It's summer time, which means that football video game developers are hard at work implementing features for the fall release of this year's games. It's probably too late to influence the design of the 2020 slate of games (due to release in September), but I'd still like to take some time to express some of my ideas for growing these games over the long term. This post should hopefully give both Canuck Play and Axis an idea of the roadmap of improvements that I'd like to see over the next two or three years.

For each suggestion that I'm going to make, I'm going to try to provide a general goal that I want to achieve with the idea. Then I will provide one (or more) ideas for how I think the games' developers can attain that goal. If Canuck and/or Axis like the ideas, then by all means use them. If, however, they think they can accomplish the goal with a different method or implementation, then by all means do that. You know your games better than I do. I'm just a blogger with a YouTube channel and little more than a basic understanding of how game development work. You guys and gals do whatever you think is going to make your games the best that they can possibly be.

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I recently wrote about the game at E3 2018 that most caught my interest. But there are other things coming out of E3 that I also paid peripheral attention to. One of the few reasons that I anticipate E3 each year is that it is also around the time that we start to get the first substantial looks at the upcoming Madden game.

Madden 19 E3 trailer.

The first thing that I noticed about Madden 19 previews is the focus on player movement and locomotion. Specifically, I noticed the fact that they seem to be re-selling us features that were supposed to already be in the game. Didn't Madden 25 already introduce this same mechanic? Yes, it was called "true step" back then. If it was so important to gameplay back in 2013, then why was it ever removed?

Player locomotion and runners getting through gaps in the line are focuses of Madden 19.

We're also seeing the return of a variation of the "get skinny" mechanic that dates all the way back to PS2 versions of the game, but which had been subsequently removed. Hitting the right gap in running plays has been a problem for a long time. It's good to see EA addressing it with the "hit the gap" and "push the pile" mechanics, but they've supposedly addressed this issue several times in the past, and it's never solved the problem.

They've also claimed that defensive coverages have been improved, and that defenders will now do a better job of playing the first down marker in coverage. That mechanic was also supposedly implemented back when Tiburon revised zone coverages for Madden 17, but apparently that didn't work either, so here they are, promising to fix it again. Unfortunately, I haven't seen any of these promises play out in the small bits of gameplay that I've seen so far -- let alone improvements regarding block-shedding, defensive coverage, or general A.I.. So I'm tempering my expectations.

I did not see any of the promised new gameplay features pan out in the gameplay previews from E3.

EA's dev blog has also stated that tackles will now factor in momentum, speed, and player weight. Wasn't that what the Ignite, Infinity, and Frostbite engines were supposed to have been doing for the past five years or so? Admittedly, I did see a few improved-looking group tackles and broken tackles in another piece of gameplay footage, but not much regarding the advertised features. Don't get me wrong, if all these features work, then I'll be happy. It's just not very reassuring to hear the same promises year-in and year-out, and then not see them in the advertised product.

Also, what's the deal with Terrell Owens being featured so much (as the cover athlete and in the trailer)? Is he coming out of retirement or something? Does Owens actually have anything to do with the content of the game?!

A long overdue Franchise overhaul?

In any case, it looks like Franchise Mode is a large focus of this year's game, which is good news considering that the mode was almost untouched in Madden 18, which seemed to focus almost exclusively on MUT...

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I'm about to do something that has become a rather unpopular thing on the internet -- especially among liberal and progressive-minded people such as myself. I'm about to explain why I consider Rey to have been a "Mary Sue" in Star Wars: the Force Awakens.

I'm not doing this because I want to hate on the movies for the sake of hating them. I'm also not trying to hate on Daisy Ridley, and Daisy, if you read this, I want you to know that I think you did a fantastic job with the material that was given to you. I'm being critical because I want the movies to be better than they are. I have very high standards and expectations when it comes to Star Wars, and I feel that Disney's efforts so far have been sub-par. So much so that I often find myself using phrases like ... sigh ... "to the prequels' credit". I hate having to say that. It makes my skin crawl every time. I'm at a point, however, in which I find myself pointing out merits in the prequels as a point of contrast against flaws that I perceive in Disney's Star Wars films, as if one set isn't better or worse than the other; but rather, that they are just ... different.

I don't hate Rey. I am critical because I want these characters to be better.

So even though this is kind of old news that's been beaten to death for over two years, let's talk about Rey for a moment. And regardless of which side of this issue you fall on, I hope that you read the following with an open mind. And if you disagree, then that's fine. I'm not going to fight you over it.

"Mary Sue" is a subjective qualifier

Let's start with some background. The definition that I use for a Mary Sue is:

A fictional character (often appearing in fan fiction) who is primarily a vehicle for wish-fullfillment (usually being a self-insert stand-in for the author), and who is unjustifiably-competent in multiple fields -- if not everything.

Typically, these characters are good at everything they do. They get along with other established characters exceedingly well (sometimes even being romantically pursued by one or more of the canonical characters). They have few (if any) flaws. They are an idealized character who is essentially a "perfect" character within the fiction. They are also -- pretty much by definition -- characters who are added to a fictional setting long after its initial establishment.

The term "Mary Sue" is derived
from Star Trek fan fiction.

The term originated in Star Trek fan fiction, having been coined in 1973 after the publication of a parody story "A Trekkie's Tale" in the fan magazine Menagerie. This particular story (written by Paula Smith) was about a 15-year-old female character named Mary Sue, and it satirized the unrealistic nature of many characters in other fan fiction stories. Lieutenant Sue was the youngest Lieutenant in Starfleet and was an expert in virtually everything she did. She was "the best and the brightest" of Starfleet.

First off, I want to get one thing straight: whether or not a character is a "Mary Sue" is a subjective opinion. Whether or not any individual reader or viewer considers a given character as a "Mary Sue" is going to depend greatly upon where that individual draws the line between "justifiably-competent" and "unjustifiably-competent". That line will vary from person to person, and from fictional universe to fictional universe. I draw that line at a much different place for Star Wars than I do for Star Trek. In addition, this line is not always a hard or clear-cut line. It might be very fuzzy. The fuzziness of the line will also vary from person-to-person and from fictional-universe-to-fictional-universe. It's all on a continuum. Even within a single fictional universe, one character may be " more Mary Sue-ish" than another character.

Identifying a character as a Mary Sue also does not necessarily mean that the work of fiction (or even the character) is inherently bad.

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The Orville

Discovery isn't the only Star Trek show on TV this fall -- at least, in spirit anyway. September saw the premiere of Seth McFarlane's Trek-clone The Orville. Orville stumbled out of the gates at first with a premiere episode that I really didn't like. But it's been slowly getting better -- or at least, less bad, with each of the first few episodes being substantially better (though still not entirely effective) than the premiere.

A lot of this has to do with a shift in the show's tone. The show was advertised and marketed as a comedy (basically, a televised version of Galaxy Quest), and I went into the first episode with a comedic mindset, and that premiere episode definitely went out of its way to try to tell jokes. That was a problem because the jokes (and by extension the show) just wasn't funny. The focus on comedy and gags also detracted from the serious drama, which was poorly-written, sloppily-executed, and which revolved around a dumb sci-fi MacGuffin. Further, much of the comedy involved stupid pop culture references which are going to quickly become dated; thus, hurting the show's lasting re-watchability if it ever becomes good enough to warrant rewatching.

If you think Star Trek needs more dick and fart jokes --
or more dogs licking their balls in the background, then The Orville is for you.

The problem is that MacFarlane just isn't that good at writing jokes. It pains me to say this because I was a huge fan of Family Guy when it first premiered, and I'll still defend the quality of those first two seasons. But MacFarlane seems to be completely arrogant in his own joke-writing ability, while simultaneously completely dismissive of the audience's ability to grasp the jokes that he seems to think are much more complex and clever than they actually are. Most of these jokes boil down to being fart or sex jokes, and very few work on more than the most juvenile and immature of levels. Perhaps the best example of this is a joke in which the Captain Mercer puts a distress call on the viewscreen. The distressed scientist has a dog in the background who spends the entire conversation licking his balls. It was mildly funny due to its relative subtlety. Yeah, I guess that probably happened occasionally to Captain Archer in Enterprise. Ha ha. But then as soon as the conversation was over, the viewscreen flicks off, and the navigator and helmsman say "Hey, did you see that dog licking his balls?" What little subtlety is gone; joke ruined!

It's like McFarlane thinks he has to remind the audience that there was a joke, and that you should have been laughing, even though the joke wasn't that funny to begin with. This is the same problem that I've always had with laugh tracks in sitcoms: all they do is remind me that the jokes aren't funny. Except McFarlane doesn't use a laugh track, he writes the "hey, there was a joke here. Did you get the joke?" into the script!

"Command Performance" had humor more appropriate for its sci-fi set-up and relationship drama.

The next two episodes, however, seemed to plant their feet more firmly in the territory of genuine sci-fi concepts and character drama, and the show was stronger for it. The execution, however, is kind of hit-or-miss...

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Madden NFL 18 - Longshot

I'm still working on my full review of Madden 18. It was starting to get kind of long and rambly, so I decided to break off the section regarding the Longshot story mode (which I've already played to completion) into its own post so that I could be a little more thorough regarding this unique game mode. Well, unique for Madden anyway. Games like 2K's NBA 2k have been doing a similar thing for years.

Longshot is a pretty radically different gameplay mode compared to the rest of Madden, and so it also felt kind of out-of-place in the review for the rest of the game. It's very much its own self-contained thing. In fact, it very easily could have been released as a stand-alone game or "expansion" DLC pack for Madden 18, rather than being a back-of-the-box feature. It's inclusion in the core package is probably one of the reasons that franchise mode received so little attention this year, as I'm sure this thing must have taken a lot of time and resources. Madden is already overpriced as it is (in my opinion) -- especially when you consider how much money EA makes from the Ultimate Team feature -- so I'm certainly happy that I got to play this mode without having to spend any extra money.

The story of Devin Wade

If Madden 18's arcade, simulation, and competitive game modes aren't enough game varieties for you, or if you're one of those "games as art" "snobs" who writes lengthy blogs about ludonarrative dissonance or about how seemingly-arbitrary game mechanics are actually informing the narrative, then the new "Longshot" story mode might be for you.

This isn't a character-creator like in earlier iterations of Madden's Superstar mode, or NCAA Football's Road to Glory / Race for the Heisman / Campus Legend. Instead, you take on the persona of a character designed by EA, named Devin Wade. Devin is a former college football star who quit after the death of his father and is eventually recruited into a fictional reality television show called "Longshot", in which he's trained to become a potential NFL draftee. Wade is dealing with the trauma of his father's untimely death a few years ago, as well as his own feelings of inadequacy, abandonment, and maybe some guilt. You play through his training process, as well as flashback bits of his high school career (and watch other bits of his college career and some pee wee moments). Surprisingly, one thing that you won't do is have Devin suit up in an NFL uniform, as the mode concludes with him being drafted (or not, as the case may be).

Longshot includes flashbacks of Devin Wade's high school and college careers.

The mode is mostly like watching a movie (a three-and-a-half hour long movie), with the occasional quicktime event, mini-game, or time-sensitive Mass Effect-style dialogue choice...

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A gamer's thoughts

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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