As I said in my reviews of Star Trek: Discovery, the context in which the show is created is important. The fact that Discovery's seasons are heavily-serialized, singular stories means that they must be judged on a different basis than the episodic episodes of previous Trek series. Discovery's stories must be held to a higher standard because its structure means that "bad" episodes cannot be dismissed as easily as a bad episode of any other series of Trek.

The difference in context between the animated comedy series Lower Decks and the more serious, live-action, canon series of Discovery and Picard is the one thing that gives me hope regarding Lower Decks. The trailer for the cartoon's first season was released over the weekend, and I'm honestly not upset with it at all.

Trailer for season 1 of Star Trek: Lower Decks.

Because Lower Decks is an animated comedy, I am assuming that CBS is not going to consider it "canon". And if the show isn't being presented as "canon", then I as a viewer don't have to take it as seriously either. I can much more easily forgive divergences in theme, tone, aesthetics, and [especially] lore because inconsistencies from the original source material don't serve to retroactively pollute the original source material in the way that Discovery and Picard have done.

That being said -- and tone and lack of seriousness aside -- Lower Decks has a lot of elements of its design presented in this trailer that takes more cues from golden age Trek than either of the two live-action series that CBS has produced. The design of the ships, the interiors, the holodeck, the uniforms, and so forth all seem to show more respect to the original source material than Discovery or Picard bothered to show. I'm going to hope that is a good sign that the writers are also taking more of the story and character cues from golden age Trek, albeit with the slapstick cartoon tone.

Besides, Star Trek is old enough, and bloated enough, as an intellectual property that it could probably use a good deconstruction or self-satire. I mean, skits on Family Guy, Robot Chicken, Futurama, and so forth have [arguably, and to varying degrees] worked well over the years. The Orville has been generally well-regarded by audiences and eventually shifted towards telling stories that were more in-line with Trek -- far closer than anything in Discovery or Picard.

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If you read my review of Star Trek: Picard, then you know that I was thoroughly disappoint and borderline offended by it. I had so much to complain about in that review, that I didn't have much time or energy left to write about the few merits that were present in the season. Yes, there are some decent ideas in this 10 hours of otherwise-garbage TV. If you were to ask me "Well Mr. smarty-pants self-described-'Trekkie', what would you have done?", then I would say that I would take those few good ideas, and turned them into episodes of Star Trek that are more consistent with the style, philosophy, and character of the show that I know and love.

On a recent recording for the Let's Play channel On the Branch, I spent some time pitching these ideas for a rewrite of the entire series. I had literally come up with the ideas a night or two before that recording session, and so the ideas were not very well thought-out. They were mostly just big-picture concepts. Now that I've had more time to think about them and further flesh them out, I've decided to record them here on the blog for posterity.

You can hear more of my thoughts about Picard in an un-filtered discussion with On the Branch Gaming.

I tried to take the few ideas that I actually liked from the version of Star Trek: Picard that CBS actually put on the air, and use them to construct episodes and a season that I feel would have been more in-line with what I would have expected from Star Trek. So this isn't just me rambling about my own pie-in-the-sky ideas here. I'm actually taking the ideas that Alex Kurtzman, Akiva Goldsmith, Michael Chabon, Kirsten Beyer, and the other writers and producers came up with, and trying to turn them into something that is actually faithful to the spirit of Star Trek, and consistent with the philosophy and characters that we've seen in the TV shows as I understand them.

The good ideas

So first of all, what were the few actual good ideas that CBS's writing staff came up with for Star Trek: Picard. Well, I identified three of them:

  1. Romulans as environmental refugees after nova of their sun.
  2. The Borg Reclamation Project attempting to de-assimilate and rehabilitate former Borg drones.
  3. Data's consciousness being trapped in a quantum computer, awaiting a suitable positronic brain.
The best ideas of Picard involved the Romulans and es-Borg as refugees.

I think there's some genuinely good ideas there for some thoughtful, high-concept sci-fi stories that would fit well into Star Trek's canon and philosophy. It's too bad that none of them were more than minor subplots in Picard that were never thoroughly explored, or treated with any degree of thoughtfulness. These good ideas were sadly squandered by being sidelined compared to the larger, less intelligent plots that dominated the season.

These ideas were certainly better than the apocalyptic plot about conspiracies to destroy all life in the galaxy. Seriously, can we get some smaller, more down-to-earth stakes for our TV shows? There's only so many "end of all life as we know it" plots that can be told before they get stale.

I would stay as far away from apocalyptic, inter-dimensional robot tentacle monsters as possible.

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So what the heck happened to Picard's dog?! Number One was my favorite character in the premiere, but then he completely disappeared from the entire rest of the show and hasn't even been mentioned since. Were his inclusions in the premiere nothing more than reshoots that were thrown in at the last minute, after much of the rest of the show had been scripted and filmed?

Picard's home was broken into and Picard physically assaulted. The dog was nowhere to be seen. Guess he's not much of a guard dog, huh? I don't even think Picard bothered to ask if Number One was alive after the attack. For all he knew, the Romulan assassins murdered his dog. There's also no tearful "good bye" when Picard has to leave the planet on a potentially dangerous mission, or talk of who might take care of the dog if Picard doesn't return. On the upside, at least the writers didn't kill the dog as an excuse to turn Picard into "space John Wick", in the same fashion that the TNG movies used Picard as a "space John McClane".

Then again, bringing up an idea or character, only to completely drop it by the end of an episode with no real exploration of the concept or character seems to be the modus operandi of Star Trek: Picard.

I gave a lot of leeway to the premiere. I even said that I want to "delight of having just watched a new piece of Star Trek media that I didn't hate". Well that lack of hatred didn't last long. Each episode of Picard just got progressively worse and worse.

If not for the fact that I intended to write a full season review, I would have stopped watching the show by episode 4.

What happened to Picard's dog, Number One? He just disappears from the show after the first episode!

Just as I feared, Star Trek; Picard isn't about the rights of androids or the moral imperative to provide humanitarian relief to refugees (whether those refugees happen to be Romulans or ex-Borg). These things are dominant themes, but they aren't what the plot or story is actually about, nor does it ever become the ultimate message of the show. I think the overall message was supposed to be to not let your fear and prejudice turn you into a genocidal monster, but even that happens in a lazy, eleventh-hour "twist" that I thought made no sense. The actual plot is about conspiracies to cover up the existence of robot Lovecraft monsters from another dimension, and to stop androids from inevitably summoning them to kill all humans. Yep, that's Star Trek canon now. Go figure...

Picard facepalm

In the meantime, the episode-by-episode (and minute-to-minute) scripting is trying too hard to be like Firefly or any other grungy sci-fi series from the past 20 years. Now, I love Firefly. I also praise The Mandalorian for taking cues from Firefly. But The Mandalorian is set in the Star Wars universe, which was always a grungy universe that contained lovable rogues and scrappy survivors. Star Trek has never been that kind of universe. It's the antithesis of that kind of universe. If I wanted to watch a dark and gritty cowboy / ronin space adventure, then I'll watch The Mandalorian, or I'll go back and watch Firefly or Battlestar Galactica again. Or I'll check out The Expanse or Dark Matter or Altered Carbon or Westworld, or any one of a dozen other sci fi shows that have come and gone in the past 20 years and have borrowed heavily from that same aesthetic. Or I'll play Mass Effect 3, which Picard seems to have blatantly plagerized.

I don't watch Star Trek for that. I watch Star Trek for thought-out, uplifting, cerebral science fiction about an optimistic future that I hope humanity eventually achieves.

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Having dislocated my shoulder a few weeks ago, I haven't been doing much video gaming. I can do some PC gaming on my laptop using my trackball mouse and wireless keyboard (and plan on having a new Civilization VI strategy published real soon), and I also finally started playing Breath of the Wild on the Switch, since the Switch controller is much more comfortable to use with my arm in a sling. I haven't touched the PS4 since the dislocation. I've also been watching a lot more TV and movies.

One such television show has been Netflix's new The Witcher TV series, based on the novels that inspired the video game series of the same name. The Witcher III is a fantastic game that I've come to adore due to its exceptionally well-written and thoughtful quests. But I never played the first two games in the series, nor read the books. So I was looking forward to the TV show hopefully filling me in on more of the backstory and history of these characters and this world.

I just wish that I was having an easier time following along with what the heck is going on in this show, as its plotting and structure seems to be rather muddled.

I'm not even talking about the large, big-picture structure of the show. I followed along just fine with the show jumping back and forth between Ciri's escape from the Nilfgardian invasion of Cintra, and the travels of Geralt that happened in the 15 or so years leading up that invasion. It took me a few episodes to wrap my head around it, but I'm fine with it.

No, what's confusing me is the minute-to-minute plotting and character motivations. There have been numerous times during these eight episodes that I just kind of threw my hands up and asked aloud "what is going on here?". Why are these characters doing what they are doing? And why do so many conversations feel like they are made up of non sequiturs? There's going to be some light spoilers here, so if you haven't watched the show yet, you can maybe skip the next two or three paragraphs.

I found myself very confused as to why certain things were happening.

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Well I'll be damned. This winter, I was pleasantly surprised by The Mandalorian seeming to pull the Star Wars franchise back from the brink of the abyss. And now I'm also pleasantly surprised to see that perhaps Star Trek might be pulled out from circling the toilet bowl as well. The first episode of CBS All Access' new Picard series was surprisingly "not bad".

Now, I do still have some serious reservations about the directions that I think the show might be going later in the season. And I'll get to that later. But first, I want to sit and bask in the delight of having just watched a new piece of Star Trek media that I didn't hate. After slogging through the first season of Discovery (I have yet to watch the second season), I was left with zero faith in CBS's ability to re-capture the spirit and soul of Star Trek.

Picard shows some good faith right from the start by opening with a clip of the Enterprise-D. Not some re-designed Franken-ship monstrosity like the "original" Enterprise in the 2009 Trek reboot, or as seen in Discovery. But the honest-to-goodness Galaxy-class Enterprise-D, pretty much exactly as we remember and love her -- and looking mighty gorgeous, might I add! We then zoom into Ten Forward, where Picard is playing a hand of poker with an unconvincingly digitally de-aged Brent Spiner reprising the role of Data. This scene pays homage to the beautiful final scene of the Next Generation finale "All Good Things...", and Picard laments that he's stalling going all-in against Data's hand because he "doesn't want the game to end".

Picard is a return (and continuation) of Star Trek as fans knew it almost 20 years ago.

We didn't want the game to end either...

The first few scenes of the episode then go on to show Picard giving brief (but impassioned) speeches about the decline of Starfleet ideals, the civil rights of sentient androids, and the moral imperative to provide aid and relief to the Romulan refugees whose home planet was destroyed by the [somehow unexpected?] supernova of the Romulan sun. And he's also trying to do some social justice for pit bull dogs, which (as my choice of pets should suggest) is something that I approve very strongly of. It's respectful and faithful (and reverent) to what came before. "Holy shit", I thought, "this is actually looking and feeling like the Star Trek that I know and love."

For a moment, I thought the soul of Star Trek is there, in those early scenes, even though it is shallow and lacks the idealism that has always underpinned Trek.

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A gamer's thoughts

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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