Going into the back-end of the new civilizations presented in Brave New World, here is another strategy posts. This time, I'll be discussing the gold-generating machine that is Portugal.
The Portuguese essentially initiated the European "Age of Discovery" through the efforts and patronage of Henry the Navigator. After exploring Atlantic islands, Africa, and South America, Portugal established the first world empire in Europe and became one of the wealthiest and most influential powers of the era. Portugal lost much of its imperial strength due to wars with Napoleon and after its most significant colony, Brazil, declared independence. Portugal would never regain its former glory, but it still maintained control over many trading colonies up through the nineteenth century through the use of Feitoria (fortified factory complexes) in its colonies, which are represented in Civ V as city states.
Maria I was the first undisputed queen regnant of Portugal and was crowned in 1777. Her rule was tarnished by mental instability and dementia that was first noticed in 1786 and which had made her incapable of managing affairs of state by 1792. The following decade, wars broke out with Spain and Napoleonic France, and Maria (along with the entire royal court) was moved to the colony of Brazil. Despite her madness, she is well-regarded among both Portuguese and Brazilian historians for her domestic policies and for supporting Brazilian independence. she is known as "Maria the Pious" in Portugal, and "Maria the Mad" in Brazil due to the fact that her mental state had already deteriorated by the time she had been relocated to Brazil, and her son had to perform most duties of state. [More]
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Tags:Sid Meier's Civilization, Civilization V: Brave New World, Civilization V, Portugal, Maria I, Nau, carrack, caravel, navy, Feitoria, factory, fort, closed sea, commerce, luxury resource, resource diversity, gold, trade, trade route, caravan, cargo ship, unique improvement, Exotic Cargo, Mare Clausum, city state, Civ-V
Last night, the first episode of the reboot/sequel to Carl Sagan's acclaimed series Cosmos premiered on FOX and National Geographic Channel. I'd been anticipating this show since it was announced last year, as the original Cosmos is one of the best educational programs that has ever been produced. This show is hosted by Neil deGrasse Tyson, whose passion and charisma makes him an excellent communicator of scientific ideas (right up there with Bill Nye) and fitting successor to Sagan.
The new "cosmic calendar".
In this premiere episode, Tyson gives a brief tour of the solar system, recounts the story of Giordano Bruno, and introduces the viewer to Sagan's classic "cosmic calendar". The information presented in this episode is very high-level. I'm hoping that this is due to the introductory nature of this first episode, and that the remaining episodes will go into much greater depth and detail. However, I fear that the one-hour format will be too constraining for Tyson to provide any information of substance. Sagan's original series was made up of thirteen episodes each two hours long, and that format gave him the opportunity give more than just an introduction to a given topic, providing specific details on the evidences and experiments that lead to the discoveries he presented. Will Tyson have the time in later episodes to provide more information than one can get from the first paragraph of a Wikipedia article? I hope so. [More]
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Tags:Cosmos: A Spacetime Odyssey, cosmos, Neil deGrasse Tyson, Cosmos: A Personal Voyage, Carl Sagan, science, exploration, history, imagination, ship of the imagination, cosmic calendar, big bang, FOX, National Geographic, Ann Druyan, Seth MacFarlane, Brannon Braga
I was going through the comments on my posts a while back, and I came across a doozy of a comment by user Maiden T. I'm not going to replicate the entire post here, but you can review the comment at the link provided. In summary, the commenter asserts that Silent Hill, as a series, was never about occultism, and that all the games were "repressed-memory morality tales". The first Silent Hill and "to an extent the third one" are the exceptions (according to Maiden T).
Totally unrelated image of a demon god...
My mind just about exploded when I read this comment, and I started typing up a response, only to realize that I had written a whole blog's worth of counter argument. So, I decided to just turn it into a new blog. I'll continue my series of analysis and interpretation articles about Silent Hill with a write-up about how the series is most definitely about occultism.
What is Silent Hill about?
I've already tackled two topics that I consider to be common myths about Silent Hill. The first was about the over-sexualization of Pyramid Head, and the second was about the realness of the Otherworld. Now I'll address one of the most fundamental misunderstandings about the series: what is it about?
The repressed-inner-demon myth
Probably the most core and fundamental myth about the Silent Hill series is the continued propagation of the idea that the series (as a whole) is about characters dealing with repressed inner demons - typically a repressed memory of guilt over a perceived sin which they have committed. This idea is rooted in the popularity of Silent Hill 2. It is so pervasive, that the designers and producers of newer installments of the series embrace it, while dismissing the other critical elements of the other games' stories:
"[My favorite SH game is] Silent Hill 2. I didn’t really care for all the heavy occult based storyline in SH1 and 3. I felt SH2 had the best stand alone storyline, and provided the best atmosphere of all the SH games by far.
[...]
I find all the in’s and out’s of ‘The Order’ to be overly intricate and rather uninteresting, but that’s just my opinion."
- Devin Shatsky (producer, Shattered Memories, Downpour), in an interview with Hell's Descent (Nov 5, 2010).
The reason that Silent Hill 2's design was so successful (and unique within the series) is because SH2's excellent atmosphere was based around feelings of melancholy and depression rather than fear and threat.
Exploring a character's personal guilt and depression works great when the entire game is designed around that central, unifying theme! It doesn't work quite so well when ... [More]
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Tags:Silent Hill, Silent Hill 2, Silent Hill 3, Silent Hill 4: the Room, Silent Hill Origins, Silent Hill Homecoming, Silent Hill Downpour, Silent Hill Shattered Memories, Team Silent, Konami, cult, occult, fan fiction, horror, Harry Mason, Alessa, Dahlia Gillespie, Cheryl Mason, Heather Mason, James Sunderland, Red Pyramid Thing, Pyramid Head, Claudia Wolf, Vincent Smith, Henry Townshend, Walter Sullivan, Travis Grady, Alex Shepherd, Shepherd's Glen, Murphy Pendleton, ritual, Flauros, demon, god, Mary Shepherd-Sunderland
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