A couple weeks ago, I heaped praise upon the Spectacular Spider-Man TV show, saying that it "might be the best media adaptation of Spider-Man, period!". I still believe that holds true, but Sony's Into the Spider-Verse definitely gives Spectacular a run for its money.

Into the Spider-Verse

Spider-Verse isn't really an adaptation of any of the Spider-Man comics. Not the original Amazing comics, or even the more recent Ultimate comics. It's a completely original story featuring the modern Ultimate Spider-Man, Miles Morales, the son of an hispanic nurse and a black cop in New York. So in that sense, Spectacular remains the most faithful adaptation of the original 60's and 70's, Stan Lee and Steve Ditko comics featuring Peter Parker. I was kind of hoping to see a Josh Keaton Spectacular cameo in this film, but no such luck. Damnit, Sony, bring back Spectacular Spider-Man! Make it happen!

I also said in the Spectacular review that Spider-Man (and perhaps all comic adaptations) are best-suited to television shows in which the long-form, character-driven storytelling of comics can be allowed to play out. Into The Spider-Verse, however, proves that Spider-Man (and perhaps all comic adaptations) also work much better in animation! The animation here is fantastic. The images are crisp and vibrant, and they really "pop" to the point that the movie almost looks 3-D without actually watching it in 3-D. The action is fluid and kinetic. The character designs and costumes are all interesting (especially Spider-Gwen, Doctor Octopus, and Prowler). Kingpin's massive, hunchbacked visage kind of stands out as odd, considering that all the other characters have somewhat realistic body proportions. Everything else, however, looks really good!

Seriously, this movie's visuals will blow you away. I'm talking, like, remember how you felt when Beauty and the Beast, The Lion King, and Toy Story came out. That's how good this movie looks.

Animation if crisp, vibrant, fluid, and kinetic.

Not only is it pretty to look at from a technical level, it's also ingeniously-imaginative. There's some reality-warping, dimension-hopping dreamscapes that put Doctor Strange and Inception to shame. Most of the action is semi-realistically drawn and animated, but certain action scenes go extra comic-bookey with brief still-images of comic-like panels, complete with sound effects and speech bubbles drawn on the screen. Peni Parker, Noir, and Spider-Pig all have their own distinct animation styles that blend in flawlessly with the rest. Peni and her robot mech are from a future Japan, and are drawn and animated in a distinctively anime style. Noir is drawn like penciled-in black-and-white. Spider-Pig is full-blown Merry Melodies cartoon.

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Iron Man 3 - title Iron Man 3 poster

I have very mixed feelings about Iron Man 3.

On the one hand, the movie throws some very unexpected curve balls at the audience, and departs from other big-budget action movies by being a very thoughtful and introspective movie. It provided everything that Star Trek Into Darkness failed to deliver. If the people who wrote Iron Man 3 had been involved with writing Into Darkness, then that movie would have benefited greatly. Iron Man 3 succeeds because the writers are really trying to say things with their movie, even if they have to twist the audience's expectations and break a few eggs to do it.

On the other hand, the movie suffers from some pacing and script issues, and it blunders with its primary villain(s).

The core of the plot is about Stark coming to terms with the events of The Avengers and deciding if he can truly hang with genuine supermen and gods. It's a very introspective film (which is something that the Iron Man movies have been very good at). In fact, most of the movie revolves around Stark being forced to solve problems as a regular person, rather than being able to rely on a fancy, weaponized suit of armor.

Stark has reexamine his goals and objectives and try to figure out where he wants to draw the line regarding problems he can deal with, and problems he can't deal with, and also with whether or not he should deal with them. The internal conflict within the character is the primary moving for much of the movie's plot, and Robert Downy Junior pulls it all off with the grace and style that we've come to expect from him with this character.

Iron Man 3 - bros on the couch
Tony Stark is going to be stuck solving problems without his fancy armor throughout most of the movie.

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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