Star Trek: Discovery

I finally got around to watching the entire first half of the first season of CBS's Star Trek: Discovery series. I'm running behind on this show since I don't have a CBS All Access subscription. I've been deliberately avoiding information about the post-hiatus episodes, so information and opinions in this post may be outdated by the time I get around to publishing it. Maybe later episodes have resolved some of these complaints. If so, feel free to ignore such comments, or let yourself be giddy with the dramatic irony. Oh, and feel free to comment, even if you do so with spoilers. I won't be offended or upset.

Before I go into the details, I want to at least try to dispel the idea that I'm just an angry fanboy who is butt-hurt that the series doesn't strictly adhere to continuity. That's come up when I've talked about this show to people in person. So I'm not going to spend this review talking about how the Klingons look different. I don't care that they look different. I've already addressed that. It does bother me that the Klingons also seem to be culturally dissimilar to the established Klingons, but I won't harp on that either. I'm not going to complain about how the uniforms and badges are anachronistic. I got that out of my system before the show even launched. I'm not going to complain that the tech looks more advanced than Original Series tech. These complaints are mostly pedantic and silly. In fact, the aesthetic look of the show is actually one of its strengths.

The visual style is one of Discovery's strengths, even though almost all of it is anachronistic.

Instead, I want to talk about how I feel that the show betrays the series' foundation as hard science fiction, and how it actively avoids the very spirit that made the Original Series and Next Generation so beloved.

Discovery isn't optimistic or forward-thinking

I'm going to start with the more important of the two: that Star Trek: Discovery betrays the spirit of Star Trek.

Star Trek became so popular, and remained so culturally relevant, at least in part because it depicted a hopeful, forward-thinking version of humanity's future. People from all over the Earth had mostly set aside their differences and decided to work together so that humanity could explore the galaxy side by side with whoever else was willing to join them. That cooperative mentality allowed us to overcome poverty and tyranny, reduce disease, and provide a post-scarcity quality of life that allowed virtually everyone to live comfortably and happily and to pursue their dreams and aspirations without the burden of having to make ends meet. That is a society that I would want to live in. It is an ideal to strive for.

Star Trek isn't perfect, but it has always provided an ideal to strive for.

That isn't to say that every series, movie, and episode of Star Trek has to have everybody getting along all the time and living happily ever after. Some of the best works within the Star Trek IP are good because they challenge the series' own lofty ideals. Star Trek VI: the Undiscovered Country (my personal favorite film in the franchise) explored how years of conflict with the Klingons had made Kirk and his crew (and the top brass at Starfleet) bitter and borderline racist. Episodes like TNG's "Chain of Command" showed that Starfleet was still willing to conduct clandestine acts, and "I, Borg" exposed that Starfleet was still willing to de-humanize those who it labeled as "others". Heck almost the entire series Deep Space Nine revolved around challenging the Federation's ideas of religious tolerance, economics, the balance between security and individual liberty, and the desire to maintain peace when confronted with an enemy who desires only war. The creators of Voyager were probably intending to similarly challenge Trek's ideals when they stranded the ship on the opposite end of the galaxy, far from the support of Starfleet, and replaced half the crew with Marquis freedom fighters and terrorists. Sadly, that show goes on to mostly drop those concepts and becomes a bland copy-cat of TNG.

Plenty of quality entries in the Star Trek canon have challenged the series' very own ideals.

With all that said, I'm not automatically angry that characters in Discovery are "imperfect", or that they don't get along with each other. My problem is that right from the start, the show can't seem to really decide who these characters are...

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Star Trek: Discovery

After a myriad of false starts, delays, production problem, bad PR, and generally negative expectations, Star Trek: Discovery finally premiered at the end of September. And the general consensus online seems to be pretty positive. It's not going to be the anthology series that I'd hoped for, but I didn't hate the first two episodes. I really didn't like them either, though.

Based on the season preview following the end of the second episode, it seems like it's kind of hard to gauge the series after just the first two episodes. They seem like more of a "prologue" to the main story, rather than part of the main story itself. These first two episodes take place on a different ship, with a different captain and crew, and a different situation than the rest of the show. So I don't know how representative they are going to be of the series itself.

The first two episodes see Captain Georgiou killed and the Shenzhou destroyed.

It seems a bit disingenuous (to me) for CBS to air only the first episode and then expect us to shell out $6 a month for the rest of the season. The first two episodes seem like they should have been the bare minimum, but three would have been even better, just so that audiences could see what the series proper is going to look like. Ideally, they should have aired the entire first season and then moved subsequent seasons to the streaming service. As it stands, I still don't trust the show enough to feel inclined to spend the money on a subscription. After all, it could be that the first few episodes were conceived under the direction of Bryan Fuller, and his spat with the studio, and subsequent departure from the project, could have lead to a radical change in direction for later episodes. But then again, those creative differences apparently cropped up before filming the premiere even started, so who knows how much of Fuller's creative vision even survived at all (despite the fact that he's credited as the creator and lead story writer in the opening credits).

Maybe I could pay for one month (or do a free trial) and then binge the entire rest of the series?

Anachronisms, and apparently space is no obstacle

Right off the bat, I had a lot of the knee-jerk reactions that I was expecting to have due to uniform anachronisms, costume and makeup redesigns, and so forth. CBS went to the trouble to recreate phasers and communicators that resemble the ones from the original Star Trek pilot, and apparently even made Klingon blood pink (ala Star Trek VI), but they couldn't be bothered to design ship-specific insignia badges for the uniforms? Everybody wears the delta-shield, which was supposed to be an emblem unique to the Enterprise. It was only adopted as the symbol of Starfleet (as a whole) later, in part because of the increased militarization of Starfleet due to the threat of the Klingons, and in honor of the Enterprise's service.

Just as I'd feared, everyone is wearing the same delta shield insignia.

And in the interests of fairness to the new Star Wars movies, I also can't neglect to mention the problem that the Discovery premiere had with distance...

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The initial announcement of Star Trek: Discovery looked very promising. Unfortunately, the news has not been as good since then.

First of all, the first teaser showed some lackluster CGI effects, but I was willing to dismiss that as being evident of the show's early prouction. But then news kept getting worse. Bryan Fuller stepped down as the showrunner, CBS repeatedly stated that the show won't be an anthology (even though an anthology would be a great idea), and the show was delayed from January to March. Now it's been delayed again - this time indefinitely. The delays appear to be related with CBS's in ability to get its streaming service off the ground, delays in casting, and scheduling conflicts with those who have been cast.

But production has started, and the first teaser trailer has come out.

A behind the scenes teaser gives a look at uniforms, sets, possible ship redesigns, and the captain's chair.

The first thing that stood out to me is the tease of the new uniforms, which resemble a combination of the Star Trek: Enterprise uniforms, and the cadet uniforms from the rebooted Star Trek movies. But there's a huge flaw in this uniform: the breast badge is the delta shield. Since this is a prequel to the original series, this uniform is unlikely to belong to an Enterprise crew member, even though that delta shield was unique to the Enterprise in the original series.

Star Trek Discovery - delta shield
The Discovery teaser shows a delta shield badge on a pre-TOS uniform - which is a Star Trek faux pax.

In the Original Series, each ship, starbase, or installation had its own unique mission badges, similar to contemporary NASA missions. This was a detail that even Star Trek: Enterprise got right! But the Abrams reboot, and now the new Discovery series have broken with this detail, making the uniforms anachronistic within established series' canon.

Each ship, starbase, or installation in The Original Series had its own unique mission patch, inspired by NASA missions.

By the time of The Next Generation, Starfleet had adopted a single insignia for the use of its communicator badges, which was based on the Enterprise 1701's mission insignia. Of course, this badge was a piece of technology, rather than a simple patch on a shirt, so there could have been technical limitations that required the adoption of a single insignia.

UPDATE: FEBRUARY 10, 2017:
Since seeing the trailer and writing this post, it has come to my attention that I may have over-reacted to the insignia. The presence of this insignia may be a reference to the possibility that the lead character of the show is going to be the first officer from the original Star Trek pilot. This character was played by Majel Barrett (who later went on to protray Nurse Chapel), and this character was un-named, and was only called "Number One"). So this character would have previously served onboard the U.S.S. Enterprise with Captain Pike. Perhaps this insignia is on Captain Pike's uniform?

Either way, the fact that this insignia is still being used as the show's insignia bothers me, as the show is called "Star Trek: Discovery". The insignia for the show should be the Discovery's insignia, and the Discovery should have an insignia all its own. But this insignia is dangerously close to the original Enterprise's

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Star Trek 50th anniversary

On September 8, 1966, a cultural revolution started. The first episode of a new science fiction television series named Star Trek premiered on NBC. This series broke new ground in the genre of science fiction by being one of the first series ever to present high science fiction concepts to television audiences, while also using its space adventures as allegories for contemporary social and political issues. While it presented itself as mindless space adventure in the same vein as Buck Rogers and Flash Gordon, it took a serious approach to science fiction that (at the time) was limited to literature like the novels of H.G. Wells and the stories of Isaac Asimov.

Star Trek wasn't the first serious science fiction television series. Shows like The Twilight Zone and The Outer Limits had existed for a almost a decade. But Star Trek differed from these series in that it depicted a revolutionarily positive and uplifting version of the future of humanity during the height of the paranoia of the Cold War. Humanity, according to Star Trek would overcome the threat of mutual destruction that the Cold War between the United States and the Soviet Union posed, and we would come out the other side with a spirit of cooperation and a desire to peacefully and benevolently explore the stars, exploring strange new worlds and seeking out new life and new civilizations.

Television science fiction was dominated by childish adventures like Buck Rogers
and more cynical anthology series like The Twilight Zone that drew off of Cold War paranoia.

The show was created by Gene Roddenberry, a former United States army air force pilot and Los Angeles police officer who eventually found his calling as a television writer and producer. He wrote and produced some police dramas and westerns before pitching his defining project: Star Trek. The show was picked up by Desilu Productions, a company that was run by Lucille Ball (yes, the titular actress of I Love Lucy) and her husband. The production of Star Trek was tumultuous. The show was canceled by NBC after its second season, only to be revived due to an unprecedented, fervent letter-writing campaign staged by its fans. It did not survive its third season, however, as Desilu Productions was rapidly running out of money, was forced to cut budgets, and NBC moved the show to the dreaded Friday night "death" slot. In an age before DVRs, or even VCRs, if people were out on the town on a Friday night, and they missed an episode of a show, then that episode simply went unseen.

Gene Roddenberry
Gene Roddenberry's optimistic vision
of the future remains endearing.

The series eventually saw tremendous success after its cancellation due to its episodes being syndicated during the 1970's. It gained a cult following that grew and grew, setting up conventions that would come to draw thousands of attendees. Though not immediately apparent, Star Trek would grow to become one of (if not the) most successful science fiction properties in the world. The series is often cited by scientists, engineers, and astronauts as their inspirations for their careers, and the technology of the series has inspired many real-world technological innovations, such as wireless communication, mobile devices (in particularly mobile phones), speech-recognition software, and so on. Roddenberry became the first TV writer to receive a star on the Hollywood walk of fame, has been inducted into the Science Fiction Hall of Fame and the Academy of Television Arts & Sciences Hall of Fame, and was one of the first human beings ever to have his ashes carried into earth orbit...

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I haven't had a good rant on this blog for a long while. At least, not one that isn't part of tearing apart a terrible game in a review. But I have something that's been really grinding my gears throughout all of 2016, and I need to say something about it: I really dislike advertising. I have an especially intense dislike of internet advertising practices. It's not the ads themselves that get on my nerves; it's the ways in which websites and advertisers chose to deliver them. So many websites are crammed full of ugly, intrusive, and obnoxious ads that really hurt the experience of the user trying to actually view and navigate the website.

Streaming services like Comedy Central insist on crashing the video in the event that there's even the remotest hiccup in loading one of the five advertisements that it must play during the four advertising breaks that it includes in its half-hour episodes. I routinely run into issues in which the pre-episode ads fail to load, and so the whole episode refuses to load, and I have to ctrl-F5 to reload the page until it selects a set of five advertisements that actually work. But then it gets to one of the mid-episode commercial breaks, and even if the advertisements do load and play, the actual episode refuses to continue. Sometimes, I can hit the "rewind 10 seconds" button to fix the problem. Other times, I once again have to ctrl-F5 to reload the page, sit through the pre-episode ads again (hoping they don't cause yet another failure), then skip past the ad break in the timeline, watch the mid-episode ads (and hope that they don't also fail), and then maybe I can continue watching the content. This is why I haven't seen an episode of The Daily Show in a couple months and have no idea if new host Trevor Noah has finally hit a stride yet. I have similar issues with CBS steaming, which is why I also haven't been able to watch much of Stephen Colbert's new late night talk show. Sorry Stephen, I love you, but CBS apparently doesn't want me to watch you.

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Issues with Comedy Central's ad-delivery abound: ads play over the actual content, their failure to load
prevents the content from playing, they have multiple ad breaks and not enough unique ads to fill them, etc.

To make matters worse, Comedy Central and CBS often doesn't even have enough distinct ads to fill up all these advertising breaks. I often see the same three or four ads in every ad break. Sometimes, the same exact ad will play back-to-back during the same advertising break!

Is this supposed to be punishment for not watching the show on cable TV? I actually do (at the time of this writing) have an active cable subscription, and that subscription does include Comedy Central and CBS. I could easily just DVR episodes of The Daily Show or Late Show with Stephen Colbert and watch them at home, but I prefer to watch them during my sit-in lunch breaks at work because it's just a more efficient use of time. Or at least, it would be, if it ever actually worked. Heck, on the DVR, I can just skip past the damned ads. I can't do that when streaming on the internet.

Comedy Central is far from unique in this regard. I've already pointed a finger at CBS as well, and this is one of the reasons that I'm not happy about Star Trek: Discovery being exclusive to CBS All-Access. I really don't want to pay for a streaming service to watch one show! Especially if it's still going to contain content-breaking advertisements that prevent me from even watching the show that I'm paying to watch...

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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