Return of the Obra Dinn - title

Well, with a Madden review in my rear view mirror, and while waiting for the indie football games to hit the market, I decided to try out one of last year's darling indie games. I very much enjoyed Lucas Pope's previous game, Papers, Please, so Return of the Obra Dinn was high up on my wish list of indie games. It was just a matter of finding time to sit down and play it and give it my full attention.

This isn't a game that you can just kind of casually play. Much like with Papers, Please, Return of the Obra Dinn requires your close attention. You have to pay very close attention to details, which can come from one of several different places. It might be a single word or a name in a snippet of dialogue. It might be inferring a person's naval rank based on the uniform they're wearing. It might be making a mental note of what room a person is running into or out of. You then have to use those details to make genuine deductions or judgement calls.

Elementary, my dear time-lord

The basic premise is that you are an insurance claims adjuster (I guess) working for the English East India Company. A missing merchant ship suddenly returns with all hands missing. You must search the ship to piece together the events of its voyage, and try to determine what happened to as many of the crew as possible.

Search a derelict ship for clues to the fates or whereabouts of its crew and passengers.

Your only tools are a notebook and a mysterious stopwatch (or is it a compass?). The notebook contains a crew manifest, a drawing of all the crew and passengers, a map of the ship, and a few notes on where to look for initial clues. It is also used to log all of the pertinent information that you find. The other tool is the mysterious stopwatch that has the ability to manifest a recreation of the scene of a corpse's death. Where such a fantastical tool came from and why you have it is not really explained (at least not at first). When you find a body, you can activate the stopwatch to see how that person died. The stopwatch manifests a 3-D freeze frame of the moment of the person's death and replays the last things the person heard before he (or she) died.

The whole game consists of exploring these scenes to try to figure out who the deceased person is, how they died, and to cross-reference the scenes to figure out who everyone else is and what happened to them. It's actually a lot more challenging that it seems.

Try to figure out the names and fates of as many people as you can, using the clues provided to you.

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Axis Football 19 - title

Well, the football video game price wars have apparently begun. Unfortunately, however, the prices are not shifting in the direction I'd like. Instead of EA being forced by competition to drop the price of Madden to something reasonable, like $30 (as they had to do in 2004 to compete with ESPN NFL 2k5's budget price of $20), both Maximum Football 19 and Axis Football 19 have upped their price from $20 (in 2018) to $30 (in 2019). I've already complained that Maximum has shifted its retail price out of the budget indie tier and into the middle-market (or "double-A" tier), and that Maximum isn't quite up to the level of quality that I might expect from a title at that price.

Axis Football doesn't feel quite as over-priced, as it was a much more feature-complete product to begin with (and remains a more feature-complete product this year, despite Maximum's new dynasty mode). That being said, I don't feel that Axis is improved enough to warrant a 50% jump in price.

Whereas Maximum focused on adding a much-needed dynasty mode in order to prop up its mediocre-at-best on-field gameplay (and moderately succeeds in that regard), Axis already had a working Franchise mode. What Axis needed was to improve its on-field gameplay. ...But they kinda didn't... Like, not at all...

Same as last year?

I was optimistic about Maximum Football and Axis Football because I expected them to make significant improvements to on-field gameplay from year-to-year -- something that EA has consistently failed to do with Madden over the last ten-to-fifteen years. So to see both of these indie games play virtually identical to last year's counterparts is very disappointing and has substantially deflated my initial optimism.

My excitement for the potential improvement of Maximum and Axis has been deflated
by both games releasing with virtually identical on-field gameplay compared to last year.

If you read the gameplay section of last year's review, then you pretty much know how this yea'rs game plays. Axis Football 19 still has much of the same rigid and robotic player animations. The locomotion system is terrible and allows runners to cut and turn on a dime. Defensive players still frequently stand in place. Deep zone coverage is still atrocious. The CPU still never defends 2-point conversion attempts. Receivers still lack varied or convincing catch animations, and defenders similarly lack pass defense animations. Blocking and tackle interactions can still be triggered with players who are not in physical contact with each other. I can still run my defensive end around offensive tackles, unblocked, for free sacks.

Some football rules are also still wrong or not implemented at all. Axis might as well just end games in ties if they can't implement a working overtime ruleset. I can still exploit kicking kickoffs out of bounds without penalty in order to pin opposing offenses deep. There's no fair catch. I can't motion receivers before the snap to see if the defense is in man or zone coverage.

The developers failed to address many of the problems that plagued last year's game --
such as poor deep zone coverage [LEFT] and the ability to easily run around offensive tackles [RIGHT].

Much moreso than last year, I'm noticing that outside runs seem to be far too effective. The reason for this seems to be the crazy success rates of receivers making (and holding) blocks on the edge and in the second level. Safeties are not only bad at deep coverage, but they're also terrible in run support. They stay back too deep (and sometimes just stand around), instead of trying to meet the runner in the lanes or trying to force an outside run back inside. If a receiver or tight end gets into the second level and blocks the safety, then the play is practically a guaranteed touchdown.

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Silent Hill 2

Video games are unique as an artistic medium. Not only do they allow the consumer to interact with a much wider possibility space than other mediums, but they also allow the consumer to directly influence the art itself. The stories, experiences, messages, and meaning that are conveyed are not only subject to the interpretation of the consumer, but they can be directly influenced or changed by the consumer. In some cases, a game can even prey upon the expectations of the player, or the player's desire to complete the game, in order to convey a particular message, or to make a statement about the player's actions.

One classic example of a game that plays the player as much as the player plays it is Silent Hill 2. That game's endings, and the triggers for each ending, have always been one of my favorite design aspects of that game. Silent Hill 2 takes advantage of the player's preconceived notions about how a horror game should be played, and it uses your play to pivot James' resolution (and his very character) in one of several directions.

Watch a video version of this blog post on YouTube!

I'm going to be talking about Silent Hill 2's endings. It should go without saying that this post will include major spoilers for Silent Hill 2. I'll also be comparing Silent Hill 2 to other games such as Mass Effect, Fallout, The Witcher III, The Last of Us, and What Remains of Edith Finch. As well as the post-Team Silent games: Silent Hill: Homecoming, Silent Hill: Shattered Memories, and Silent Hill: Downpour. So there will also be varying degrees of spoilers for those other games as well.


Spoilers incoming for the above games. Consider yourself warned!
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An interesting and sickening piece of political video gaming news came out last week. I had meant to write about it at the time, but got bogged down with some personal and family obligations. Nevertheless, I wanted to throw in my two cents.

Activision / Blizzard has apparently banned a professional Hearthstone player, living in Hong Kong (a semi-sovereign city-state in China), from participating in professional e-sports. The reason that Activision / Blizzard banned Ng Wai Chung (who goes by the username Blitzchung) is because he made statements in support of a decades-long protest movement in Hong Kong that supports independent democracy. The authoritarian communist Chinese government has been battling pro-democracy protests in Hong Kong for decades, and apparently video game publishers (among many other American corporations) are starting to act as shills for China's policies of repression and censorship.

Heck, Activision even went one step further, and rescinded the prize money that Blitzchung had already won! They also stated that they are canceling professional relationships with the Taiwanese reporters who were interviewing Blitzchung when he made the comment. Taiwan, by the way, also has a lengthy history of Chinese repression.

Blitzchung made his comments as a part of an official Twitch stream, and Activision claims that his statements violated tournament rules that prohibit any speech that would:

"... brings you into public disrepute, offends a portion or group of the public, or otherwise damages Blizzard image."

Apparently, speaking out against Chinese government repression and tyranny counts as "damaging the image of Blizzard". But Blitzchung isn't an employee or agent of Activision / Blizzard, and his statements had nothing to do with Activision / Blizzard as a business. Blitzchung's comments weren't hate speech, they weren't inciting riots or violence, nor was the statement itself anything that is actually offensive (to anyone other than the Chinese government). Would Blizzard have reacted similarly had a tournament player said "Trump, 2020" or "LGBTQ rights" or anything that could be seen as similarly divisive? If they had, they'd be equally as wrong to do so.

Activision / Blizzard's reaction is disgusting and reprehensible. I'm sure they want to increase their market penetration in China, and having players of their games who live under that repressive Chinese government speaking out against the repressive Chinese government probably doesn't make Activision / Blizzard look good in the eyes of the Chinese government. But so what?! By not taking a stance in favor of free speech, Activision / Blizzard is enabling and condoning a tyranny that would squash the very free markets in which Activision / Blizzard operates and earns its vast amounts of wealth.

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Maximum Football 2019 - title

I was harsh on Maximum Football 2018 last year. Perhaps overly so, considering the game's indie nature and budget price. I wasn't trying to hate on the game, nor am I a Madden fanboy (feel free to check out my reviews of the last few years' of Madden releases if you need proof of my being fed up with lackluster releases from EA).

I was harsh because I wanted to point out as many possible flaws as I could, so that as many of them as possible could be resolved, and Maximum Football would get better the following year. I bought Maximum Football 2018 in order to support the developer, Canuck Play, to that end. I also bought Maximum Football 2019 in order to continue to support Canuck, because I am still hopeful that this game can turn into to something special. I didn't wait a couple weeks and buy a used disc for cheap off of eBay, which is what I usually do with Madden because I don't want to give EA a cent until they actually earn it.

College and Canadian football legend Doug Flutie offered his name and likeness.

Not in the bargain bin anymore

Canuck isn't there yet. But I honestly didn't expect them to be (which is why I made a YouTube video about being excited for 2020, rather than 2019). I'm still approaching Maximum Football 2019 as an "early access" work-in-progress.

At last year's budget price point of about $15, it wasn't too hard for me to overlook Maximum Football's many flaws and limitations and still recommend it to people who want to see competition in the football video gaming marketplace. It wasn't much different than paying for "early access", after all. However, with the price of this year's game nearly doubled to $30, it's a lot harder to make a similar recommendation. The inclusion of a Dynasty mode does partially resolve my single, largest complaint with last year's game, as it means that there is an actual game here to play now, with an actual sense of progression and accomplishment. But Maximum made so few strides in its core gameplay, that I'm just not sure it's worth the hike in price.

$30 pulls Maximum Football out of the category of "budget indie title", and puts it firmly into the price point of "Double-A" or "mid-market game", alongside games like Hellblade: Senua's Sacrifice, Lords of the Fallen, and Cities: Skylines. But Maximum is not "Double-A" quality!

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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