Cities: Skylines has always been a game that takes some different approaches to city builder gameplay. The base game explored how a city's geography can influence the development of the city, and also put a particular emphasis on designing efficient transit infrastructure by allowing the player incredible freedom to construct your own roads, highways, and interchanges, rather than relying on prefab ramps and over/under passes. None of these concepts were new to city builders, but Skylines added nuance to them and made them much more active elements of gameplay.
Its newest expansion DLC, Natural Disasters, follows suit. This is a very difficult expansion to review because its content - by its very nature - is random and unpredictable. Natural disasters aren't new to city builders. Disasters were a popular component of the old SimCity games, as many players enjoyed building up their beautiful metropolises only to unleash earthquakes, tornadoes, meteor impacts, and even alien invasions and dinosaur attacks and watch it all burn. Now Skylines has support for this fan-favorite SimCity feature, but it takes this commonplace feature in some new and interesting directions.
Installing early warning and detection systems will give you advance notice when a disaster is imminent.
Most notably, Cities: Skylines' take on disasters puts emphasis on preparation for disasters, rather than on the chaos of the disaster itself and the clean-up in its aftermath. Like with its SimCity forebears, disasters are something that you can toggle on or off in the game's menu, and you can also adjust their frequency. When enabled, you'll encounter disasters of various flavors ranging from forest fires to lightning strikes, to tsunami and meteor impacts. You'll have to make sure that your city is protected by preventative measures, and that it's protected against these eventualities.
Early-warning systems like firewatch towers, weather radar, and space telescopes can warn you about forest fires, storms or tornadoes, or even incoming meteors (respectively), and can mean the difference between your citizens having enough time to evacuate, or half your population being buried under rubble. You'll need evacuation shelters for you citizens to escape to, and each shelter needs to built long enough in advance for it to be stocked with supplies of food, water, and other essentials (which must be pulled from your city's economy or imported). And lastly, you'll need radio towers to warn your citizens to get to their designated shelters.
Building emergency shelters, stocking them with supplies, and planning evacuation routes will protect your citizens.
You can also create planned evacuation routes similar to bus routes that will pick up residents and take them to a shelter. I had some trouble getting these routes to work properly though. The fact that the buses are dispatched when an evacuation is activated means that they often create a log jam on your roads as they all funnel out of the shelter. I also had issues with the buses apparently not picking up people who were at more distant stops on the route, since the areas along the route that were far from the shelter never managed to evacuate. Maybe there's some trick to getting these routes to work properly that I just haven't found yet. But this does highlight one problem with the expansion: its new systems are not very well documented or explained... [More]
FromSoft has a pretty amazing track record with the DLC expansions for its Dark Souls and Bloodborne games. Heck, the Crowns Trilogy expansions basically save Dark Souls II from being completely dismissable within the Souls library. Needless to say, expectations for a Dark Souls III expansion were pretty high. Maybe they were too high, as FromSoft sadly seems to have really misfired with Ashes of Ariandel.
Is this mid-game content, or end-game content?
My primary problem with this expansion is that it has wildly erratic difficulty. It breaks with the tradition of having a very obscure access point, and so it's very easy to access very early in the game. It's basically un-missable. There are no arcane hoops to jump through this time, nor is it so obscurely-hidden that From needed to include a dialogue box to tell you where to go. Instead, there's simply an NPC in an area of the game that is accessible fairly early in the game. Talk to this NPC, and he'll transport you to the Painted World of Ariandel.
The developers recommend facing "the depths of Lothric Castle" before playing the DLC.
Once you enter Ariandel, you'll find a pair of developer hints. One reads "Before one faces the painting, one should face the depths of Lothric Castle.", and another claims that only the mighty will survive. So clearly, this area is intended to be late-game content (as you're recommended to have already beaten Lothric Castle and/or Oceiros' Garden). But take a few steps into the DLC, and you'll find some pretty simple basic enemies. The followers of Farron are easily beatable by any mid-level character. Some of them can throw spears at you while hidden behind the blinding snow while you're dealing with their comrades in melee. I didn't have too much trouble dealing with this though, as the melee enemies can be easily kited away from the ranged ones.
The wolves are pretty weak and are only tough if the whole pack gangs up on your or if the camera wigs out while they are jumping around. A level 50 or 60 character would probably have little trouble with these enemies. To From's credit, these wolves are actually pretty fun to fight. They aren't nearly as obnoxious as the dogs that have driven me nuts in previous games.
Most of Ariandel's enemies are pretty easy for mid-game characters
as long as you don't let them swarm and overwhelm you...
But then there's the Millwood Knights and Corvian Knights, which feel like they require the player to be closer to the 80-100 range. Seriously, there's like a 40-level difference between the enemies that you'll encounter in this level, and that's pretty ridiculous. Some of the Millwood Knights guard some fancy optional weapons and an optional area, but the other Millwoods and the Corvian Knights are placed along the necessary paths of progress. You have to fight them. Or at least try to run past them.
The Corvian Knights are a particular pain in the ass... [More]
A couple years ago, I posted about a burning question in Dark Souls' lore: who is the "forgotten" god of war (first-born sun of Gwyn) who was expunged from the annals of Anor Londo? At the time, the leading theory was that Solaire was intended to be the firstborn god of war, and I tentatively went along with that interpretation. There were a few holes in the theory, a lot of it was circumstantial, and there were even a couple of alternative possibilities. I also wholly admitted that it was very likely that the god of war character simply wasn't present in the original game, except through the lore references in the environment and item descriptions. Dark Souls II did little to answer this question, other than to provide a possible name for the god of war: Faraam. Well, it turns out that Dark Souls III finally answers this question, and all of us who thought it might be Solaire were totally wrong - and may even look foolish in retrospect.
As is so often the case with Souls games, you'll have to work hard to find all the good lore. In this case, you'll need to find and conquer the optional Archdragon Peak area of the game, which, itself, requires that you find the Untended Graves optional area as well.
These statues of the Nameless King resemble the statue and pose of Gwyn in the first game.
Once you make it to Archdragon Peak, you'll be treated with a large, sunny area populated with serpent men that should look familiar to veteran Dark Souls players. I'm still unclear regarding the lore behind these enemies. The original man serpents from Dark Souls were hybrid creations of Seath's experiments. Perhaps the man serpents in Archdragon Peak are the progeny of the original serpent men from Sen's Fortress. More importantly, however, is that Archdragon Peak is also home to the Ancient Wyvern and the Nameless King.
During your encounter with the Ancient Wyvern, you'll get your first clue as to the lore that will be uncovered in this area. You'll find regal statues of a being holding a massive swordspear weapon. The style and pose of this statue may remind you of the statues of Gwyn that you saw in Anor Londo in both Dark Souls and Dark Souls III. The way that the character is standing, and the way that he's holding his weapon looks like he could fit in perfectly standing next to Gwyn in the Anor Londo cathedral...
After the disappointment that was Cities: Skylines' Snowfall expansion, Colossal Order has tried to renew loyalty in the brand by offering free updates and a whole free DLC. Despite my disappointment with Snowfall, I still love Skylines, and I support its developer Colossal Order. They've shown a great deal of good will towards the consumers by offering their game at a budget price, and by continuing to provide exceptional post-release support, maintenance, and improvements to the core Cities: Skylines gameplay. One of the recent major updates added terraforming tools and the ability to create canals. There's also a free DLC called "Match Day", which adds the ability to build a soccer stadium and maintain your own team.
Its game day in the city!
"Couldn't you already build a soccer stadium?" you may ask. Well, yes you could. But now there's an additional soccer stadium (which is oddly much larger than the original soccer stadium), and you can inspect it in order to customize your team and set a handful of policies regarding them. If you team wins games (which happen annually in the game's calendar), then your city gets a large lump sum of reward money. You can increase the odds of winning by enacting the various policies. They include making public transit free on game day, hiring private security to keep the peace (you know, soccer hooligans), or [the much more expensive] option to enact a youth subsidy that recruits the best players from the community. Ticket prices are also adjustable, and affect both the income you earn from sales and the attendance and support of fans. You'll also need to provide adequate transit to and from the stadium in order to encourage visitors (including tourists) to attend the games.
Your soccer stadium has some limited customization options.
Of course, you won't be getting a full-fledged soccer management game. You won't be managing a roster of players, setting depth charts, recruiting new players, or trading players with other teams. This is a city-building game, not EA Sports! I do wish that the stadium had more secondary color customization option in order to personalize it more. It would also be nice if there were multiple stadium architectures to chose from and multiple sports, but I guess we can leave that to the modders. The stadium that was already in the game is still present, but it does not function like the new stadium. I don't see any reason why they couldn't have moved that stadium into the new "Football" sub-category and make it function the same. Hopefully, it's easy enough to mod, say, a basketball arena that has the same policies attached to it. The Match Day DLC is free, so temper your expectations.
I'm kind of surprised that the devs keep adding stuff that generates more money for the city, since Skylines has always had the problem of money being a bit too easy to come by... [More]
It was a long wait to get this DLC on PC and Steam. It originally released back in January on consoles, while we early adopters of the PC version were stuck waiting out in the cold with no clue whether or not we'd ever get the expansion. I wanted to play it, but I was hoping that a PC version would be released because I was skeptical that controlling a shelter full of characters with only an analog stick (and no pause button) would be unweildy. But it finally did get a release on Steam, and was even discounted during the Steam Summer Sale, so there was no way that I was going to pass that up.
The base version of This War of Mine is a fantastic game and ranks up there with Papers, Please, Metal Gear Solid 3, and Ace Combat 4 as one of the best games about war that I've ever played. This War of Mine is a very harsh, brutal, and depressing game. But if you didn't think that it was a depressing enough game to begin with, then wait till you play it with children as playable characters! The expansion adds some new scenarios with child characters as well as a handful of child-specific craftable items, but it's surprisingly skimpy on new content. As far as I can tell, there are no new scavenge locations, ambient events, or neighbor events.
If the game wasn't already difficult and depressing enough, now you have to keep children safe as well.
The trauma of war
Children can be both a burden and a blessing in this game. By default, they can't perform most crafting, they can't shovel away rubble or unlock blocked doors, they can't be sent out to scavenge at night, and they can't do anything to guard or protect the shelter from raids. At the start, they are basically just extra mouths to feed that have the potential to consume more of your valuable medicines and bandages, but they can't contribute directly to your survival. They can also be particularly needy, and their needs can be tough to meet as you struggle just to get the basics like food, water, and an assembly line of crafting stations.
However, it won't stay like this for long, as children can be taught to do many of the same crafting tasks that the adults can do... [More]
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