and around a city, as well as exactly which tiles are being worked, all without having to open a separate screen and without having to clutter the screen with extra UI icons. There's even different graphics to represent the different phases of a building or wonder's construction that tells you exactly what that city is currently constructing, and how close it might be to finishing that wonder. It's attractive, but it's also clean and informative.
The fog of war is also wonderfully functional and neat to look at. This game renders the fog of war with the style of a hand-drawn map on canvas (similar to Total War: Shogun 2, which I loved). Heck, there's even an animated day/night cycle that was seemingly added because ... why not?
Improvements have different graphics for when they're un-worked [LEFT] versus worked [RIGHT].
The rest of the game shows similarly high production quality. There's actual cinematics for the win screens instead of dialogue boxes with a static image. Finishing a wonder results in an in-game cutscene of that wonder's construction. It isn't quite as pretty as Civ IV's pre-rendered wonder movies, but makes up for it by providing a sense of context that makes me feel like I'm seeing "my Oracle" instead of just the Oracle. There's more historic quotes, all of which are narrated wonderfully by Sean Bean. Firaxis even brought back composer Christopher Tin for some of the music. The new theme music, "Sogno Di Volare" ["The Dream of Flight"] isn't as immediately catchy as "Baba Yetu", but it's still an uplifting, memorable track that stands out more than the menu themes of Civ V. Put simply, this game just looks and sounds terrific... [More]
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