I've had a busy couple of weeks of movies! Three movies in the past two weekends, and planning on seeing Spider-Man: Homecoming in the next couple days. But first, while trying to keep ourselves entertained in Des Moines, my girlfriend and I decided to kill a couple hours at the movies and checked out the newly-released war movie from Christopher Nolan: Dunkirk.

I'll admit that it took me a little while to figure out this movie's chronological structure. Director Christopher Nolan decided to edit the movie into a non-sequential order, in which individual scenes jump back and forth between points in the movie's timeline (sometimes to show the same event again, but this time from a different point of view). There's three main storylines running in parallel: a pair of soldiers trying to catch a boat off the beach, a pair of pilots hunting down German bombers, and a civilian yacht captain setting sail to help rescue the stranded British army. Early in the movie, the scenes with the soldiers take place at night, and the scenes on the planes and in the yacht take place during the day.

At first, I thought maybe this was some kind of time zone difference. Like maybe the scenes on the boat were taking place sufficiently east that the sun had already set; whereas, the planes were flying far enough west that the sun hadn't set yet. This wasn't the case. The movie was, in fact, shifting between an aerial pursuit taking place during one afternoon and the boat escapes that happened the night before (or several nights before). Maybe I missed something at the beginning of the movie that made this all more clear?

I didn't have any trouble following along with the non-linear, compressed time in Inception, but this movie threw me off a tiny bit simply because I wasn't expecting it. Once I realized how the movie actually worked, it was easy to follow along with each of the individual threads, and to start to see where and how they intersected. Not a deal-breaker in any way. By the end, everything comes together quite nicely.

The early movie cycles between the day of the evacuation and conflict from the night before.

Much like War for the Planet of the Apes (which is quite good), Dunkirk is a surprisingly slow and quiet movie...

With Civilization V apparently at the end of its life cycle and unlikely to receive any more major updates or expansions, it's time to start looking to the future of the franchise: Civilization VI. Civ V was successful enough to spawn several spin-offs: Beyond Earth, Civilization Revolution 2 on mobile devices, Civilization World, and even a Civilization MMO. So it's reasonable to assume that if work hasn't already started on Civlization VI, then it will begin soon.

One of the things that I most love about Civ V is that each civ has unique powers that give them their own playstyles and flavors. The expansions (especially Brave New World) showed a lot of creativity with some of the civilizations. I hope that these design philosophies continue, and that we'll see some even more interesting gameplay variations in the new civilizations of Civilization VI.

To that end, I have a few ideas and suggestions for designs and themes for some of the common civilizations that are likely to appear in Civilization VI. I'll provide at least a unique abilility and at least two unique units / buildings / improvements, but I may also provide additional or alternative unique suggestions in case Firaxis decides to include even more variety and specialization. Since Civ VI will likely be a whole new game on a whole new engine, I can't give specific examples of the mechanics of these ideas. Instead, I'll try to focus on more broad concepts and maybe include examples based on Civ V's mechanics and features if relevant.

* NOTE: this post is a work-in-progress, and will probably be revised as I come up with additional ideas or clarifications.