Demon's Souls - title

Rumors of a Demon's Souls remaster or remake have been floating around for a while now (as have rumors of a sequel). I have mixed feeling on the idea of a remake/remaster. On the one hand, Demon's Souls is one of my favorite games ever and may represent the peak of the series. Naturally, I want more people to play it and recognize its brilliance.

On the other hand, my fondness for the game means that I am hesitant to allow anyone to modify the game at all. After suffering through the abysmal Silent Hill HD Collection, I have strong reservations about any game remastering. Even the announced remake of Shadow of the Colossus has me on edge.

Matthewmatosis has posted an excellent retrospective look at how the subsequent
Souls games failed to live up to Demon's Souls' brilliance and originality.

Sadly, a remaster would probably mean that the servers for the original game would finally get shut down. But I guess having a replacement would be better than having no Demon's Souls at all...?

So with Dark Souls having come to its end with its Ringed City DLC, I've been thinking a lot lately about what I might want to see in any potential Demon's Souls remake or remaster -- if it were to happen.

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Battlefield 1 - title

Nobody can make a game about World War I. Trench warfare is too boring. Nothing really happens. There isn't a strong, identifiable villain or good versus evil struggle.

Those are among the many excuses that people made for why all the video games are about World War II, and never about World War I. And then the gaming public and journalists got a glimpse of this:

The teaser trailer for Battlefield 1 was a smash hit.

That teaser trailer was damn good. People were excited. I haven't played a first-person shooter since Call of Duty: World at War, I generally hate online shooters, but even I was excited to try out this game! And other people were hyped about it too.

Now, I never really bought into the idea that World War I was "not video game material". I've long advocated for games to look at all periods of history for inspiration, and World War I is a monumental moment in world history that certainly deserves to be examined by games. The indie market certainly realized this, with games like Valiant Hearts and Verdun. But the big publishers have completely shied away from "The War to End All Wars".

This is a shame. The rapid technological advancements and radically new military tactics that evolved leading up to (and during) the war could be great material to examine in the form of a game. The widescale industrialization of warfare, the complicated politics, and the general fuzziness of the morality of the war are also ripe source material for dramatic storytelling. So it's about time to see this war thrust into the mass market spotlight.

I'd prefer to have seen a strategy game along the lines of Total War; but whatever, I'll give DICE and Battlefield 1 a chance.

The futile indifference of war

First impressions were actually pretty damned good. I was actually really impressed with Battlefield 1's campaign tutorial. It's basically a guided tour of the game's various core mechanics: shooting at enemy soldiers, capturing victory points, piloting vehicles, and so forth. It does a good job of introducing each of these mechanics and systems by jumping the player around between multiple characters in a large-scale battle.

But what really stuck out to me was how the tutorial transitioned between these different set pieces, and how it handled player death. This tutorial is actually surprisingly merciless and difficult. As you complete one set piece, the game gradually (and subtly) increases the threat until it becomes overwhelming and your character dies (or they just kill you after a timer expires), which allows the game to teleport you to the point of view of another character for the next set piece. The dying character's name and birth / death years are shown on screen during the transition, granting that character with a certain degree of humanization.

Battlefield 1: tutorial death
The excellent tutorial emphasizes the indifference and futility of "The War to End All Wars".

Depending on how good you are at the game, you'll go through between half a dozen to a dozen different characters, each with a name and an age. And they all die. The tutorial makes this war look brutal and futile. It even has an almost Dark Souls-like indifference to the player character, killing you without a second thought and forcing you to respawn as another poor, dumb bastard who's about to die for his country, rather than restarting you at a checkpoint until you get it right.

I even wish DICE had gone a bit further by also displaying the character's birth place and maybe even a snippet or two of other biographical trivia. Maybe listing some hobbies, or saying that he was on his high school's varsity football team, or some other little detail like that. DICE settled for just the name and birth / death year, but it's still effective and establishes a very strong running theme throughout the tutorial. The point is a bit undercut by the rapid pacing and by how conventional the actual running and shooting feels. But I still walked out of this tutorial excited by what the rest of the campaign had to offer.

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Soulsborne series

On the Branch Gaming

In my recent time playing Dark Souls for On the Branch Gaming, we discussed several ideas for ways that the game could have been improved. I'm not sure if From Soft will be making any more Dark Souls or Bloodborne games (at least not anytime soon), but if they do, here's a list of some things that I'd like to see them improve. At the very least, we can consider this to be a retrospective, "How could they have done it better?" brainstorm, and any other developers who want to try their hand at a Souls-Borne-style game could maybe try these alternative designs out for their games.

This isn't a wishlist of changes that I'd like to see in specific games. I've already done those for each of the Souls games:

Some of these posts (and the ideas presented in them) haven't aged very well, but I do stand by most of the suggestions offered in the above posts. At the very least, they offer perspective on how my own perceptions of the games have evolved over time.

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More informative UI

The UI is something that could definitely use some work. Each game in the series made minor tweaks to the UI - sometimes improving the overall experience, other times seeming to regress to a clunkier interface. But there are some things that probably should have been present, if not in Demon's Souls, then at least by Dark Souls or Dark Souls II. Some of these things seem so obvious that it boggles my brain that nobody at FROMSoft thought of them. Or maybe they were always items near the bottom of the priority list, that the team simply ran out of time to ever implement.

Collection log

Something that persitently bothered me across all the Souls-Borne games was the intrusive item-pickup notification. That giant, black box sitting almost dead in the center of the screen, partially blocking your view of your character and his or her immediate surroundings, did not need to be there. If you pick up an item in the heat of battle, then having to press X to dismiss it could be just enough of a distraction to get you killed.

Dark Souls - item pick-up
While playing Dark Souls with On the Branch Gaming,
I was reminded how distracting the item-pickup notifications are.

Instead of this big notification box, I propose an alternative: put a smaller notification in the corner of the screen somewhere that vanished after a few seconds. Since we don't want to miss knowing what we just picked up, the game should also include an item-collection log in the menu. Heck, it wouldn't even need to be a separate screen, it could just be a sorting option in the existing menu: sort by recently-acquired...

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Dark Souls title

Perhaps I just have a bias against parallel dimensions (as evidenced from my interpretation of Silent Hill's otherworld), but I want to take some time to clear up what might be a mis-conception in the conventional wisdom interpretation behind Dark Souls' multiplayer summoning mechanics. Dark Souls co-op is not necessarily based on parallel dimensions, as many players seem to assume. It might, in fact, be intended to be an abstraction of time travel. I've noticed that many players online already seem to refer to the multiplayer mechanic of these games in terms of time travel, but I've yet to see any wikis, lore videos, or blogs that seem to explain multiplayer as a time travel mechanic.

I want to preface this analysis by stating that the below interpretation is not necessarily the absolutely, 100% correct interpretation. Individual players may disagree based on their own reading of the game, and I'm personally somewhat conflicted on the topic myself. I merely want to propose this as a possible alternative to the defacto "parallel worlds" interpretation. I'm going to point out in-game evidence that supports the idea that Dark Souls' multiplayer is based on time travel, but there is also in-game evidence and mechanical evidence that also contradicts that interpretation. I will address those contradictions as well. So that being said, please keep an open mind, and enjoy the read!

The summoning mechanic

So there are two games in the series that are not part of the Dark Souls franchise, and which have different in-game explanations and rules for the same multiplayer features (more or less). Those games are, of course, Demon's Souls and Bloodborne. Both have asynchronous multiplayer and summoning mechanics that work similarly to Dark Souls.

Demon's Souls summoning operates under the idea of summoning the spirit of a fellow adventurer who's soul is trapped in the Nexus. This is why you must be in soul form in order to be summoned. Bloodborne's beckoning operates [similarly] under the principle of manifesting hunters out of dreams (and I'm still trying to piece together the mechanics of it all). In Dark Souls, you aren't necessarily summoning ghosts (as you do in Demon's Souls), since the undead in Dark Souls are more akin to zombies than ghosts. Also, characters in Dark Souls can leave summon signs whether they are hollowed (dead) or in human form (revived), which is a significant alteration from Demon's Souls. A lore reason for summoning is provided in Dark Souls:

Dark Souls - time is convoluted
Solaire explains to us how summoning works:
"We are amidst strange beings, in a strange land.
The flow of time itself is convoluted; with heroes centuries old phasing in and out.
The very fabric wavers, and relations shift and obscure.
There's no telling how much longer your world and mine will remain in contact.
But, use this, to summon one another as spirits, cross the gaps between worlds, and engage in jolly co-operation!
"

Both Solaire's dialogue, and the White Sign Soapstone (along with other online play items) make references to other "worlds", which leads to many jumping to the conclusion that each player's game is a sort of parallel universe within the Dark Souls lore. However, this may not necessarily be correct. Both Solaire's dialogue and the soapstone also provide explanations for these worlds: "time is convoluted | distorted". This seems to be the explanation for what is meant by "worlds", and it seems that Solaire and the in-game descriptions may be using "time" and "world" interchangeably. The phrasing in the white soapstone's description joins "the flow of time is distorted", and "the White Soapstone allows undead to assist one another", into a single, compound sentence, which definitely implies that the two phrases are linked.

Dark Souls - White Sign Soapstone

"Online play item. Leave summon sign.

Be summoned to another world as a phantom through your sign, and defeat the area boss to acquire humanity.

In Lordran, the flow of time is distorted, and the White Sign Soapstone allows Undead to assist one another"

 

The dialogue of Saulden (the Crestfallen Warrior of Dark Souls II) is even more explicit...

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Dark Souls III

PC elitists now have yet another bragging point. Considering that Bloodborne ran smoothly at 30 frames per second on the PS4 (from my experience), and that Dark Souls III was supposedly built upon that same engine, I expected that the PS4 version would perform on par with (or maybe even better than) the PC version. I was wrong. Both console versions of Dark Souls III are capped at 30 fps, but their actual performance doesn't even meet that standard. This is a big problem considering that the game plays almost as fast as Bloodborne. Dropping a few crucial frames of enemy attack wind-ups can mean the difference between a successful dodge or parry, or losing a third of your health to a single attack. Bloodborne had the load screen issue that was that game's near-debilitating "known shippable"; and now Dark Souls III has its console framerate as being the major launch issue that must be fixed. At least Bloodborne's problem didn't impact actual gameplay...

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A challenge to Souls fans

This is probably the hardest game in the lineup. In fact, it may even be too hard in some ways. Enemies are very aggressive and relentless, they are very fast and swift at attacking, and they are very good at tracking your movement during an attack. I feel like the game is sadly front-loaded with excessive difficulty. Oh, don't get me wrong! It's hard throughout, and there's still some definite mid-and-late-game peaks of difficulty. But this game easily has the highest barrier to entry of any game in the lineup.

Dark Souls III is very hard and very much front-loaded with difficulty.

It's one thing to provide a challenge, but the early levels of this game maybe cross the line into outright cruelty. If I weren't already invested in the series, I might not have even made it past the Lothric knights in the High Wall. Yeah sure, Demon's Souls had the Red Eye Knights, and Dark Souls had the Black Knights, and Bloodborne had the warewolves; but in those cases, those difficult enemies were blocking optional paths and items. This is why I can kind of tolerate the mutating tentacle monster on the rooftop that hits very hard, has a ton of HP, obscures half the screen, and causes an annoying framerate drop. Yeah, it's located in a critical path of the level, but it can be easily avoided and is basically just guarding a crystal lizard. The difficult Lothric knights, on the other hand, are placed in critical bottlenecks that must be passed as part of the necessary path of progression through the level, and they will shred new players to pieces! Heck, even that fat, winged knight going around in circles in the courtyard is easier than the Lothric Knights.

And then you get to the Undead Settlement, which is a maze full of ambushes and difficult enemies. Those fat evangelists and the large cleaver undead hit hard and have deceptively long reach and multi-hit combos. This is at a time when your HP and stamina are so low that you can't reliably block their attacks. Their long reach and relentless aggression means you can't back away either. So you're stuck having to stick to close range and roll through their attacks - a maneuver that can result in a quick death if you make but a single slip-up. I had a lot of trouble handling these enemies (as I was still getting used to the new timings for dodging and parrying, and the stamina requirements for blocking), and so I imagine that many rookies will likely be completely overwhelmed.

Dark Souls III - parry
Dangerous enemies have narrow windows for parrying their attacks, making it hard to practice this technique.

There's a higher skill floor than in previous titles, and the game demands a further degree of mastery of rolling, stamina management, i-frames, and weapon movesets that previous games simply didn't require. Bloodborne also toes with this line, but Dark Souls III seems to go a bit further. The problem here is that enemies become far too fast and deadly far too early in the game, and the player character remains slow and relatively weak. What's worse is that the game breaks with the original's insistence on fair difficulty by apparently completely failing to enforce the rules regarding stamina for enemies! This was also a problem in Dark Souls II, but it didn't bother me quite as much because those enemies had slower attacks that were generally easier to dodge.

There's no gradual ramping up of challenge for the player to learn things like roll and parry timings, and there aren't any large, slow enemies to practice these techniques against. Bloodborne had very fast enemies to go with its very fast combat, but the character was also equally fast. Bloodborne also had the Brick Trolls, whose telegraphed attacks gave plenty of opportunity to practice parrying in the very first level while still making progress. Dark Souls III simply doesn't have this. There's the undead spearmen that are easy to parry, but they're so slow and defensive that you'll likely just get bored waiting for them to attack and miss your opportunity to parry. Sure you could go back to the tutorial level to practice parrying, but then you're not making any progress. There's also a lot more instances early of mobs, including the presence of difficult casters (or even bosses) being among those mobs. Fortunately, the boss is very slow and lumbering, and the casters have good audio cues for when they're casting that help to make these mobs less frustrating to deal with.

The big, armored elephant in the room

Dark Souls III - hyper armor
Poise has been disabled for players, which means enemies will always stagger you, but you might not stagger them.

Perhaps the biggest contributor to the game's difficulty early on is the completely baffling way in which poise and defense work - which is that they don't. In addition to not being able to upgrade armor to improve its defenses, the poise stat appears to have been completely disabled for all players in the game's code for ... some reason. Poise was one of the best additions from Dark Souls 1, and its apparent removal completely baffles me. Is it bugged and they're planning on fixing and enabling it later via a patch? Is it planned to be part of DLC? "Hey, want poise back? Pay $15 for this DLC!" The value still shows up in the UI, and there's still rings and weapons that exclusively improve poise, so it definitely seems like FROM intends for poise to be in the game. The enemies seem to still have poise, so this situation seems completely unfair. This might be part of the reason why the start of the game feels so difficult, since those damned speedy Lothric Knights can hit through your attacks, but you can't hit through theirs!

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A gamer's life...

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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