Advocates for a college football championship playoff may feel vindicated after the inaugural playoff championship game earlier this week. The #4 ranked Ohio State Buckeyes defeated the #2 ranked Oregon Ducks with a decisive three-score victory. They did this after also defeating the #1 ranked Alabama Crimson Tide in the first round of the playoff.

For years, fans of college football and critics of the BCS (Bowl Championship Series) have been complaining that leaving the championship eligibility up to a subjective vote of a committee is inherently unfair. These fans and critics have long proposed a playoff system that would allow more teams to compete for the national title. This year, that playoff finally happened, and teams had to actually play for their right to be in the title game. The fourth-seeded team - a team that would have been left out of the Championship in the previous BCS-selection process - beat both of the teams that would have been in the vote-based title game, and won the championship.

This outcome is still not without controversy. The age-old argument of "our school got snubbed" has not gone away. After watching Ohio State run the tables in the playoff, the coaches, players, and fans of both Baylor and TCU had to have thought "that could have been us!" They may very well be right. Both teams were left out of the playoff due to misfortunes of mathematics. Even though Alabama (#1), Oregon (#2), Ohio State (#4), Baylor (#5), and TCU (#6) all finished the regular season with only one loss, Baylor and TCU had one fewer win on account of having played fewer games. Only Florida State (#3) finished the regular season with a perfect record (and they weren't even ranked #1!).

#4 Ohio State defeated #1Alabama and #2 Oregon to become 2014's national champions.

While the playoff did consist of the four "winningest" teams in the country, Baylor and TCU didn't have an opportunity to win as many games. Part of this is their fault, since the individual schools do have the privilege of setting their own schedules. Had Baylor and TCU scheduled an extra non-conference game (possibly even one against a Division II school), they could very well have been 12-1 along with 'Bama, Oregon, and Ohio State. But they didn't.

A proposed 12-team playoff similar to the current NFL playoff model.
Depicts the 2014 conference champs and 2 wild cards, with top 4 teams receiving 1st-round bye.

Time to get into the "what ifs": what if TCU and Baylor had played (and won) an extra game and ended the season 12-1? In that case, the selection of undefeated Florida State would still seem like an obvious pick for one of the four playoff spots. But the remaining three would have been a much more subjective selection ...

I'm very late to the Gone Home bandwagon. It's a game that has been available for well over a year and a half. I've had it sitting in my Steam library for quite some time, but only just now got around to playing it, since I've been busy with other games and projects.

The game has already received piles and piles of critical acclaim, awards, and accolades, and I can't imagine that I have anything new to add to this conversation. It was very hard to go into this game without a bias considering that I already knew a bit about how it would play out, and that it's received overwhelmingly positive praise. But now that I've played it, I can say that Gone Home deserves every bit of praise that it receives!

The inclusion of real family photos
adds to the sense of realism.

The premise of Gone Home is that the player assumes the role of Kaitlin Greenbriar, a young woman arriving at her family's new house for the first time after a year of university abroad. She finds the house empty. Her younger sister apparently got into a fight with her parents and has run away. The player must explore the house to discover clues as to what happened in the family, why Sam ran away, and where she is now.

To discover the details of the situation, the player must explore the house, reading hand-written notes, looking at journals, looking at photographs, and picking up cues from the environment in order to piece together the story. Each note has distinct hand-writing, and by the end of the game, you'll even start to recognize the handwritings and know who wrote a particular note before you even pick it up.

By observing the house, reading notes, and hearing journal voice-overs, the player begins to piece together the family's story. The primary narrative revolves around a budding romance between Kate's younger sister, Sam, and a friend at school, and the conflict that comes from her parents' disapproval of the relationship.

Anyone who has ever had a crush or been in love (which is almost all of us) should be able to recognize and relate to elements of Sam's story, even if your situation doesn't mirror hers. The early notes depicting the excitement of getting to know someone new and falling in love were particularly powerful. Reading about Sam being shy in approaching her crush, and then finally having the feeling reciprocated is heartwarming. And the eventual roadblocks in the relationship are then equally heartbreaking.

The game is loaded with personality that makes the characters more substantial and real.

This story is made even more powerful by the absolutely perfect voice-over narration ...

Although not a terrific game, the indie survival adventure game Miasmata (developed by Bob and Joe Johnson of IonFX) is an interesting title that does deserve to be played by its target audience. It's not a particularly challenging game, but players can back themselves up into seemingly insurmountable holes. Knowing the game's mechanics and rules - and knowing them early - is important to ensuring that you aren't forced to restart from the beginning or give up entirely.

Like with my previous strategy post for Alien Isolation, I am not going to provide specific walkthroughs for the game or any of its specific set piece challenges. In fact, doing so would be even harder than in Alien because Miasmata is a completely open-ended sandbox game. Instead, I will be offering some general-purpose tips that should be relevant for the entire game. This will include some techniques for working around the game's bugs and odd design flaws.

Owl statues point towards a cache of medicinal plants, but they do not count as landmarks or show up on the map.

This should be a pretty obvious tip. If you find the plants that are used for the 3 parts of the cure, or the three emphasis drugs, you should immediately pick them and ...

Continuing my series of strategy posts about Brave New World's modified civilizations, I'm going to take a look at strategies for Oda Nobunaga's Japan. Since Brave New World's Fall patch Japan was given additional buffs towards culture and coastal starts.

Japan is a series of four large island and numerous smaller islands that were formed by volcanoes. It has been inhabited since the upper paleolithic era (about 30 thousand years ago), and its people have lived in relative isolation for much of its history. It has gone through periods of war with its closest neighbors across the sea: China and Korea, and has had significant cultural influences from both, such native Shinto's two competing religions: Buddhism and Confucianism. Throughout most of Japanese history, the country has been in a feudal state, with regional populations being loyal to a warlord who is granted land and titles from the emperor (or "Shogun"). In-fighting between warlords was common, and power often ebbed and flowed between different clans and families.

Samurai Daimyo Oda Nobunaga helped Ashikaga Yoshiaki to reclaim the title of Shogun for his clan in 1568, and Nobunaga used the leader as a puppet to enable his own conquests. He was a brutal warrior who once set fire to an enemy complex, killing tens of thousands of civilian non-combatants (including women and children) in order to put down a rebellion of farmers and monks. He eventually attained military control of more than half of the territories of Japan on behalf of the Shogun. His successor, Hashiba Hideyoshi, would complete the unification of Japan 11 years after political and personal tensions lead to Nobunaga's assassination by a vassal clan.

In the 19th century, Japan's isolation finally ended and it began the process of rapidly modernizing. By the 1930's, Japan had developed into a modern military-industrial machine that was almost the technological equivalent of the United States and European powers. It became the dominant power in the Pacific prior to being defeated by the United States in the second half of World War II.

While looking for new survival horror games on Steam, I stumbled onto a very intriguing title: Miasmata. During my holiday break from work, I decided to boot up the game and see if it scratched my survival horror itch.

It didn't, on account of not actually being a survival horror game. But what I found instead was an equally interesting premise that immediately caught my attention and piqued my curiosity.

The Johnson brothers kept this game about as simple as it could possibly be (perhaps to its detriment). They had a core concept, and they stuck to it. As such, Miasmata is a very novel game. It is probably the only game that I've ever played that is solely about scientific research.

The end goal is to cure a disease that the character has contracted and then escape the island. This disease acts as the central challenge to the game: you have to periodically medicate yourself in order to control the symptoms, but all medications must be derived from the local flora. Failure to do so can slow you down, blur your vision, and eventually kill you. A sheer majority of the game, thus, consists of wandering around the island collecting samples of plants, and then returning them to the nearest laboratory to examine them and use them to concoct various potions. In addition to medicines, you can also create potions to enhance your physical strength and perception. Doing so will allow you to run and swim further, and allow you to always know your location on the map (respectively).

Stand back! I'm about to do SCIENCE!

Unfortunately, the process of analyzing the specimens is automated (via a skip-able cutscene). You don't actually have to do anything in order to figure out what the plant's effects are going to be, and no actual scientific knowledge is required by the player. Each plant also only has one effect, so the potion-making mechanic (which is the core of the game) is pretty shallow.

The effects of each plant will be noted in your journal, which is one of the best journal features of any game that I've ever played. It has a handy status page that includes pockets for storing your medicines, as well as holding your water flask. It also shows your objectives and has tabs to collected notes, your research results, and the map. The journal is also populated with hyperlinks that take you to the journal page with the relevant information. For example, if you find a note with ingredients for an objective drug, the status page will add a hyperlink to that note underneath the objective. It's every bit the journal that Silent Hill: Downpour wanted to have!

As you explore, you'll also find camps left behind by the deceased research team. These camps can contain notes that can reveal bits of backstory, provide recipes for various potions, or point you in the direction of key plant specimens. The camps also act as safe places for you to restock your supplies (including water), rest, and save your progress.

Keeping yourself hydrated and rested is important, as failure to do so can aggravate the symptoms of your illness and potentially kill you. Unfortunately, the feedback for this isn't terribly great. You'll get a notification when you're thirsty, but the game doesn't bother to tell you that you're tired. Instead, your health just starts rapidly deteriorating for no apparent reason. It took me a while to figure out that it was due to a lack of sleep.

Combat mechanics are present,
but they don't have any affect.

A curious omission is that you don't have to eat. The game even includes various weapons scattered around the island, and there is an attack and throw command. But you can't attack the hostile panther-like creature that occasionally appears to hunt you, nor can you hunt and kill any of the game's various wildlife (beetles, squirrels, birds, and so forth). So you can only run and hide from the creature, and you only collect plants, which don't need to be attacked in order for specimens to be collected. So why are the weapons and attack mechanic even in the game?

Probably the second most significant mechanic is the map triangulation feature. Instead of revealing the map passively as you walk through it, the player must actively identify the location of landmarks ...