E3

I don't generally give a damn about the corporate circle-jerk that is E3 (or any trade show for that matter). It's usually a bunch of cringe-worthy presentations of lofty promises and over-hyped trailers and tech demos that are rarely (if ever) representative of the final product. However, there is one game announcement that caught my attention this year, and that is From Software's Sekiro: Shadows Die Twice. That's right, it has been confirmed that the mysterious Shadows Die Twice teaser is not a sequel to Bloodborne or Dark Souls, or even to Tenchu, as many fans had speculated. It is a new IP that takes place in a feudal Japanese setting (similar to Nioh).

Sekiro does not have a firm release date, and is slated simply for "2019". So it may still be over a year away.

Perhaps I'll hold myself over with the Resident Evil 2 remake ("REmake2"? "RE2make"?), assuming that the RE4-style over-the-shoulder camera doesn't ruin it. The REmake of the first Resident Evil is, after all, quite extraordinary, and Resident Evil VII was a surprisingly-solid return to form, so I am optimistic that REmake2 will be of similarly high quality. But I digress...

As much as I love Bloodborne, I am actually pleased to see that this is a new IP rather than a sequel to Demon's Souls, Bloodborne, or Dark Souls. FromSoft always seems to thrive when introducing a new IP, even though all the Souls-Borne games share many themes, plot elements, and mechanics between them. FromSoft's track record with sequels has been ... shaky at best. Neither Dark Souls 2 nor Dark Souls 3 are "bad" games. I still sunk something like a hundred hours into each -- with no regrets. Neither of them, however, comes close to touching the brilliance that was on display with Demon's Souls, Dark Souls, and Bloodborne.

Besides, the Lovecraftian cosmic horror nature of Bloodborne makes a direct sequel risky. A sequel would almost necessarily have to further expound upon the Old Ones, the Pthumerians, the Healing Church, and the relationships between them. The more we know about these entities, the less mysterious and unknowable they become, and the less horrific the cosmic horror becomes. A sequel that removes the mystery surrounding the Old Ones, and which further empowers the player character would not only result in a weak sequel, but would also retroactively damage the first Bloodborne by providing answers to questions that were best left -- not only unknown -- but also unknowable.

E3 Announcement trailer for From Software's new IP: Sekiro: Shadows Die Twice.

Implications from the trailer

Fortunately, a direct Bloodborne sequel is not in the works -- at least not yet. Instead, we have a samurai-inspired hack-n-slash that looks like FromSoft's direct response to Nioh (which is, itself, receiving a sequel and some additional competition soon).

Sekiro seems to put a lot of emphasis on sword play, including parrying with your sword (rather than with a shield). It's unclear if the player will have access to other types of weapons besides a katana, or if the katana will include multiple stances or combat styles similar to Nioh. In any case, I expect the swordplay in Sekiro to be much more technical and precise than in the Souls game.

Sekiro seems to use the sword for parrying, rather than a shield.

This may be a further fulfillment of the design philosophies of Bloodborne...

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Soulsborne series

On the Branch Gaming

In my recent time playing Dark Souls for On the Branch Gaming, we discussed several ideas for ways that the game could have been improved. I'm not sure if From Soft will be making any more Dark Souls or Bloodborne games (at least not anytime soon), but if they do, here's a list of some things that I'd like to see them improve. At the very least, we can consider this to be a retrospective, "How could they have done it better?" brainstorm, and any other developers who want to try their hand at a Souls-Borne-style game could maybe try these alternative designs out for their games.

This isn't a wishlist of changes that I'd like to see in specific games. I've already done those for each of the Souls games:

Some of these posts (and the ideas presented in them) haven't aged very well, but I do stand by most of the suggestions offered in the above posts. At the very least, they offer perspective on how my own perceptions of the games have evolved over time.

Table of Contents

More informative UI

The UI is something that could definitely use some work. Each game in the series made minor tweaks to the UI - sometimes improving the overall experience, other times seeming to regress to a clunkier interface. But there are some things that probably should have been present, if not in Demon's Souls, then at least by Dark Souls or Dark Souls II. Some of these things seem so obvious that it boggles my brain that nobody at FROMSoft thought of them. Or maybe they were always items near the bottom of the priority list, that the team simply ran out of time to ever implement.

Collection log

Something that persitently bothered me across all the Souls-Borne games was the intrusive item-pickup notification. That giant, black box sitting almost dead in the center of the screen, partially blocking your view of your character and his or her immediate surroundings, did not need to be there. If you pick up an item in the heat of battle, then having to press X to dismiss it could be just enough of a distraction to get you killed.

Dark Souls - item pick-up
While playing Dark Souls with On the Branch Gaming,
I was reminded how distracting the item-pickup notifications are.

Instead of this big notification box, I propose an alternative: put a smaller notification in the corner of the screen somewhere that vanished after a few seconds. Since we don't want to miss knowing what we just picked up, the game should also include an item-collection log in the menu. Heck, it wouldn't even need to be a separate screen, it could just be a sorting option in the existing menu: sort by recently-acquired...

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Nioh - title

"If you own a PS4, and you aren't playing Bloodborne, then you are using your PS4 wrong!" That was the final line of my Bloodborne review. PS4 exclusives have been generally better than XBoxOne exclusives, but I haven't been particularly impressed yet. Until Dawn showed some promise and might be the only other PS4 exclusive that I'd even consider recommending. I gave up on Gran Turismo when GT4 started to turn into more of a car-collecting game rather than a racing game (I describe it as "Pokemon for cars"), and I've long since burnt out of the Uncharted games. I heard good things about the Ratchet & Clank reboot, but mascot platformers aren't really my thing, so I passed on that one. And I haven't gotten to play Horizon Zero Dawn yet.

Nioh - combat
Nioh has fast, dodge-heavy combat, in which each weapon had multiple move-sets.

Well now there's a new PS4-exclusive on the market, and it's supposed to be competition for the Souls-Borne series. Nioh definitely shares a lot of superficial design elements with Dark Souls, and its fast, dodge-heavy combat using weapons that have multiple movesets seems thoroughly inspired by Bloodborne. But Nioh is also heavily inspired by Ninja Gaiden, and the game feel is very close to the classic Onimusha games. Although the original Ninja Gaiden was a good game for its time (and some of the sequels have been good too), it's these Ninja Gaiden influences that start to hamper the experience for me.

A random loot-dropping quarter-muncher

Nioh really started to lose me with its second true boss fight: Hino-Enma, a flying vampire and/or succubus who deals paralysis. The problem was that most damage just seemed unavoidable. All her attacks dealt damage through my blocks, which meant that dodging was the only way to keep alive. But she has a cheap spinning attack that (as far as I could tell) could not be dodged if you are in melee range when she starts the attack. All of her attacks felt considerably overpowered considering the limited (if present at all) wind-ups and cool-downs for them, especially the frustrating paralysis-inducing attacks. Even when she left openings, my attacks didn't stagger her, so she often countered with her own combo when I was in the middle of an attack, which just leeched precious more health. She just kept chipping away at my health like an arcade quarter-muncher, making the fight feel less about skill and more about just being efficient enough to defeat her before I ran out of elixirs. The only way to get more elixirs was to backtrack through the level and grind for them.

Nioh - Hino-Enma
Bosses feel severely overpowered for their missions, and are tedious and uninteresting to boot.

After using a Travel Amulet to pick up my lost Amarita and return to the shrine, I power-leveled to 10 levels over the mission recommendation. This finally allowed me to beat Hino-Enma, but left me severely over-leveled for the next mission, which I cleared with absolutely no trouble at all. But then I got to that mission's boss (a lightning-spewing dog name Nue), and got repeatedly pulverized again. Even after grinding through some of the nearby Yokai (which posed virtually no threat to me at my level) to accumulate extra elixirs, I still didn't have enough to get through this boss's mile-long health bar. I don't mind being stonewalled occasionally, and I don't mind bosses being hard, but I expect the challenge to be more evenly-distributed. Am I missing some simple technique for dealing with bosses? Are the missions leading up to bosses supposed to be so trivial to deal with?...

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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