I always have mixed / complicated feelings about survival games. They always seem like a great idea in principle, and I feel like I would really enjoy them for their methodical gameplay oriented around problem-solving (which is one of the reasons I also love classic survival horror games). But when I actually play them, they are often annoying and frustrating, and I have a miserable time trying to learn how the game works.

I think a big part of the problem is that a lot of these games, being modest indie titles, don't have robust tutorials and aren't very good at communicating their gameplay mechanics to the player in an efficient manner. Even when they have tutorials, those tutorials feel like they barely scratch the surface of what the player needs to know. And then you're shoved out into the deep end, having to learn the rules of the game world and the controls for navigating it, while your precious food, water, and energy meters are all depleting. These games are insanely difficult in the early sessions because every new threat or challenge feels like an unfair "gotcha!" from the developers. Once I learn the systems (through lots of frustrating trial-and-error), I find that everything I need is readily available, and most of the fun and challenge of the game gets optimized away, leaving only the tedious chores.

Case in point, figuring out how to save the game in my first couple play sessions with Green Hell VR was a very aggravating experience. I don't recall the game ever telling me that saving requires building certain types of shelters. I assumed the game would autosave every time I slept, and possibly also every in-game day, or every 20 or 30 real-world minutes. So imagine my surprise when I slept, closed the game, and booted it up the next day to find that none of my progress from the previous session had been saved. No, sleeping in just any bed isn't enough to save the game in Green Hell. You need to craft one of 2 or 3 specific shelters, or at a specific landmark.

Saving the game can only be done at dedicated checkpoints, or at a crafted shelter.

Initially, crafting these shelters feels like a relatively daunting task. You need large sticks and palm leaves, both of which are too large and bulky to be stored in your backpack. Scavenging around for them can be time-consuming. They always seem to be everywhere as I'm walking through the jungle, but then nowhere to be found when I try to set up camp. It took me a while to figure out that I could get large sticks by cutting down certain trees, and that palm leaves could be easily cut off of palm trees. I was initially hesitant to use my sharp stones or basic axe to try cutting down these trees because the durability of these tools is so low. So I would wander around looking for loose logs and palm fronds to carry back to camp, all while my health and energy are slowly draining. Logs and leaves were the bane of my existence in the first few play sessions!

I don't have a problem with limiting the ability to save, nor do I have a problem with tying the save functionality to a resource. I've praised Resident Evil for doing those very same things. But Resident Evil at least very clearly explains how saving works, and gives the player an opportunity to save your progress right at the start of the game. The typewriter and an Ink Ribbon are right there in the first room of the game. Green Hell, on the other hand, requires playing through to a particular milestone before you find the first save point, which (depending on how you play) might be hours into the game.

A few months ago, the Jimquisition had an episode about gamers criticizing game reviews and reviewers for "not finishing the game". James/Stephanie Sterling correctly points out that this complaint with a game review is most often employed to deflect from valid criticism of a game -- usually because the person complaining likes the game and gets overly defensive in response to any criticism. While I agree with James/Stephanie Sterling's response in the original video, I also have strong feelings about other practical concerns regarding whether a video game reviewer should need to finish a game in order to review it. As an amateur game critic and YouTube essayist, this particular brand of attack against reviews and reviewers is relevant to me, my gaming habits, and my content creation, so I hope that I have a worthwhile perspective about this topic.

As for the underlying issue of whether a game reviewer should have to finish a game before reviewing it: the answer to that question is a resounding, absolute, unequivocal "no".

As an amateur, who plays games and creates written reviews and video essays, all on my free time, outside of a full-time job, I cannot play every game to end credits -- let alone to 100% completion or a Platinum Trophy.

And you know what? Neither do most players.

Go ahead, take a look at the achievement or trophy metrics for any game you play. You'll probably find that the achievement for beating almost any game will be owned by well below half of all players, and might actually be less than a quarter of players for many longer games like RPGs. And while there are certainly some players who play offline and don't report their stats to Steam, Microsoft, Sony, or Nintendo, the achievement stats for the vast, overwhelming majority of games is very closely representative of the population, since most players don't go to the trouble of playing "off the grid".

Finishing a game is a relatively rare thing for the average gamer to do, which means the average gamer isn't going to care if a particular review finished the game or not. That average gamer is probably not going to see the end of the game anyway, so a review that only covers the first half or so of the game will still be perfectly adequate and informative for such a player.

Most games are completed by well under than half of all players.

So as an "average gamer" who plays as a hobby and writes reviews and other content on the side, as an un-paid amateur, not finishing a game is good enough for me too. Yes, I will try to finish the main campaign of a game that I review, if it's possible and practical. For most shorter games (with campaigns less than 20 hours), I do, indeed, almost always hit the end credits before I publish a review. It will usually take me a few weeks to do it, which is why, even if I bought the game on release day, my reviews will still be several weeks late, or longer. Most of my reviews are practically retro reviews by the time I get them out.

When I first saw that there was an NFL-licensed VR game, I assumed it was developed by EA and associated with Madden. After all, EA owns the exclusive rights to NFL-licensed "simulation" football games. I downloaded the playable demo expecting that first-person VR football would be a nauseating disaster of a game. But much to my surprise, the demo was not bad. And doubly-surprising, it isn't developed by EA either. It's developed by StatusPro, inc., which is a company that has made VR training tools for actual athletes, and which is now testing out the waters of VR sports video gaming.

So I guess this is a second loophole to EA's NFL "exclusivity". Not only can other companies make "non-simulation" NFL games, but apparently, VR games are not covered by EA's exclusivity, regardless of whether the VR game could be considered "simulation" or not. NFL ProEra definitely falls into the camp of "simulation" as far as I'm concerned. I mean, what could be more "simulation" than an immersive VR game? Or is it "not simulation" because it lacks a multi-season Franchise mode?

Anyway, the demo was pretty hard. I'm used to reading defenses from a bird's-eye view as both a football spectator and video gamer, so I had a lot of trouble reading the defense from ground-level. I also struggled a bit with aiming my throws. I figured that if the offenses and defenses are using actual football concepts in their A.I., then I should be able to learn to read the defense with enough practice, and the control seemed responsive enough that I hoped I could eventually get used to the throwing motion. So I went ahead and dropped $30 for the full game, curious to see how robust and complete of an NFL experience it would provide.

I was expecting VR football to be a nauseating disaster, but it's surprisingly fun and engaging.

Then I was pleasantly surprised for the second time. I fully expected that the game would just be a collection of short scenarios and mini-games. You know, some "throw the ball through swinging tires" kind of things to practice or warm-up, followed by a short scenario in which I'd have to lead a two-minute drill to win some games. But that isn't the case. After the tutorial, I jumped into an exhibition game to wet my feet, and there was a whole football game there! ProEra even comes packaged with options for quarter length and game clock run-offs (e.g. an "accelerated clock", in Madden parlance). So I could even play a full-length, 15-minute quarter match if I wanted to. And yes, there's training camp mini-games and practice modes too! A couple of those mini-games will even be familiar to long-time Madden veterans.

So yeah, NFL ProEra actually does offer a reasonably complete and robust virtual NFL quarterback experience. But right there, in that sentence, is the first big caveat. You can only play as a quarterback. So if you were hoping to get to live out a VR career as a running back, receiver, or linebacker, you're out of luck -- let alone if you're one of the weirdos who dreams of being a punter, place-kicker, or longsnapper.

Some of the mini-camp drills will be very familiar to older Madden veterans.

Surely this has to be the last DLC that Cities: Skylines is receiving, given that the sequel is due out this fall. This last wave of expansions and content creator packs has scratched a lot of very specific itches that I've had with Cities: Skylines for a long time, and they've had me playing the game a lot lately. I've been building a large city up over 100 thousand population, and also going back to some older save files and either upgrading them to use newer DLC assets, or to replace old mod assets with analogous official DLC assets.

A near seamless fit

What I really like about Hotels & Retreats is how seamlessly they fit into the existing game. Like with Industries, Campus, and Airports, I feel that Hotels & Retreats could easily have fallen into the trap of replacing old assets and rendering them moot or useless. Like, if the DLC had added a "resort area" mechanic using the Parklife area painting mechanic with modular hotels and resorts, it could easily have caused me to stop using the After Dark leisure and tourism district specializations (just like I've basically stopped using farm, forestry, oil, and ore industry specializations because I use the Industries areas instead).

Hotels & Retreats works very well alongside other expansion content!

Instead of feeling like a replacement for the existing tourism districts, the content of Hotels & Retreats is a great supplement. In fact, it feels like it could easily have been part of the After Dark expansion. Or the Parklife expansion. Or the Airports expansion. Or Plazas & Promenades. Or even the previous Financial Districts DLC.

Each hotel has preferences for proximity to a combination of city landmarks, shopping, offices, or nature. How well the hotel's location fits its unique combination of those 4 preferences will determine how popular it is for guests, which in turn will influence how much (if any) profit it makes, and the player can set its pricing accordingly. A business hotel placed in the middle of an IT or financial specialty district, along with some nearby commercial districts, will generate high profit; while a rental cabin will do best if placed in the vicinity of a nature preserve, in the middle of a forest, or along a pristine scenic coastline.

Each individual hotel's profit is aggregated into a total profit margin for the "chain" of hotels, and higher-level hotels are unlocked by increasing the weekly profit of the entire chain. So improperly-placed or poorly-performing hotels can be subsidized by the fully-occupied, perfectly-placed hotels with higher prices and profit margins.

Cheap, unprofitable niche hotels can be subsidized by the more popular and expensive hotels.

Hey! I finally actually downloaded and played one of the PSN free monthly games for a change! Endling: Extinction Is Forever has been on my Steam wishlist for a while, but I passed on buying it during this summer sale because I instead spent most of my summer sale money on vintage Star Trek games as research for an upcoming video essay. Well, I got lucky because a week or 2 later, Endling showed up, for free, on the PSN!

Endling: Extinction Is Forever may look like a cutesy little indie game featuring a cute little fox taking care of her cute little fox babies in a beautiful, lush, vibrantly-animated forest. But as the game's title should hopefully suggest, this game is not nearly as cute and pastoral as the thumbnail suggests. Endling is actually quite a bleak and depressing game that addresses ecological collapse, species extinction, corporate greed, the cruelty of humans when they're desperate, and other similar themes.

It has sparks of optimism. There are opportunities to show compassion and to cooperate with other animals and humans. But they are fleeting, and often punctuate tragedy anyway.

There are brief flickers of compassion and optimism, but Endling is an overall bleak game.

So yes, if you download this game, you will get cute, cartoon foxes frolicking in vibrantly-colored woods. And they are adorable and charming. But then again, Bambi and The Land Before Time were also colorfully-animated movies about cute woodland critters, and ... well ...

Motherly instinct

The game begins with the player controlling a fox escaping a raging forest fire. She reaches her den and it is revealed that she is pregnant, and she immediately gives birth to four little fox pups, which the player can customize with different colors to add your own personal touch to the game. But before you can even get around to naming them, a monstrous human hunter reaches into the den, grabs one of the pups, and kidnaps it. You now have 3 little fox pups who are wholly dependent on you, and it is your job to keep them fed and safe.

The gameplay loop consists of leaving the den each night to explore the forest and scavenge or hunt for food to feed your remaining pups, while also, occasionally picking up the trail of the human hunter who kidnapped your fourth pup. Then you must return to your den before the sun comes up, or else the forest will become populated with human hunters and trappers who will relentlessly pursue you and your pups for your meat and skins. And if you fail to find enough food in a given day, one of the cubs will starve to death.

As the game progresses, the humans destroy more and more of the ecosystem.

As you explore, your cubs may also learn various survival skills of their own, which allows them to reach new places, or access food that the mother fox cannot reach. There are some skills that all the pups can learn, but most skills can only be learned by a single pup in a given playthrough, which means that using that pup's skill to access a hard-to-reach place will mean leaving the other cubs behind.