Justice League poster

From the start, Justice League seemed to be slipping off the rails due to its awkward editing in the first act. It certainly doesn't help that the opening scene is terrible, uncanny valley, cell phone footage of Superman. Who in their right mind thought that would be a good opening scene?

So this movie takes place years after the events of Dawn of Justice, but Batman and Wonder Woman are just now getting around to recruiting the others? Are we to believe that Flash, Aquaman, and Cyborg had evaded their efforts for so long, only to suddenly all pop up at the same time? Then we cut to Steppenwolf suddenly appearing in Themyscira to steal his McGuffin box and butcher a bunch of Amazon. It's a scene that feels like it should maybe have been earlier in the movie in order to act as a catalyst for Batman to stop pussyfooting around and just go get Flash and Aquaman, or should have been after the bulk of the team has joined up.

As soon as Cyborg showed up, I felt the movie falling completely off the rails. Everything was getting too convenient -- too easy. There just wasn't any real resistance for the heroes. The villain completely failed to create any real stakes or sense of threat, and just has no real presence in the movie at all. Even when the characters are saying that "we're all probably going to die", it doesn't feel like a low point for them. By the end, the heroes are gleefully punching the bad guy, and Superman just shows up a toys with him. Nobody seems to be taking anything seriously. There's no gravitas. Even the Marvel movies, as colorful and upbeat as they tend to be, always have moments with gravity. Justice League tries to go the route of Avengers by pretending that the heroes don't really get along (until they have to), but it never feels genuine.

So now DC has completely squandered both the death and resurrection of Superman. These are two watershed moments in comic book history that are never going to have the same impact for movie goers. And hey, let's leave the magic, world-destroying McGuffin unattended while we wrestle with Superman, so that the bad guy can literally just beam down, pick it up, and beam away.

Why is the team just now coming together?
What the heck were Batman and Wonder Woman doing in the years since BvS?

In addition to poor editing and poor plotting, the movie is also just plain ugly to look at. I want to praise the movie for being brighter, more colorful, and not as washed-out as Man of Steel or BvS, but I can't because the movie just looks terrible. Superman, Aquaman, and Batman's costumes look particularly phony in the brightly-lit environments of this movie. Steppenwolf and Cyborg stand out as blatant CGI monstrosities. And Flash and Wonder Woman's costumes aren't far behind on the ugly scale. Flash's costume looks like it is being held together with pieces of metal wire and tape and looks like a cheap cosplay outfit, even though Bruce Wayne gushes over how technologically advanced it looks. What, Bruce, you couldn't give him a kick ass, actual technologically advanced costume like what Tony Stark did for Spider-Man in Homecoming? Half the time, Wonder Woman's costume suddenly looks too big in the top (like it's about to fall off of her) and too small in the bottom (with her cheeks hanging out from under her skirt). Jason Mamoa and Henry Cavill get topless for whole scenes, so the ladies get plenty of beefcake to ogle. But Wonder Woman is the only one with her ass hanging out of her actual costume.

In general, the color-correction looks awful. You can view early trailers of the movie, and then newer trailers and see that entire scenes were changed from being general night-time footage to being in broad daylight or having some weird red filter applied to them. I get that it's a reaction to the general consensus that the other movies are too dark (visually), but as movie-makers, someone had to have known that the costumes are designed to be shot in certain lighting conditions, and arbitrarily changing those conditions completely changes the way that the costumes look.

Even the trailers went out of their way to highlight gratuitous Wonder Woman upskirt.

There's also a few moments in which the heroes seem to completely disregard the preservation of their secret identities. Batman calls up Alfred within earshot of a thug, and Louis stands in the middle of an open park, in broad daylight, yelling Clark's name with policemen standing around her (and presumably a large crowd watching from a distance)...

[More]

Guardians of the Galaxy, Vol. 2

What are the two biggest, most consistent weaknesses of the Marvel movie franchises? Well, they have a lot of trouble with direct sequels -- the sole exception being Captain America: Winter Soldier (why, oh why did I never review that movie?!). They also have a lot of trouble with villains -- the sole exception probably being Loki. I'd also throw in a third weakness, which would be the over-reliance on McGuffins to carry the plot.

Well, Guardians of the Galaxy Vol. 2 actually manages to avoid all three of those Marvel pitfalls!

Vol. 2 gets around the sequel slump by slowing things down a bit so that it can be a more character-driven story. For the majority of the film, the stakes are set pretty low and personal, and each character gets a chance to be an actual character rather than just an action hero. The main plot revolves around Starlord connecting with his long-lost father, only to discover (almost too late) that said father is actually a supervillain, and that he didn't realize that he had another father figure right there beside him the whole time. That's a great setup. But I almost feel like Starlord and the rest of the Guardians crew feel more like the B-Story here, because this movie feels like it's more about Yondu than about Peter Quill, Gemorah, or any of the main cast. But that might be partly because the entire cast gets such a balanced amount of screen time, and no one character or plot thread dominates the others.

Guardians of the Galaxy, Vol. 2 - Starlord and dad
This movie operates on a smaller scale, with a more personal conflict -- at least initially.

Despite the frequent cuts and the presence of almost half a dozen individual plot threads, the movie is remarkably tightly-themed. Virtually every plot thread in the film revolves around family. Quill meets his father. Gemorah finally gets to understand her sister. Rocket is dealing with raising Baby Groot and confronts his own inability to stop being an asshole long enough to let anybody actually like him. Drax is being repeatedly reminded of the loss of his own family. And Yondu is dealing with the feeling that he's a failure in the eyes of anybody who he ever might have considered "family".

This family-centered core of the movie then manages to help resolve the second major issue with Marvel movies. Vol 2 actually has a pretty interesting and mysterious villain...

[More]
Star Trek Beyond - poster
Star Trek: Beyond

I didn't really know what to expect from this movie. I was pleased that Abrams wasn't directing anymore, and that Roberto Orci and Alex Kurtzman weren't writing it. Simon Pegg writing seemed like good news. Justin Lin of Fast and Furious fame directing seemed questionable. The casting of a villain was also disappointing, as it seemed to set the stage for yet another dumb action movie. I watched the trailers, but I tried to avoid larger spoilers and speculation. I didn't want to go into the movie with a bias the way I did with Into Darknes because of all the speculation about Benedict Cumberbatch's character (would he be Khan? Would he not be Khan?).

I was really hoping for Simon Pegg to write a more pure science fiction story instead of a schlocky action movie, especially after the success and hype surrounding The Martian. "Beyond" sounds like a good title for a Star Trek movie. Maybe it would feature the crew of the Enterprise dealing with some kind of environmental challenge out in the unexplored frontiers of space? Maybe it would actually be about exploration and discovery? Maybe it would tell some timeless allegory for the human condition? I could only hope. The announcement of a villain sort of shattered that hope.

Star Trek Beyond - Krall
Yet another vengeful supervillain looking for a McGuffin doomsday weapon.

It doesn't help that the villain is really under-written, and that the plot revolves around the bad guy trying to get a McGuffin in order to activate a doomsday weapon. We've only sat through this plot a hundred times in sci-fi and comic book movies over the past decade. If his plan was to attack the space station anyway, then I don't know why he didn't just do it right from the start, while the Enterprise (and the McGuffin) were docked. Come to think of it, why is the Federation building massive, civilian space stations within eyesight of an ominous, unexplored nebula? Meh, I guess that's better than needing the Enterprise to warp back and forth between Earth and the Klingon homeworld in the span of a couple hours...

[More]
Star Wars the Force Awakens - title

So where do I start ...?

... With the Mary Sue protagonist?

... Or the McGuffin plot device?

... Or the uncomfortably rushed pacing?

... Or that the uncomfortably-rushed plot was a complete rehash of the first movie's plot, starting with hiding a secret document inside a droid and culminating in a trench run to blow up yet another Death Star?

... Or how about the other fan-service?

... Or the shallow character arcs?

... Or the completely throw-away characters like Phasma?

... How about the weak, forgettable original score?

... Or even how the lack of the 20th Century Fox fanfare made the title crawl feel weird?

Yeah, I came out of the movie with a very sunken, disappointed feeling. Heck, at first, I wasn't even sure if what I had just seen was even better than the prequels. But I'll give The Force Awakens some credit and say that it is better than the prequels. Despite Rey coming off as a Mary Sue, and despite that all the other characters have arcs that are completed within the first ten minutes of the movie (if an arc exists at all), the characters and performances are much better than what we got in the prequels. I thought that the friendliness and camaraderie between the heroes felt a bit forced, but that was partly the result of the rapid pacing of the movie. The Millenium Falcon seems to warp back and forth across the galaxy three times over the course of the movie, and hyperspace seems to allow virtually instantaneous transit now (another problem that Abrams carried over from Star Trek). Is travel instantaneous, or did these characters spend days or weeks bunking on the Falcon?

Star Wars the Force Awakens - running from TIE assault
Rey feels like a Mary Sue character who fulfills a multi-film development arc in the span of a few minutes.

Rey is a Mary Sue character whose entire development occurs in the couple minutes that she's strapped into an interrogation chair; although I loved the witty subversion of the "damsel in distress" trope in the beginning of the film: "Stop holding my hand, I know how to run!". LoL. Fin's arc is basically complete within the first ten minutes of the movie. Kylo Ren has a shallow arc that is left unresolved so that it can be further explored in the subsequent films (I'm assuming he's probably going to have a redemption arc similar to Vader's in Return of the Jedi). Han and Leia don't have arcs, as they just have backstory. All their character development happened off-screen in the thirty intervening years. And I'm OK with that. I didn't expect Han and Leia's relationship to work out anyway. They had nothing in common except the fight against the empire. Once that was over, Leia was likely to go back to being a diplomat or politician, and Han would have to turn his back on the life of crime and mercenary work that he's good at in order to find a respectable job and avoid being a source of scandal and controversy. That wasn't going to happen!

So all the backstory made sense to me, and was all pretty much what I expected. That is, until the political situation came up... So there's another republic now (makes sense), and that republic is the dominant governing power in the galaxy, right? And then there's this small, Cult of Darth Vader that calls itself the First Order. The First Order isn't the empire (or even the remnants of the empire), but they use the empire's stormtrooper armor, TIE Fighters, and Star Destroyers out of reverence for Vader. And they hold no actual power or influence, right? They don't even recruit soldiers from the general galactic population. They either kidnap children, or grow them in test tubes to be raised to fight as stormtroopers (and maybe even as officers, as suggested by the youthful General Hux). The only sympathy or cooperation that they receive is from fear and intimidation, which for some reason, the republic is either unwilling or incapable of doing anything about?

And then there's this resistance that Leia is supposedly in charge of, and that everyone in the galaxy seems to know about. What are they resisting? They're not resisting the republic. They seem to be resisting the First Order, and that they are sanctioned by the republic but not an official part of the republic. Well why not? Why are they still a small, ragtag group of former rebels that are apparently hiding away in secret bases? Why isn't the "resistance" just the republic's army or some sort of special operations unit? I'm sure that this sort of stuff will be explained (and hopefully make more sense) in the follow-up movies (or maybe it's already been explained in official books or whatever), but that doesn't change the fact that it made no sense in this movie. It's just another example of J.J. Abrams seeming to have no comprehension of the size and scale of the universes that he's working in.

Star Wars the Force Awakens - X-wings incoming
The political situation is very poorly explained. Who are the "Resistance",
what are they resisting, and why aren't they part of the new republic's official military?

The overall plot works well enough for the first two-thirds of the movie. [More]

Grid Clock Widget
12      60
11      55
10      50
09      45
08      40
07      35
06      30
05      25
04      20
03      15
02      10
01      05
Grid Clock provided by trowaSoft.

A gamer's life...

Welcome to Mega Bears Fan's blog, and thanks for visiting! This blog is mostly dedicated to game reviews, strategies, and analysis of my favorite games. I also talk about my other interests, like football, science and technology, movies, and so on. Feel free to read more about the blog.

Follow me on Twitter at: twitter.com/MegaBearsFan

Featured Post

Another Cities Skylines wishlist: Tourism, Leisure, and the Great OutdoorsAnother Cities Skylines wishlist: Tourism, Leisure, and the Great Outdoors08/05/2017 Some of the suggestions from my first wishlist have actually been implemented in Cities: Skylines. Naming roads, and adding directional traffic overlays were recently added in the Mass Transit expansion, and the previous Snowfall expansion incorporated some of my ideas for seasonal cycles (minus the part where the seasons actually...

Month List

Random Post

Stop complaining about sci-fi tech that hasn't been invented. What has been invented is better.Stop complaining about sci-fi tech that hasn't been invented. What has been invented is better.07/10/2015 "Back to the Future Day" is rapidly approaching. This fall, expect to see an onslaught of social media posts about how scientists and engineers have failed us because they haven't invented hover boards, self-drying clothes, holographic sharks, or flying cars. These sorts of Back to the Future memes have been showing up on social...