Fanboys have been demanding it for years, and now, finally Warner Brothers has seen fit to grace audiences with a version of Zach Snyder's original vision for the Justice League movie. And you know what? It's actually not that bad.

I would have been much less tolerant of the movie's 4 hour runtime if I had been stuck having to sit quietly and watch it in a theater. Being able to watch it at home, on the comfort of a couch, with friends, and able to stop to go to the bathroom or take a snack break, really helped to make the movie feel like less of a drag than it otherwise might have.

Zack Snyder's Justice League is 4 hours long, but is a much better movie than the theatrical cut.

Heck, the movie almost seems designed for audiences to get up a few times to take a break and maybe even chat about what's going on. The movie is broken up into 5 or 6 "parts", with each part beginning with a title card showing a name for the part. It's essentially divided up into 40-ish minute episodes as if it were a TV mini-series.

As such, each character gets time to shine. They all get more development, and they all have a unique role to play in the final confrontation. The whole conflict isn't just won because Superman shows up. Each of the other characters still has to do their part. Well, the heroes all get meaningful roles. Louis Lane still feels like she could have been cut from the movie entirely and it wouldn't make a difference, even though she's supposedly the key to preventing the disastrous future that keeps showing up in Batman's dreams.

Doing good for the sake of good

Perhaps most importantly, the heroes in this movie feel a little more like the heroes that we know from the comic books, even if they are still darker, edgier, and exceedingly grim and emo all the time. Unlike in Man of Steel and Dawn of Justice, these depictions of Superman, Batman, and so forth actually seem to care about everyday people, and we have multiple scenes of some of them going out of their way to fight crime and save lives. Better yet, their selfless acts are not depicted as being done as a begrudging obligation that they'd rather not be bothered with. These heroes actually do good for the sake of doing good. They also don't spend the whole movie bickering with one another, let alone indulging in the petty conflicts or dick-measuring contests presented in Dawn of Justice.

The heroes act more like heroes.

It's impossible to know how much of this was originally part of Snyder's vision at the inception of the DCEU, or if it was course-correction based off of feedback of Man of Steel and Dawn of Justice, but Snyder's Justice League is surprisingly lighter in tone than either Man of Steel or Dawn of Justice. But not to the point of self-parody that was present in Joss Whedon's re-shot mess of a film.

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Justice League poster

From the start, Justice League seemed to be slipping off the rails due to its awkward editing in the first act. It certainly doesn't help that the opening scene is terrible, uncanny valley, cell phone footage of Superman. Who in their right mind thought that would be a good opening scene?

So this movie takes place years after the events of Dawn of Justice, but Batman and Wonder Woman are just now getting around to recruiting the others? Are we to believe that Flash, Aquaman, and Cyborg had evaded their efforts for so long, only to suddenly all pop up at the same time? Then we cut to Steppenwolf suddenly appearing in Themyscira to steal his McGuffin box and butcher a bunch of Amazon. It's a scene that feels like it should maybe have been earlier in the movie in order to act as a catalyst for Batman to stop pussyfooting around and just go get Flash and Aquaman, or should have been after the bulk of the team has joined up.

As soon as Cyborg showed up, I felt the movie falling completely off the rails. Everything was getting too convenient -- too easy. There just wasn't any real resistance for the heroes. The villain completely failed to create any real stakes or sense of threat, and just has no real presence in the movie at all. Even when the characters are saying that "we're all probably going to die", it doesn't feel like a low point for them. By the end, the heroes are gleefully punching the bad guy, and Superman just shows up a toys with him. Nobody seems to be taking anything seriously. There's no gravitas. Even the Marvel movies, as colorful and upbeat as they tend to be, always have moments with gravity. Justice League tries to go the route of Avengers by pretending that the heroes don't really get along (until they have to), but it never feels genuine.

So now DC has completely squandered both the death and resurrection of Superman. These are two watershed moments in comic book history that are never going to have the same impact for movie goers. And hey, let's leave the magic, world-destroying McGuffin unattended while we wrestle with Superman, so that the bad guy can literally just beam down, pick it up, and beam away.

Why is the team just now coming together?
What the heck were Batman and Wonder Woman doing in the years since BvS?

In addition to poor editing and poor plotting, the movie is also just plain ugly to look at. I want to praise the movie for being brighter, more colorful, and not as washed-out as Man of Steel or BvS, but I can't because the movie just looks terrible. Superman, Aquaman, and Batman's costumes look particularly phony in the brightly-lit environments of this movie. Steppenwolf and Cyborg stand out as blatant CGI monstrosities. And Flash and Wonder Woman's costumes aren't far behind on the ugly scale. Flash's costume looks like it is being held together with pieces of metal wire and tape and looks like a cheap cosplay outfit, even though Bruce Wayne gushes over how technologically advanced it looks. What, Bruce, you couldn't give him a kick ass, actual technologically advanced costume like what Tony Stark did for Spider-Man in Homecoming? Half the time, Wonder Woman's costume suddenly looks too big in the top (like it's about to fall off of her) and too small in the bottom (with her cheeks hanging out from under her skirt). Jason Mamoa and Henry Cavill get topless for whole scenes, so the ladies get plenty of beefcake to ogle. But Wonder Woman is the only one with her ass hanging out of her actual costume.

In general, the color-correction looks awful. You can view early trailers of the movie, and then newer trailers and see that entire scenes were changed from being general night-time footage to being in broad daylight or having some weird red filter applied to them. I get that it's a reaction to the general consensus that the other movies are too dark (visually), but as movie-makers, someone had to have known that the costumes are designed to be shot in certain lighting conditions, and arbitrarily changing those conditions completely changes the way that the costumes look.

Even the trailers went out of their way to highlight gratuitous Wonder Woman upskirt.

There's also a few moments in which the heroes seem to completely disregard the preservation of their secret identities. Batman calls up Alfred within earshot of a thug, and Louis stands in the middle of an open park, in broad daylight, yelling Clark's name with policemen standing around her (and presumably a large crowd watching from a distance)...

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Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

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