Crystal Dynamics really missed the point with this game. It seems like the creative team started the project with one creative vision to make a “lost on an island adventure story”, and then early on, they all got fired and replaced with people who were instructed by corporate overlords to make “Uncharted with a girl” and the final product turned into a mindless shooter.

The only things you'll be "surviving" for most of this game is bullets and explosions.

The game is called "Tomb Raider”, but the bulk of the game is an action shooter instead of exploring tombs.

The tagline on the back of the box says “A survivor is born”, and the first objective in the game is to find a bow and kill a deer for dinner, but then you don’t ever have to hunt or treat wounds or take refuge from the elements or do any other “survival” things.

A sheer majority of the game is shooting hordes of enemies in tedious gunfight after tedious gunfight after tedious gunfight. Maybe over the course of the game, you’ll stumble across a tomb or two. But if you do, it’s just a 15-minute detour while you solve a single environmental/platforming puzzle in order to collect an arbitrary and useless reward. The rest of your time will be spent running around the levels that you just cleared of bad guys and collecting random items.

Hair probably isn't the part of Lara's anatomy that many ... um ... "fans" were hoping to see benefit from real-time physics, but then again, at least this is something innovative.

Table of Contents

• Tomb Raider in a nutshell
• Where did all these guys come from?!
  • The sociopath within
  • Things fall apart
• Side content should have been the focus of the game’s design
  • Can’t even rip off Uncharted competently
• Missed opportunity

In anticipation of the upcoming Brave New World expansion pack for Sid Meier's Civilization V, I've been working on some mod projects.

Today, I published a small resource mod called "Copper Buff" that improves the effectiveness of the copper resource in the game. Currently, copper is a fairly weak luxury resource, since it doesn't get buffed by any buildings in the game. This mod adjusts the Forge and Mint buildings to provide a bonus towards nearby copper as follows:

• Forge: +1 Production from copper worked by the city.
• Mint: +1 Gold from copper worked by the city.

Both buildings can be constructed in a city if copper is present within the city's borders.

Forge and Mint improve nearby copper.

The mod can be downloaded from Civilization V's in-game mod browser by searching for "copper buff", or through Steam by visiting MegaBearsFan's Workshop (http://steamcommunity.com/sharedfiles/filedetails/?id=144822605).

I've heard that a lot of players are complaining about the save system of Capcom's new Resident Evil 6. I haven't played the game yet because RE5 sucked, and the demo for RE6 sucked, so I can't comment on that game. What I can do, though, is take a moment to reflect on the genius of the classic Resident Evil save system.

Most of my readers know me as a Silent Hill fan [boy], so it's uncommon for me to heap praise upon Resident Evil. But I actually am a big fan of the original game (it was one of my favorite Play Station games). Maybe some day, I'll get around to writing about how Resident Evil 4 killed my interest in the franchise...

Resident Evil took a unique path in terms of it's save-game system. I'm not sure if it was the first to use this particular style of system, but it was definitely one of the best implementations that I played!

During the PSX era of the late 90's, game saves generally took one of 3 forms:

• Level saves: games like Devil May Cry and many level / mission-based action games and arcade fighters required the player to complete a whole level or mission before being allowed to save. This broke the game up into distinct segments and create natural stopping points.
• Pause menu saves: games like Metal Gear Solid, Final Fantasy VII (in the Overworld), and most sports games gave players the ability to save in the pause screen (or other menu). Sometimes there would be restrictions, such as not being able to save when enemies are present, but this is generally the easiest save system from a player's standpoint. Unless you forget to save...


Ico allows players to save by making the characters rest on these magic couches. Both Ico and Yorda must sit in order for a save to be permitted.

• Save points: many RPGs and action/adventure games such as Ico or Silent Hill required the player to activate a specific item located in the game world in order to save. This had the advantage of giving the player a visual reminder to save, but limited the ability to save and forced the player to backtrack if you wanted to save before reaching a new save point.

Resident Evil falls firmly in that last category, but with one significant (and game-changing) caveat: in addition to only being able to save at pre-defined locations, the ability to save was also tied to a consumable inventory item!

The scoring system that I've been using for video game reviews on this blog is a holdover from the reviews that I wrote for Game Observer. I'm not a big fan of using scoring systems for reviews, since reviews are inherently subjective, and it's very hard to quantify the quality of a creative work with any degree of precision. I can rate a game on technical levels, but that still doesn't tell whether a game is "good" or not. A game can be technically perfect, but not very "good"; alternatively, a game could be technically inferior, but is just more fun to play, and is thus "better". In fact, sometimes, my scores don't really match up with how I actually feel about the game because I include categories for technical executions of the game that may not have any real relevance with respect to whether I like a game.

Unfortunately, however, attention spans being what they are, a simple score does serve a function for some readers who are either unable to read the full text of my reviews, or who are unwilling to read the full text of my reviews.

You may have noticed that my scoring system changed slightly. I'm still going to reuse the basic scoring system in which I grade a game based on a set of five criteria and then average those criteria scores into a single overall score. However, I've changed the criteria slightly, and would like to spend a moment to define what these categories represent.

My reviews will now start using 4 pre-set criteria, and an additional "wildcard" criteria.

If you’re not completely sick of reboots by now, here’s another one to sink your teeth into: Capcom’s DmC (Devil May Cry). The franchise is only 10 years old, but nothing’s too young for a reboot these days (see: Amazing Spider-Man). The original Devil May Cry still stands proud and tall as one of the shining gems of the PS2’s library, and I would even argue that it might be the single best game that Capcom has ever made! I’m sure Mega Man and Street Fighter fans will argue though. Bottom line is that Devil May Cry single-handedly created a whole new genre of game: the "stylized action" genre. It was the first in what would become a long line of spectacle action games that would eventually contain names like God of War, Bayonetta, Lollipop Chainsaw, Batman: Arkham Asylum (to an extent), and Heavenly Sword. That last title is of particular interest because its developer, Ninja Theory, is the developer for this new DmC game (Capcom is only publishing).

Table of Contents

• A new Devil May Cry
  • A new Dante
  • What a Brave New World that has such demons in it
• Offended by the O’Reilly Factor
• Alright, so how does the game play?
  • Gameplay is worthy of the name, but difficulty isn’t
  • Giving you options, then taking them away
  • Out of the way bonuses
• A unique aesthetic
• A good effort, but pales in comparison to the original

New Dante sucks.