Civilization VI - Matthias Corvinus of Hungary

Civilization VI's second expansion, Gathering Storm released earlier this year and has added a handful of new civilizations and leaders. I am hoping to write a strategy for each of them, but I want to start with the civilizations and leaders who are completely new to the franchise. This time, I'll be writing about the last of the truly new civs and leaders: the kingdom of Hungary, lead by the Raven King Matthias Corvinus.

Hungary is a modestly-sized country that lies along the dividing lines between central and eastern Europe, known for its vast geothermal water cave network. It reached its political and military height between the 14th and 15th centuries, when it became a major player in European politics and history. When the Ottomans invaded Europe in the mid-15th century, they set their eyes on securing a valuable border fortress at Belgrade. A noble from Transylvania, named John Hunyadi, levied a mercenary army to defend Belgrade from the Turks and hold back the Ottoman army from successfully gaining a foothold in mainland Europe.

Civilization VI - Matthias Corvinus portrait

The golden age of the Hungarian Kingdom concluded with the rule of the Raven King Matthias Corvinus, son of John Hunyadi. His election made him the first noble to ascend to the throne without a dynastic background. He was a patron of arts and education, and was seen as a protector of the common folk. His Bibliotheca Corvinian was the second largest library in all of Europe in the 15th century, second only to the Vatican Library. Matthias' mercenary Black Army fought off invasions from the Ottomans (possibly helping to protect all of Europe from Ottoman rule), and also conquered parts of Austria and Bohemia. When Matthias died without an heir, the country fell into decline.

DISCLAIMER:
Civilization VI is still a "living game". Strategies for the game (and for specific leaders and civs) may change as Firaxis applies balance patches, introduces new features, or expands the game through further DLC or expansion packs, or as the Civ community discovers new strategies or exploits. As such, the following strategy guide may change from time to time. I will try to keep it up-to-date, and will make notations whenever changes are made. I'll also post links in the official 2K forums and CivFanatics, where I'll also report any changes made. If possible and practical, I will try to retain the original content of the strategy for posterity.

I welcome any feedback or suggestions that readers wish to offer. Feel free to post on the linked forums, or by posting a comment at the bottom of the page.

This guide is up to date as of the release of the Gathering Storm expansion's "June 2019 update" (ver. 1.0.0.328)

Hungarian cities in Civilization VI do best when founded on snaky rivers and near geothermal fissures. They can be a military force to be reckoned with thanks to a pair of light cavalry unique units and a leader who can use levied city state units to crush his foes.

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Death's Gambit - title

Being that Death's Gambit is produced by Adult Swim, I wasn't sure if it was going to turn into an outright parody of Dark Souls. Was this going to be some kind of comedic satire? Or a serious and thoughtful game? Or just a mindless hack-n-slash with little regard paid to story or narrative. It surely wastes little time before mocking Dark Souls.

Death's Gambit wastes little time before mocking Dark Souls.

Much of the game's design is blatantly inspired by Dark Souls, except for the title's font, which is evocative of Demon's Souls. From the menus, to the character creation screen, to the main character's armor that looks suspiciously like Artorias of the Abyss' armor, to the death mechanics, you'll see Dark Souls mirrored in almost every element of the Death's Gambit's design. As such, it's very hard to judge Death's Gambit without appealing back to the game(s) that so clearly inspired it.

Music is one strange element of production in which Death's Gambit deviates considerably from its inspiration. The main menu music is reminiscent of old-school RPGs, such as Final Fantasy X, rather than silence, and this trend of not being silent extends to the rest of the game. Instead of a mostly-quiet experience with calming strings in the hub and an intense orchestra for boss battles, Death's Gambit has pretty constant background music as you traverse the world. This makes the music, overall, feel less memorable, as it kind of just disappears into the background. The background music for the Central Sanctuary reminds me of Resident Evil's save room while I'm listening to it, but I can't actually remember what it sounds like once I stop playing.

Lessons from Dark Souls

Death's Gambit is, sadly, plagued by a lot of nagging little problems and lack of polish. Some of them are even issues that have been present in the Souls games, but which have been fixed (or at least addressed) by FromSoft in sequels. In these cases, White Rabbit should have known better. The most egregious of such offenders might be the inability to purchase multiple copies of any given consumable at a time. The Buy screen doesn't tell you how much of a given item you already have, and the Enchant screen doesn't tell you which items are equipped. If you use up all of a given consumable, it's removed from your item bar, and if you buy more, they are not put back into your item bar.

Nagging annoyances include text and foreground decorations obstructing the action.

The game also puts text overlays on the screen, sometimes while enemies are present. You can't read the text while you're focusing on not dying, but the text also gets in the way of the action. It's nice that they make sure that the player sees some of the important lore that you find, but don't do it if you're going to have enemies attack the player at the same time!

To top it all off, a lot of the text is really small and difficult to read, with no option to enlarge it. If you're playing on a console, sitting more than about 8 feet from the TV, you will probably have to lean forward and squint to read most of these menus...

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Kingdom Come: Deliverance - title

I tried. I really did. I wanted to give Kingdom Come: Deliverance a chance. I wanted to give it the benefit of the doubt.

I had been passively watching this game for a while, and was looking forward to its release. I didn't realize that it was a Kickstarter project. I thought it was just an independent developer self-publishing a game, like Hellblade: Senua's Sacrifice, which was friggin' awesome! So I didn't contribute towards the Kickstarter. But I did pay $60 for PS4 digital download of the game, and I deeply regret the decision.

If you're gonna charge the same retail price as a polished, publisher-backed game, then I expect the game to show something approaching that level of polish. Kingdom Come is just too wonky and unstable right now. Maybe in six or twelve months I might be able to pick it back up and enjoy it. As of now, however, I consider the game borderline unplayable.

Kingdom Come has ambitions to be Skyrim or The Witcher III, but it lacks the polish.

Scummy saves

The nail in the coffin is the game's restrictive and punitive save system. I'm a fan of diagetic save systems, and this particular save system could probably work really well if the game were just in a more stable and robust condition. I want to emphasize that this worked brilliantly in Resident Evil (and in survival horror in general) because the challenge and difficulty of survival horror came from having to manage a slowly dwindling supply of resources and health. Very few (if any) encounters outside of boss fights were even capable of bringing you from full health to dead, and even the boss fights were clearly telegraphed so that you had plenty of warning to go back, restock your supplies, and save. When to save (and whether or not to overwrite your previous save) became a part of strategy, especially in the case of Resident Evil with its limited, inventory-space-consuming Ink Ribbons.

Reloading from savior schnapps makes you drunk.

Basically, Kingdom Come only auto-saves at the start of a major new quest. You can trigger a manual save by sleeping or by drinking a special type of rare and expensive alcoholic consumable. If you re-load after using the savior schnapps, the character is also inebriated. This seems, to me, to be an attempt to punish players for save-scumming. It also means that if you get tired or have to step away for whatever reason, and you didn't just complete a quest and are not in a convenient position to save (either lacking access to a bed, unable to risk being drunk when you reload, or simply don't have savior schapps), then you are just screwed.

Until this game gets to a more playable state, this save system needs to be relaxed immensely, or relegated to a "hard core" or "ironman" mode. Because the game is so bad at tutorializing mechanics and at presenting information to the player or warning you that what you're about to try to do won't work, save-scumming is almost necessary just to figure out how basic mechanics work in the limited opportunities that the game gives you to practice them. Tutorials drop walls of text on you without actually giving you an opportunity to practice the thing being tutorialized, so that you aren't given a chance to reinforce the concepts in your mind before the game moves on to something else.

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Shadow of the Colossus (PS4, 2018) - title

I debated whether to turn this into a retro review of Shadow of the Colossus, or to focus this review on whether or not this particular remake manages to re-capture the magic of the original. Honestly though, what could I possibly say about Shadow of the Colossus that hasn't already said? I might as well try to write a retro review of Citizen Kane or Hamlet!

The original game (released in 2005 by Fumito Ueda's Team Ico at Sony) is a classic and a masterpiece of interactive art. It ranks right up there with games like Portal, Half-Life, Super Mario Bros., and Tetris as a contender for the title of "best video game ever made". Virtually every creative decision that the original team made was the absolute perfectly right decision to make. From the desolate and bleak, yet hauntingly-beautiful landscape. To the immense sens of scale and grandeur that embodies almost every crevice of the game and the sheer smallness of the protagonist himself. To the intimidating, yet majestic aesthetic design of the colossi themselves. To the bittersweet death animations of the Colossi, accompanied by Kow Otani's outstanding score, that makes you question the rightness of your actions. To the way that Agro's independent actions, slightly imprecise controls, and occasional insubordination sell the idea that she's an autonomous living character, rather than a simple vehicle that you pilot as an extension of the player avatar. To the decision to not drag down the game's pace or pollute the overworld with a single encounter with grunt enemies. And on and on...

Shadow of the Colossus was like a digital vacation when it was released in 2005.

It's as perfect a video game as has ever been made. It's the centerpiece of any "games as art" argument (if we still even have to have that argument anymore). Critics and analysts before me have already consecrated Shadow of the Colossus far beyond my petty powers to add or detract.

Bluepoint is the masters of remasters and remakes

Why couldn't Bluepoint have done
the Silent Hill HD Collection?!

Because of how absolutely brilliant the original game is, I had reservations about any attempt to remaster or remake it, especially after the debacle that was Hijinx Studios' Silent Hill HD Collection. Fortunately, however, the remake privilege (or burden, depending on how you want to look at it) was given to Bluepoint Games, the veritable masters of remasters and HD collections. Bluepoint had already released an HD remaster of Shadow of the Colossus on the PS3 back in 2011. I never played it because I thought the PS2 version of the game still looked fantastic and didn't need to be remastered to be enjoyed. That HD remaster was very well-received by the general public, as have been all of Bluepoint's remasters, as far as I am aware. Why couldn't Konami have given Silent Hill to these folks?!

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Civilization VI - Tomyris of Scythia

"Scythian" is a term that refers to any of several groups of pastoral nomadic Iranians who inhabited Eurasia in areas north and east of the Caucus Mountains between the 9th century B.C. and the 1st century A.D.. The Scythian peoples lacked a written tradition, and so very little is known about them beyond the archaeological finds and the writings from other cultures (such as the Greeks and Persians) about the Scythians. Even the exact origin of the people is disputed. Were they immigrants from Central Asia or Siberia? Or did their culture arise from combinations of earlier cultures around the Black Sea coast? What is known is that they were among the first groups to become experts in mounted warfare, and at their peak, they controlled a span of territory reaching from Black Sea and stretching as far as the borders of China. Though they lacked written word, archaeological evidence has revealed their culture to be rich in metal-worked art and opulent kurgan tombs.

Various Scythian tribes engaged in frequent raiding and warfare against Middle Eastern empires such as Assyria and Persia. Around 529 B.C. Cyrus the Great attempted to conquer the Scythians. He first sent a proposal of marriage to the Scythian warrior queen Tomyris. According to Greek historians (such as Herodotus), Tomyris rejected the offer, and Cyrus then invaded her land to subjugate her kingdom by force. His army laid a trap for the Scythian army, leaving a poorly-defended camp stocked with wine (which the Scythians were unfamiliar with). When the camp was captured by a Scythian war party, lead by Tomyris' son, the Scythian soldiers became drunk on the spoils of wine, and were overrun and captured by the Persians. Tomyris' son, disgraced by his capture, committed suicide. Upon learning this, Tomyris personally lead an all-out offensive on Cyrus' army, cut off the Persian escape routes, and slaughtered the army. The Persian emperor fell, and his head was returned to the Scythian camp, where Tomyris submerged it in a pool of blood, hollowed out the skull, and used it as her personal wine goblet for the remainder of her life.

Civilization VI - Tomyris portrait

Herodotus' account is the most contemporary, and generally accepted account of Cyrus' death. Other historians, however, have disagreeing accounts. In some accounts, Tomyris was the wife of Cyrus, and murdered him. In yet other accounts, Cyrus was killed in a different battle in which the Scythian Sakas were aiding him against the tribal Derbices people. Regardless, Tomyris is one of the earliest recorded warrior queens, and children in Central Asia are still named after her to this day.

DISCLAIMER:
Civilization VI is still very early in its life-cycle. Strategies for the game (and for specific leaders and civs) may change as Firaxis applies balance patches, introduces new features, or expands the game through DLC or expansion packs, or as the Civ community discovers new strategies. As such, the following strategy guide may change from time to time. I will try to keep it up-to-date, and will make notations whenever changes are made. I'll also post links in the official 2K forums and CivFanatics, where I'll also report any changes made. If possible and practical, I will try to retain the original content of the strategy for posterity.

I welcome any feedback or suggestions that readers wish to offer. Feel free to post on the linked forums, or by posting a comment at the bottom of the page.

This guide is up to date as of the "Austrialian Summer" 2017 patch (ver. 1.0.0.129) actual Summer 2017 patch (ver. 1.0.0.167) (Nubia DLC)

Tomyris is a highly-aggressive leader in Civilization VI. Any neighboring civilization will have to stand the early test of time against Tomyris' massive mounted armies.

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